Tag Archives: Music

6 to 1 – A Look at the Remaining X Factor Contestants and Predictions

3 Dec

X Factor Season 2

The X Factor is down to the final six contestants of its second season, and I think it is high time for a little season-in-review/prediction post for those who watch the show. Overall, the season has been a bit (cue the smug Simon Cowell) boring. The performances have been just as gaudy as season one, but, the contestants have been, dare I say, lacking. I felt this way about the stock of season one talent as well. While that may be the case, there are a few acts that do garner excitement, and some of these act still remain on the show (except for Vino, who I am still unhappy was booted).

Disclaimer: This is just my opinion. Feel free to disparage me in the comments. What do I know? Right? I’m eager to hear your opinions!

Let’s hit on the new judges first. Simon and L.A. are music-industry staples. They understand the business. While I do believe that Simon continues to be a little too nice, I will not carp on that because it is his show, and he does not want to come off too honest. To a point, Britney Spears also understands what it takes to be a pop star. She is one of the biggest stars of the last two decades. Spears, though, has been mentally nonexistent at the judges table. Behind a largely vacuous exterior are several brief, ineffectual comments. She speaks in platitudes, and it does seem like every one of her comments has been planned and written out for her. Does this surprise anyone? After he nervous breakdown, it would have probably been wise for her to retire from the scene entirely. There was money to be made, though, and I cannot blame her and her associates for jumping on the money train. Ms. Spears is a profitable brand. Her talent is unmistakable, and she does seem like a kind, loving individual. My complaint is only with her judging, and I believe it is sub par. However, I must admit Demi Lovato has been a surprise. She is staunch, stubborn, and cogent (at times). She, though, is too young. I believe she has done a terrible job with her team, and the last of her contestants will be ousted come this Thursday. She also does not understand that music is a business. Her complaints are unfounded. She is not a producer or an experienced music veteran. She does not reflect the industry, which in some ways adds a fresh change to the table, but it often just makes her look like a little girl making attention-seeking comments at Simon Cowell.

On to the contestants. In this post, I will how I believe the last few weeks will go – from sixth place to first place. I will include a video of their performance last week.

6.) CeCe Frey

The reason why CeCe Frey is still in this competition is somewhat unclear. The judges have been difficult on her, and this has increased her sympathy votes. Through her cocky, garish exterior is an individual with actual talent, so that helps her case. Stripped down, her voice is impressive. She is also easy on the eyes, and that doesn’t hurt. This performance above though represents why she will be gone next. Demi has done an awful job picking songs for CeCe. She has turned her from a diva to Ke$ha to a balladeer. Where does CeCe stand? She wants to be Ke$ha. Everything from the spots on the face to the eclectic outfits suggests it. This week, viewer’s choice, CeCe performs Katy Perry. Fittingly, on the following night, when Ke$ha performs, CeCe will be sent home.

5.) Diamond White

Diamond is a 14-year-old Beyonce sing-alike. She models herself after Beyonce and Rihanna. Her voice is limited. It is not as good as CeCe Frey’s voice, but she is singing Rihanna this week (comfort zone), and will achieve just a tad more votes than CeCe. Her elimination will be less about her and more about the talent in front of her.

4.) Fifth Harmony

There have not been many succesful pop girl bands. Spice Girls, TLC, Destiny’s Child, Pussycat Dolls – what did all of these bands have in common. I’m not vain, blame the public. Destiny’s Child had Beyonce. That band was carried by its tremendous lead vocalist. I’m not saying Fifth Harmony doesn’t have the “look” to succeed. They certainly do not have Beyonce. The band is made up of young girls with mediocre to above-average voices. Honestly, this band has better vocalists than Emblem3, but Emblem3 will make it further because they are in higher demand on the market. I do not see Fifth Harmony succeeding outside of this competition, and I see them being eliminated fourth.

