Tag Archives: David Letterman

Enjoy Every Sandwich – Warren Zevon and his Werewolves of London

28 Sep

In yesterday’s post, Aaron mentioned Warren Zevon and included an embedded video of Zevon’s most well known song, “Werewolves of London.” The sardonic and hilarious song was released on Zevon’s breakout album Excitable Boy in 1978 and it reached the #21 spot on the American Top 40 charts in mid-1978. “Werewolves of London” was Zevon’s only appearance on the chart, but let’s ignore popularity charts and just discuss the wonder that was Warren Zevon and the utmost joy that others will always have when they listen to “Werewolves of London” and any of his other lyrical masterpieces.

Zevon’s grasp on lyrics was strikingly apt and vivid. David Letterman, who was Zevon’s good friend before Zevon died of cancer in 2003, described his music as “evocative,” and I think that is a good adjective to use. Zevon’s folk was not classic, but edgy. His lyrics were unconventional and enjoyably morose. He also had the ability to turn off the playful and upbeat hits and bathe listeners with soft melody and heartbreaking lyrics. The man truly had it all and his talent is often overlooked. And it is a shame that Zevon had a life-long aversion to doctors. He died at the young age of 56.

“Enjoy every sandwich” comes from Zevon’s last appearance on Letterman. Like I mentioned, he developed a close relationship with Letterman and band-leader Paul Shaffer. So much so, that Zevon would often fill in for Shaffer when Shaffer was unable to perform during the show. On Zevon’s last appearance on Letterman, when his sure-death prognosis was already known, Letterman asked him if he knew more about life and death now that he practically knew that death was an immediate certainty. Zevon said, “enjoy every sandwich,” a simple, but profound response that fit his character well. Zevon was Letterman’s only guest for the full hour and he performed several songs. The day after Zevon’s death (months later), Letterman annouced the sad news to the national audience:

I’ve written about Zevon before on this blog. The Wind, the last album he recorded prior to his death, is a tour de force. Zevon performances are invigorating and “Keep me in your Heart” is a tear-jerker. But, since I have already written about those songs before, I want to feature “Werewolves of London,” a song that has a “surprising fact.”

The song has been covered SEVERAL times, but that is not the surprising fact. Accompanying Zevon on the song is bassist John McVie and drummer Mick Fleetwood of Fleetwood Mac fame. I always thought that was an interesting tidbit of knowledge. To finish off this Zevon post, I am going to include a cover of “Werewolves of London.” Take it away Adam Sandler:

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Stuck in a Moment – And a Cover

26 Jul

I’m not the biggest U2 fan. I only like a few of their songs. This does not mean that I do not respect the work that Bono and the band does. Their philanthropic actions are praiseworthy and their musical contributions have been huge. But, like I just wrote, I only like a few of their songs. Out of this playlist that can fit on a standard CD (remember those), “Stuck in a Moment” has always held a special place above the rest. Perhaps it is because when I first heard the song at 14 years old I was maturing and the song’s catchy inspiration latched on like a fly to a light. I was hooked. I remember burning the track on a CD (wow I am really dating myself even though the days I speak of were only a few years ago) and listening to it on repeat. There was just something to the song.

Bono imagined “Stuck in a Moment” as a conversation with his late friend Michael Hutchence, lead singer of INXS, who committed suicide. Bono never was able to talk to Hutchence and persuade him against the reckless act. “Stuck in a Moment” is candid and uplifting. The song preaches the message that life is full of moments that seem incorrigibly bad, but they are just simple moments that will pass. You need to “stand up straight” and “get yourself together.” There is nothing hokey to this passionate lyric. And, with every performance, the song becomes more and more powerful.

I was reminded of it when Bono and the Edge performed it acoustically on David Letterman recently. Watch it:

It is tough to match Bono’s intensity (even when he is sitting down). But I happen to like a cover that Kris Allen, of American Idol fame, does of the song. His version is sweeter and softer. What do you think?

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