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Mermaid in China more resembles siren with enchanting debut EP

17 Feb

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Mermaid in China is four guys from Portland layering dreampop melodies with a diverse range of influences. Their self-titled debut demonstrates the breadth of their talent, from cheery pop ballads to melodramatic underwater sequences.

As a whole, the EP is extremely fun, but it does not exhaust. The opening track, the first song we hear from Mermaid in China, is “The Vast Divide,” catches you with that initial hook, and demands you dance for the following entrancing five minutes. The next song though is duller, in the sense that it is not bound by falsetto dance rhythms. Aptly, it’s titled “Gentle,” as it feels like a deep breath after having a sugar high. I cannot stress enough how catchy each song can be though; Mermaid in China can go from mellow indie rock to bubblegum pop. Then “The Average Man” once again resets any expectations you have been calculating in the back of your head. Lo-fi shoegaze electro wave… though so many words can describe this music, none do it justice. Give it a listen, form your own opinion, use your own words.

Mermaid in China’s debut self-titled EP is out now. Visit them on their website, Facebook, and Twitter.

Follow your only instinct

9 Feb

The day glows warmly. It’s sunny, but the woods cause the sunlight to create dull shadows even at midday. There’s a lonely cabin near a creek. During the winter months, the chimney pumps out smoke from the fireplace, but it’s not winter yet, so all is silent. The air is cool, a breeze causes the trees to sigh. The cabin is hollow, cavernous even, without furniture or many walls. In the middle of the room are instruments and amps and sheets of music, all carelessly piled atop one another. This is the hypothetical space where Colorado Youth conceived their debut album, Only Instinct.

This is a cohesive folk album, but it often feels like more than that. One of my favorite tracks is “Fare You Well,” a soft four minute melody. Other tracks are louder, with fuller swells of guitars and brusque vocals, but still others are stripped down and acoustic. Listen closely and you may even catch a banjo.  Only Instinct’s opening track, “Tricks,” sets the tone with a slow-burning intro, a choral refrain, and eventually a taste of the true form that Colorado Youth exhibits. Powerful vocals demand to know, “is it just my mind playing tricks on me?” We’re being had, you and me both.

Only Instinct is out now. For more information, visit Colorado Youth on Facebook.

2015 Albums Preview – January and February

28 Dec

How was your 2014? As demonstrated by the Top Songs/Albums countdown, 2014 was an exceptional year for music. At the end of each year of this blog’s existence I have always found myself questioning how the following year will one-up the previous year, and every year I am surprised by the following year’s ability to exceed my expectations. While many contemn modern music, I always exclaim that good music exists when you life the veil of mainstream mediocrity, and The Music Court exists to help you strip off this superficial covering. Let us help you get a jump start on your 2015. Here are some albums you should check out during the beginning of 2015.

Absent Fathers by Justin Townes Earle – January 13.

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Absent Fathers is the apt follow-up companion LP to Single Mothers from the Americana troubadour Justin Townes Earle (Steve Earle’s son). Earle’s alt/country croon and guitar-driven tracks are worth a few listens to and, considering the success of Single Mothers, there is no doubt that Absent Fathers will be a solid release.

Check out more information on the album

What a Terrible World, What a Beautiful World by The Decemberists – January 20

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If “Make You Better,” the Decemberists’ first single from its seventh studio album, is any indication of  what Colin Meloy’s new creation will sound like, I am happy to report that the music will blend The Decemberists’ recent drive to a more pop sound with its alternative roots. The music combines a Death Cab for Cutie sound with a little R.E.M. and even some Carbon Leaf. Then, of course, in typical Decemberists fashion, the song features some diverse instrumentation and creative harmonies.

Check out more information on the album

Vestiges and Claws by Jose Gonzalez – February 17.

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I am so very much looking forward to Vestiges and Claws. The album, Jose Gonzalez’ first solo LP release since 2007 (has it been so long?), is bound to be a 10-track testament to 60’s throwback acoustic music. “Every Age,” the official video of which is available on YouTube (and below), is classic Jose Gonzalez, relaxed and melodic with light percussion.

Check out more about this album

 

 

Top Ten Albums of 2014 – #1: 0 by Low Roar

27 Dec

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How many of you have bought an album this year? If you did, you probably bought it digitally. If not, there’s a solid possibility that you are instead a vinyl enthusiast (read: purist) and you got something on wax. But the chances of either (I won’t even bother talking about CDs) were slim. Slowly, the album is becoming less and less important, but I implore us all to reverse this trend. A well-constructed full length album is the holy grail, and Low Roar has delivered 2014’s best with 0.

Combining lyrics, sounds, and rhythms is simple enough that even a celebrity teen mom can do it. Doing it well is a whole ‘nother ballgame. There is a profound effect from 0 that hits from all sides, right from the start. The debut track, “Breathe In,” is a full seven minute, slow-burning epic, enrapturing from the very beginning. The length is important, mostly because it sets this album apart from the rest of the pack; too often do songs stop short before reaching their full potential. This is not to say that all of 0 requires your undivided attention to appreciate. Take “In the Morning,” which comes in under a minute and a half; it proves that emotion in a message can be palpable, no matter how long it takes to say it:

“I want you to know

I need you to know

I love so much more each morning.”

To read more on my opinion of 0, check out my review from earlier this year, and be sure to check back in with the Music Court for more Low Roar news in the coming weeks.

It is a shame that we have stopped listening to albums. Are we too lazy to give an hour of new sounds a chance? Ruminating on a compilation of one artist’s musings, in the order that they have carefully curated, makes us think critically about what it means to be a true artist. Unfortunately, as with the growing ease to create music, we have an epidemic of everyone being a critic, and dismissing new music from completely unknown artists as quickly as they will laud a new track whose claim to fame is not having any treble. Instead of allowing ourselves the opportunity to internalize something we’ve never heard before, we opt for something easier, something that we don’t need to think critically about. Music is too large a part of all of our lives to waste it on tunes that we’ve heard before, and that we don’t even really care about. If you care about nothing else from this truly disappointing year, care about Low Roar, and pick up a copy of 0 today.

Find more information on Low Roar via their website, Facebook, Twitter, and Soundcloud.

Top 10 Albums of 2014 – #3: SCOTLAND by Ghost Cousin (INTERVIEW)

21 Dec

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I wrote about this album a few months ago, and as you could probably tell, I absolutely loved it. Now I’m here to recognize it for being one of the best albums of the year*. Instead of just rehashing all the praise I have already given it, I was able to interview the group in order to give us a little insight into Ghost Cousin.

SCOTLAND is out now; buy it on Bandcamp. For more information on Ghost Cousin, follow them on Facebook, Twitter, and Soundcloud. Continue reading