3.) Carly Rose Sonenclar

This is my first surprise pick. Let the backlash begin. How can I say the best singer in the competition will end up third, especially since she has been #1 in the voting for most of the weeks? Scratch that. I’d be willing to say that this unassuming Freshman from Westchester, NY may have one of the most exciting voices I have heard in a few years. Her voice is masterful. She has perfect tone and timing. At times, she goes on natural runs that are actually unreal. She also sings with passion beyond her years. Her performance of Adele’s break-up masterpiece was mind-blowing because I doubt Carly has seen her fair share of nasty splits. So why do I have her finishing third? The market. Where does she fit? Can she fit into the Adele category of singers. That is where she needs to be. I don’t see her dancing. If she DOES fall into that realm, I think Carly can be quite succesful. It may very well happen. She will get a recording contract no matter where she finishes in the competition. But, I am going to go with the two acts that already have set niches.

2.) Emblem3

The SoCal boy band. Simon can’t wait to get these boys over to the studio cutting their first album. Emblem3 is his American One Direction. Boy bands are big again – for whatever reason – and Simon was specifically looking for his next money maker this season of X Factor. He found it in Emblem3. And, this time, he didn’t even have to put them together himself. The band has talent, yes, but it is the effervescent personality of the surfer boys that gives them their kick. There is the quiet one with the sweet voice, the loquacious lead singer, and the off-the-wall, reckless rapper (who has a marked habit of taking off his shirt). If all goes according to plan, win or not, Emblem3 will be up the charts in no time.

1.) Tate Stevens

That bring us to #1. Tate Stevens is a genuine Country music star who chose to put his dream on hold so he could support his wife and children. He is a loveable and charming individual with a warm and amicable personality that shines through the television screen. He will also soon have the grand prize. Let’s put the story aside. Stevens is a prototypical modern Country star. He has the look. He has the voice. The judges know it, and the voters know it too. And while I may not be much of a Country music fan, I hope he wins and is succesful. He is a feel-good story with tremendous talent. You cannot get any better than that.

What to Expect (Musically) in the 2012 Macy’s Thanksgiving Day Parade

21 Nov

Even the balloons are stretching!

There is just something about the Macy’s Thanksgiving Day parade, now in its 86th year, that gets me excited. Even as I grow older, I still like waking up and turning on the parade coverage – switching back and forth between channels – while I settle down for a leisurely breakfast. Perhaps I like the parade because it is associated with a family feast later in the afternoon. A full-day of football follows the three-hour display of floats, balloons, and performances. Heck, even a dog show annually appears on NBC from 12-2 p.m.

Maybe my interest is simply with the parade itself. I am a fan of the widespread display of optimism, the bundled balloon handlers stumbling down sixth avenue, the elaborate floats crowded with celebrities and musicians, the marching bands, the Broadway music/dance acts – the whole kit and kaboodle. There are not many events associated with pure, unadulterated happiness. The parade is one of them. Now, I’ll admit, I do end up only watching around 30-45 minutes of it (unlike when I was a child) before using the off time to catch up on schoolwork or visit the gym in anticipation of the impending shameless familial gluttony, but I cannot help but smile when I turn on the parade in the morning, and kudos to Macy’s annual event for giving me that every year.

Performers

Note: For a full list of performers visit Wikipedia.

The big musical acts of the 2012 parade are Flo Rida, Trace Adkins, Colbie Caillat, Chris Isaak, Carly Rae Jepsen, and Karmin. Broadway is sending Annie, Bring It On, Elf, Cinderella, and Nice Work If You Can Get It.

There are several other acts, though, including two I will choose to feature: Mannheim Steamroller and Don McLean.

Mannheim Steamroller is best known for their modern recording of Christmas music. They made an appearance in the 2011 parade and played “Deck the Halls.” Since Thanksgiving is essentially pre-Christmas, it is fitting that they perform. Here is “Deck the Halls.”

While Arlo Guthrie is not listed as a performer this year, Don McLean will provide viewers with a live version of “American Pie,” which, like “Alice’s Restaurant” is just quintessentially American. McLean will appear on South Dakota’s float because, why not.

Follow the Wheel

19 Nov

Johnny5thWheel&thecowards

Where do I begin with Johnny5thWheel&thecowards? Well, first off, I guess I should alert you that the lack of spaces in the name is intentional. Beyond that, I’m not sure that words can describe their blend of music. I’m making it seem like the band combines bodily grunts with kitchen appliance percussion. It’s not that their instrumentation is completely unconventional. Johnny5thWheel&thecowards captures the ears of listeners by employing a unique style that can best be described as eccentric folk. And, I’m going to let you in on a little secret. They are damn good at it.

