Category Archives: Artists of Interest
That’s One Fuzzy Duck – Having Some Fun With Early 70s Prog Rock
The Andes are Falling!
Don’t worry. The Andes are not really falling. Go back to bed South America, everything is going to be okay. But if the Andes were in Pittsburgh, PA, well, then residents might need to take caution. Falling Andes, a new Indie/Pop, is hot off the presses and one listen to their dulcet melodies and sticky rhythms will get you hooked on the Andes.
Falling Andes was manufactured by multi-instrumentalists Dan Peluso (vocals, guitar, synthesizer) and Jordan Wood (vocals, guitar, bass, keyboards). The accomplished duo started writing songs together and expanded the band to include drummer Peter-Michel Natishan and guitarist Mike Boyer. Now when I say the band is new, I am not pulling your leg. Their debut EP dropped two days ago on iTunes. Pick it up. You will feel mighty good about yourself when the indie world picks up on the exuberant joy of Falling Andes.
If I had to pick one song to introduce the band it would have to be “San Francisco.”
The synth beginning is promising, but when the airy guitar chords kick in and lay comfortably over the synth the listener is transported to Fisherman’s Wharf, his/her eyes staring at the San Francisco Bay. The voice of the lead vocalist is distinct. I’m not entirely sure how to describe it. His “oh, no” shouts remind me of the always theatric Arthur Brown’s shout of the same words in his song “Fire.” It fits perfectly, though. The song is fresh and catchy and I smell the sea when I listen to it. Which, of course, is interesting because the band is from Pittsburgh. Definitely check this band out.
Visit the band’s website
Harry Chapin – The Untimely Death of a Good Man
I originally wrote this story for the LI Press which can be accessed by clicking on this link
The epitaph on Harry Chapin’s gravestone is a lyric taken from his song “I Wonder What Would Happen to this World.” Carved into the speckled gray stone, under his name and the years 1942-1981, are the lyrics, “Oh if a man tried to take his time on Earth and prove before he died what one man’s life could be worth I wonder what would happen to this world.” Today, Saturday, July 16, marks 30 years since Brooklyn-born folk singer/songwriter Harry Chapin died in a car accident on the Long Island Expressway, but the tireless philanthropic work he did when he was alive has transcended time and made a man consistent with his epitaph.
“Chapin’s legacy to finding an end to hunger has lasted because he went after the cause with such passion,” says Paule T. Pachter, executive director of Long Island Cares, the organization Chapin founded in 1980. “Harry was walking through the halls of congress when he was talking about hunger. No one has come by with that kind of passion and conviction. There really hasn’t been another voice to fill his void.”
In memory of the 30th anniversary of Chapin’s death, Long Island Cares has created a 10-day celebration of Chapin’s life running from July 8-18, which will culminate over the next three days, beginning with a concert today and closing on Monday. Today, the anniversary of Chapin’s death, members of the Chapin family will gather at the Chapin Rainbow Stage in Heckscher Park, Huntington for a concert to support Long Island Cares. The concert is free but donations are appreciated. For a donation of $100 per person to Long Island Cares, each donor will receive an invitation to a special Meet and Greet reception with the Chapin Family one-hour prior to the concert at the Heckscher Museum. On Sunday, Pat Fenton, author of “Harry Chapin’s America, Remember When the Music,” will join musician Paul Gomez at Borghese Winery in Cutchogue for a tribute to Chapin from 2-4 p.m. Gomez will perform some of Chapin’s songs and Fenton will read excerpts from his book. And at 7:30 p.m. on Monday, July 18, a free Harry Chapin tribute concert will take place at The Harry Chapin Lakeside Theatre in Eisenhower Park, East Meadow.
Chapin first broke into music during the early 70s. His tender croon and cozy acoustic guitar made him a well-known folk musician. In 1974, Chapin released his fourth LP Verities and Balderdash, which is perhaps best known for its chart-topping single “Cats in the Cradle,” which skyrocketed Chapin’s album sales and made him a millionaire. But Chapin thought of money as an entity that could abet him helping those in need. And so, while his music made him popular, his charity work lifted him to the degree of legend.
