Noah and the Whale Release New Album
Noah and the Whale’s pervasive optimism was challenged with their last album The First Days of Spring. But, with the recently released Last Night on Earth, the band takes their album title seriously and performs an exciting ode to optimism. If it was my last night on Earth I’d party it up too. In some ways, the band fell into the trap of the sophomore album slump, but this third release reveals 11 tracks, some upbeat and catchy and some more low-key but still positive. Every release, creative in its own right.
Adrian from music-news.com calls it, “a very uplifting, competent album from an act that will ride the wave of nu-folk and potential top it.” I like that title. Nu-folk. That is what bands like Noah and the Whale and Mumford and Sons play. Modern folk tinged with old inspiration and new Indie modernity.
A Dead Man’s Curve Happy B-day
From nu-folk to surf pioneers. Dean, of the surf music pioneers Jan and Dean, is 71 today and we celebrate by looking back at the surf genre that they mastered. Surf music follows a similar construction. The songs have high-pitched simple chord structures and vocal harmonies. It is based off of the example that the Beach Boys set.
Jan and Dean mastered their vocal harmonies and saw success because of it. In 1964 they released “Dead Man’s Curve” which neatly fit into the surf pop teenage tragedy genre that was soaring at the time. For some reason, listeners wanted to hear about teenagers meeting an unfortunate end because of youthful stupidities, like drag racing around dead man’s curve. The Shangri-La’s had three examples of tragic songs. Perhaps the best is Wayne Cochran & the C.C. Riders’ “Last Kiss” from 1962, but Jan and Dean’s drag race is up there. Here it is: