Have you ever wondered what a Jónsi-fronted Radiohead would sound like? Well Idea for a Film, the newest band on the scene, proves that it is very similar to a Thom Yorke-fronted Radiohead, as it turns out, but there is a subtlety to it that makes it very compelling. Listen to the track, “Can’t Sit Still,” below.
Idea for a Film is really just that- an idea. This is their only track and there is so little information on the group that I am not entirely convinced this is a real band. But I am looking forward to whatever may lie ahead, real or fiction.
Keep checking back with their website for more information.
Tired of mainstream pop? Not really feeling your latest album? Not looking for any of those short-term cures for aggravating familiarity? (I’m looking at you, Disclosure; I can’t hear a bar of “Latch” without getting it stuck in my head.) Well, boy have I got the thing for you! Follow these eight simple steps to listen to more Dan Croll, one of the most interesting pop musicians on the scene today. Continue reading
Psychedelic rock is a very enduring genre. Though it has changed over the years, the feeling it evokes remains intact. Today, we have artists such as Tame Impala and Unknown Mortal Orchestra, but I still have a soft spot for sixties rock-pop, the first incarnation of psych rock. The Beatles are important to anyone’s musical self-discovery, and some current bands can capture that old school sound very well. I think Paul Orwell is one of them.
In his newest single, “Tell Me Tell Me,” Orwell and his band The Night Falls make a Britpop song straight from 1963. The echoing in the vocals and twangs in the guitar strums make this modern song feel as if it were written decades earlier. Not to mention that Orwell plays the part; he’s aloof, and I think if I met him in person he’d just shake his head and mumble some Britishisms. In the video for “Tell Me, Tell Me” he and his band go to a barber shop, seemingly to only annoy the hairdressers. Orwell is too cool for school, and refuses to stop moving around for the haircut, but he doesn’t care how it will turn out. He is similarly indifferent in his video for “Little Reason,” Orwell’s earlier single.
My favorite thing about this London native is his full head of hair. I watched “Tell Me Tell Me” expecting his hair to be a little shorter than it was at the beginning, but he ends up with the same mess of hair that he’s always had. And that’s when I realized, his hair is the joke. He has the same mop in “Little Reason” and even has illustrations that accentuate his overly full head of hair. I think that his wit and songwriting skills will propel him into contemporary popularity, even though he sounds like a contemporary of the Kinks.
For more information on Paul Orwell, visit his Facebook.
Music can sometimes mess with your emotions. I have heard music that completely alters my mood just after hearing the opening chords. Fenech-Soler, fittingly, has the capacity to do this as well. Their second studio album, Rituals, makes for a great dance soundtrack to everyday life, given life’s daily twists and turns.
The sunrise of a fade in that starts the album should get you appropriately pumped for what’s to come. There are as many synths and bass lines as you could want, and I also very much appreciated the steel drums in numbers such as “In Our Blood.” The keyboard creates drama some of the tracks, coming to prominence in “Stonebridge,” the slowest track on the record. The vocals are excited and inspired; paired with the instrumentation, the record becomes infectious and inspiring. The songs vary from lighthearted tunes about falling in love to heavier tracks about losing it. Teenagers will probably label “Lies” as a power electro pop breakup song, because it is perfect the imaginary argument with an ex, shouting “LIES!” in his or her face. (It might catch on with Congressmen as well.) “Two Cities” closes Rituals, doing the whole album prior justice. The song encourages independence, (“We are all that we need!”), before coming to a guitar strum conclusion.
Rituals is out now. Find out more information about Fenech-Soler on their website.
Full disclosure: I love Grizzly Bear. I think that “Two Weeks” is the greatest song I’ve ever heard, I love Daniel Rossen’s voice, and Ed Droste’s Twitter is one of the best. I’m not obsessed with them, but there will be no disrespecting the Bear while I’m around. Enter Ghost Cousin, a band that could be easily labelled poor man’s Grizzly Bear, rich man’s Poor Moon; however they have truly a unique sound that will one day be only theirs.
Scotland is an album that too few people have heard. After listening to it only once, I found myself humming the tune of “Healed Eyes” while darkly brooding. The deliberate rhythm of the album is mesmerizing and gives way to delicate guitar riffs, as in “Run Home.” The songwriting is poetic, creating stories with characters that you grow attached to: a mother, a son, a lover, an enemy. Each track is very endearing, each character a part of your life whether you knew them before or not.
Ghost Cousin is a fairly new band, only having released an EP, “Landscape of Animals,” before this. They are still underwhelmed by the industry it seems, after recording most of this album in a church in their hometown of Edmonton, Canada. They will know the headache of record companies and labels once they come into fame, which I predict will be fairly soon. At least, I hope so; I don’t want to see Ghost Cousin leave the spotlight for a long while.
Scotland is out now, and you can hear it below. For more information on Ghost Cousin, visit their Facebook.