“It’s hard to overestimate the amount of good [Chapin] did,” said Sen. Patrick Leahy in an interview with Associated Press. “There are a huge number of people who probably have no idea who he is. All they know is they got fed because of him and they wouldn’t have otherwise, both in this country and abroad.”
Long Island Cares provides nutritional food and support services to Long Islanders in need. It also provides educational services on self-sufficiency and the causes and consequences of hunger on Long Island. Along with Long Island Cares, Chapin also founded the organization World Hunger Year, now known as WhyHunger, with radio D.J. Bill Ayers in 1975. The group seeks to address the causes of hunger and poverty. But his work benefiting Long Island cannot be overstated.
“He established the first food bank on Long Island,” says Pachter. “In 1980 there were only two other food banks in downstate [NY]. He was also so accessible. If you saw him, he stopped and he spoke to you. That resonates with Long Islanders. He influenced people to be that way. Harry was just there and he was tremendously passionate about this island. This was his home.”
Just one year after founding Long Island Cares, Inc., Chapin was traveling in the right lane of Long Island Expressway on his way to a free concert he scheduled at Eisenhower Park when, after passing exit 40 in Jericho, he put on his emergency flashers, presumably because of mechanical issues with his Volkswagen Rabbit. Chapin slowed to about 15 miles per hour and swerved in the center lane directly in the path of a tractor-trailer truck. The truck rear-ended Chapin and his car burst into flames, and while the driver of the truck was able to remove Chapin from his vehicle, he could not be revived. Officially, Chapin died of cardiac arrest, but there was no way of telling whether it was before or after the accident.
Despite Chapin’s untimely death, his indelible impact on Long Island has been perpetuated by people devoted to keeping his eleemosynary work alive.
“We were recently at Bethpage ballpark and we were there doing a food drive,” says Pachter. “There was a collection box by our tent with Harry Chapin’s name on it, and this young father was walking with a child, and he stopped in front the box and he looked at the box and said to his son, ‘You see the man of this man on this box? He made it possible for people to eat.’”
The Bands of Summer – Common Grackle
GroopEase has a creative approach to selling albums. They feature several new artists a week and allow viewers to purchase the artist’s material for special prices for one or two days. It is the Groupon of music. I found out about this site a few days ago. So, naturally, I went prowling for cool new bands. And, even though I missed the special, I found Common Grackle, a hip/hop, indie blend. A what? I said the same thing. I pressed play. Out of my laptop speakers came the dopest Indie music I have ever heard. Why did I just write dopest? Because, I’m bemused, I have no clue what to call it. The music is a hugger-mugger of mashed-up rhythms and depressed lyrics. There is a slowed-down keyboard beautifully juxtaposed with lyrics about not wanting to die at a grindcore show (I’ll explain later). There are imprecations and rapping over spacey synthesizers. Then there is Gregory Pepper’s remarkably passionate voice that mixes witty sarcasm with true pain. It is an amalgamation of so many musical elements that my ears explode when I listen. But it’s a good thing. Let me make one statement before I move on.
Common Grackle is one of the most exciting indie acts to come out of the wide world of music in a while. And I think lead-singer Gregory Pepper has a response for my observation and it comes straight out of the lyric of “Down With The Ship,” track six of Common Grackle’s debut album The Great Depression (I bought it on Amazon for $5. Yeah, I’m cheap and poor). The line? “Told them all to take care but I don’t care a bit.”
The band formed at the suggestion of record label Fake Four Inc founder Ceschi Ramos (who raps in two of the songs including “The Great Depression” which is featured below). Singer/songwriter Gregory Pepper and hip/hop producer Factor were label mates and they began making music together in 2009. What formed was a magical combination of creative beats, hearty lyrics, intelligent instrumentation and one powerful vocal that sounds like it was chained up for years prior to this album. That is how effective Pepper’s voice is. Pepper and Factor churned out tracks with the help of Pepper’s band and a memorable 12-track album was created.
