Tag Archives: Beatle

1966 Revolves around Revolver

16 Apr

WINNER

#3 Seed: Revolver

Take the Rolling Stones top 500 albums list for what it is – a subjective list of “game-changing” albums culminating (like most all-time album charts) with Sgt. Peppers at top – but prior to discussing how a 3-seed defeated #1-seeded Pet Sounds handily in the finals, I want to talk briefly about the Rolling Stones list. After Sgt. Peppers, the list goes Pet Sounds (2) and Revolver (3). First, isn’t it extraordinary that three of the greatest rock albums ever released hit record stores in around a 13-month span of time? Secondly, perhaps I misjudged Revolver. I recognized it as an inspirational album that, like Pet Sounds, revolutionized the sound of rock n’ roll music and helped introduce a generation to psychedelic music, but perhaps I underestimated its true force and influence.

Revolver may be #3 on the Rolling Stone list, but, according to our poll’s small sample, the top two albums ever released should maybe go Sgt. Peppers followed by Revolver, which would be representative of how incomprehensibly talented the Beatles were. In 10 months the band released two of the greatest albums ever. This is unparalleled in music and it is tough to find an equivalent in any form of talent, creativity, or sport. Mozart in his prime. There is one!

I voted for Pet Sounds. So did three others. The Beatles won 8-4 after sliding through the entire competition. This means that they, according to Music Court viewers, released the best album in 1966 and 1967. So how did this 3-seed take down the uber-talented Beach Boys and their Pet Sounds. Both bands were experimenting with tape delays, creative instrumentation and recording techniques, manipulated vocals, and drugs. Both bands tapped into the minds of all band members to create a unified sound that translated into excellent music. What was the difference besides the roots of the bands (surf vs. bluesy beat)?

The answer is simple. Nothing. Yes, the songs do sound different because the two bands are, well, clearly different, but as for impact and experimentation, there is really no difference. Revolver and Pet Sounds are near perfect albums (I reserve the title of perfect for two albums – Sgt. Peppers and Dark Side of the Moon). The Beatles are more popular so they may have won because of that, but, supposing that is not the reason, I want to look at two songs that may have helped propel Revolver to victory.

“Eleanor Rigby”

“Eleanor Rigby” is one of the most known and popular Beatles songs ever released and I think one of the reasons for this (besides the fact that it is just an excellent song) is it is so different. The song is carried by the staccato rhythm of a backing orchestra that sounds like it is narrating a tense scene in a horror movie (at times – the orchestra was inspired by the compositions of Bernard Herrmann – “Psycho”). Besides this, the song is just Paul McCartney singing with the occasional harmony. The lyric, which was created in a conjoined band effort, is just perfect. It paints a sad and simple image of the “lonely” Eleanor Rigby and her life and death. It is an untraditional rock song, not featuring any other instrumentation, yet it is wonderfully melodic and incredibly popular. The Beatles were changing the ears of a listening populace.

“Tomorrow Never Knows”

This song is not anywhere near simple. “Tomorrow Never Knows” is an Indian-inspired composition that features several psychedelic effects like tape delay, oddly patterned drumming, reversed guitar, and droning vocals. The song features the psychedelic works. It is an LSD-influenced dreamy ending that leads right into Sgt. Peppers, an album that features even more of this musical experimentation (which is pretty much what this song is). But, because this is the Beatles, the song is excellent and highly listenable.

So what do you think? Does Revolver deserve the title? Do you want to see this game played next year (and with what year?) I’m eager to hear your opinions. Thanks for playing!

Lady Madonna – From Fats to McCartney to Fats

22 Sep

In 1968, The Beatles released “Lady Madonna,” a short, fast-paced groove about an overworked mother. It was written primarily by Paul McCartney, but credited to Lennon/McCartney. John Lennon did help with some of the lyric. In typical Beatles’ fashion, the song reached #1 in the UK and #4 in the U.S., and interestingly, was the Beatles’ last release on Parlophone. The Beatles would release “Hey Jude” on Apple Records a few months after “Lady Madonna.” Has anyone ever suggested that perhaps the Beatles were just too good. Perhaps they were all truly musical aliens, intergalactic hit machines. Well, some band had to be the greatest band to ever play, right?

Anyway, I mention Lady Madonna in this version of “Great Moments in Music Cover History,” not because it’s a cover (which it is not), and not even primarily because it spawned several covers, but because it was inspired by a musical legend, Fats Domino.  Yes, so I should perhaps title the category as “Great Moments in Music Inspiration History,” but you’ll all see how the covers fit into this in a few words.

  “‘Lady Madonna’ was me sitting down at the piano trying to write a bluesy boogie-woogie thing,” said McCartney in a 1994 interview.  “It reminded me of Fats Domino for some reason, so I started singing a Fats Domino impression. It took my voice to a very odd place.”

You can hear the blues piano inspiration in this song and Fats Domino was such a champion of the burgeoning rock/piano genre. McCartney was also inspired by Humphrey Lyttelton‘s “Bad Penny Blues.” The beginning piano riff is somewhat similar to the piece. Take a listen:

The reason this fits into the cover category is because Fats Domino actually covered “Lady Madonna.” It’s sort-of like an ironic twist. McCartney thinks about how it would sound if Fats Domino was playing the piano, and then Fats gives McCartney the ultimate compliment and re-records the song. Here is the Fats version:

Not bad. The Fats flavor is cool. Plus, listening to Fats’ accent during the piece feels right. McCartney and Fats should perform this song together. That would be awesome.

Now, just for giggles, here is another cover of the song by…Elvis Presley! It is from a 1970 rare recording session (where he also performs “Got My Mojo Working”). He is obviously having a lot of fun with it. He doesn’t even know all the words.

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