So where do I start with the music? There is bluegrass rap, a short dubbed ballad about a violent brawl at a laundromat. I think I am going to profile two of my favorite songs on the album, “The Great Depression” and “At The Grindcore Show.”
Oh, so I see where they were going with the title. How do you like that psychologically unstable video? How about the music and the lyrics? The music can best be described as indie/psych/pop/hip-hop fusion. Factor dreams up this swooning rhythm that hugs the rapped lyrics like a blanket. There is just so much sound and then, at the end, harmony. Harmony. Really good harmony, at that. The lyric is dark. “Dumb sh*t spilling out of his stupid f*cking mouth, I’m sorry mom and dad but I had a bad year, keyboard cut out hanging on the walls of heads of ex girlfriends.” It is downtrodden, melancholic and defeated. But, even with the rhythm, it works well.
This little ditty is hilarious, but scary. The melody itself is like a kid who just got ice cream, small and gleeful, but the lyrics are about how our protagonist is drugged and scared at a grindcore show where everyone is fake and he is lost. Sad but happy. Barret-esque. A lot of the music takes on this psychedelic quality and I am loving it. Keep rocking Common Grackle, it’s working well.
The Idle Race – Bands at Bauska Castle
I started the section “The Bands at Bauska Castle” as a way of highlighting underrated and under-appreciated bands of the 1960s and 70s. Many of my categories have to do with crediting musicians who portrayed brilliance at a time where musical brilliance was actually commonplace. Hence why many bands remain unknown even though their music was excellent. Today I want to feature an eclectic 60′s band that found themselves caught in the trap of bad luck. They are The Idle Race.
There were many incarnations of the band that became known as The Idle Race and this constant transformation may have been why they did not gain the popularity they deserved. The band also did not release much material. But, in my opinion, I think the Idle Race remained critically acclaimed but unpopular among the masses because they were playing music that was five years before their time.
The band, who originally were known as Mike Sheridan and The Nightriders, failed to break the charts even though a young Roy Wood played guitar and composed. Wood is best known for his work with The Move and Electric Light Orchestra (who will come up later). After not gaining success with The Nightriders, Wood left and joined the Move in 1965. This prompted Mike Sheridan to leave as well. Left in the band were rhythm guitarist Dave Pritchard, bass guitarist Greg Masters and drummer Roger Spencer. This core remained together and went searching for a new leader. After a short stint with guitarist Johnny Mann, the core three put out an advertisement for a new guitarist in 1966.
The guitarist that won the job was a young prodigy named Jeff Lynne. Anyone connect the dots? Lynne and Wood went on to form Electric Light Orchestra where they became incredibly popular playing similar experimental music that The Idle Race played years earlier. Lynne inspired himself. I am getting ahead of myself.
The band wanted to showcase Lynne’s vocal and guitar talents so they changed their name to The Idle Race. Wood, who had become quite successful with The Move, helped get them a record deal with Liberty Records. They released two LPs that did not do well and Wood convinced Lynne to join The Move which dissolved into ELO.
But with The Idle Race, Lynne released some awesome material that is seemingly always overlooked by 60′s rock writers. I would like to highlight two songs from different albums.
“I Like My Toys” is a psychedelic pop piece off of The Birthday Party (1968), the first album released by the Idle Race. It sounds like an esoteric nursery rhyme. It is also somewhat disturbing if you listen to the lyric. It is about a 16-year-old who is obsessed with toys and proclaims that he “is not well.” It almost sounds like Pink Floyd’s work with “Bike” and “Free Four.” They are relatively effervescent songs with disturbing undertones. The song is simple but very different. Listen to some of the keyboard and guitar elements. Doesn’t it sound a bit like ELO.
In 1969, The Idle Race released Idle Race and off of it came “A Better Life (The Weatherman Knows).”
10 years later, Lynne released “Need Her Love,” and minus the 70′s style effects the songs are very similar. You can hear a lot of ELO in the above song. It may have just not been popular because it was before its time. A beautiful song by Lynne and Idle Race.