Johnny5thWheel&thecowards was formed in 2009 by two friends looking to shake the usual out of folk music. They found a consortium of individuals who shared a similar goal. After releasing their succesful debut EP in 2010, the band was signed by Sotones Records. They released their second album, Music To Shake’n’Shuffle To, in October of this year.

Perhaps my favorite part of the 12-track release is its unexpectedness. Most bands have a sound and their albums reflect that sound. While track one, seven, and nine will obviously be different songs, they do operate under the same genre. Not many bands tinker with smooth jazz and then transition to hardcore head-banging metal. While the difference between Johnny5thWheel&thecowards’s songs may not be so pronounced, the songs are different. The music doesn’t operate under any boundaries, and I applaud the band’s creativity and fearlessness.

It is also safe to say that you will be on your heels for the entire album. You simply will not know what is going to hit you next. Will it be macabre folk, jazz-infused pop, or a light-hearted sing-along. The versatility of the vocals, lyrics, and melody is striking. One minute you are listening to Arthur Brown and then you transition to Modest Mouse. The music is fun.

“Happy Clappy/Doom Jazz” is one of my favorite tracks off the release. It depicts a wide variety of styles in less than three minutes. Impressive. We begin with a taste of twangy surf guitar followed by a folksy riff (guitar and harmonica – nice job Ollie Mason). Try not to enjoy the chorus of this song. I did. It’s impossible. The kid-like string of sayings fly off the tongue as Biff Roxby – trombone and Garreth Knott – trumpet/tenor horn provide an upbeat staccato brass section.

“Spike” may be my favorite song from the album. I’m not sure if it is Frank Beaver’s piano, Richard Lomax’s infectious vocal, Andy Lyth’s talented drumming, or the semi-call-and-response background vocals. By the end of the song, I was singing:

“Don’t be mad with me Spike
If you knew what I was really like
You’d know I’m just messing around
Thinking about that smile”

I’m sure you will be to.

In order to get a full grasp of the album, you need to check out the entire thing here (obviously!)

You can also keep track of the band by following their Facebook, Twitter, or offficial Website.

The Man With No Destination – Nicholas Burke

13 Nov

One of the reasons I love receiving coverage requests by exciting news bands and artists is that occasionally I come across a musician like Nicholas Burke. With your approval, I would like to shed my composed journalistic integrity for just one moment and resort to a brief outburst of inappropriate slang.

Holy Sh*t, this man can sing.

Well, now I have to back that up, right? Nick Burke is a California-born psychedelic/country musician. His music combines a sun-drenched acoustic guitar with an effortless baritone that emerges from the arid desert like a permanent mirage. Burke’s granular tone is oddly smooth (ignore the contradiction) and his voice features a subtle old-fashioned quiver much like one musician whom I will boldly compare Burke with in a few lines.

The Man With No Destination was released in September of 2012, a nine-track affair that Burke said was, “primarily recorded between the hours of 3 AM and 8 AM.” It “is a
cautionary tale of man living life after love.” On completion of the album, it is tempting to pick up the needle and delicately place it back on the initial groove, only to realize that the tracks are on the computer and to repeat the album double clicking the first song is all that is necessary. The temptation is there because the album itself sounds older than it actually is. Burke is able to capture the warm atmosphere of past country troubadours – most prominently Johnny Cash.

“The Man With No Destination,” the title track from the album, moves with the folksy, upbeat rhythm of acoustic guitars and chugging percussion. Burke comes in – his first line a restating of the song’s title – and instantaneously gathers the full attention of the listener. Johnny Cash was able to manipulate his croon and connect with listeners. Burke shares a similar quality.

“Adios, Goodbye” follows “The Man with No Destination.” It’s a short ditty, fit with a proficient whistle, that also features a neat echo drop and toe-tapping guitar strumming.

“It Ain’t Right” is a traditional country tune – with the twang and everything! But what remains most impressive, and I do not mean to belabor the point, is Burke’s rich, talented voice. It is just perfect for the type of music he is creating. While Burke may be The Man with No Destination, I know one place he should be – in your music library.

You can purchase his new album here.

Bonson Berner Beats

8 Nov

Bonson Berner, a Los Angeles-based Indie band, wonders How Can I Be an Immigrant If I’m On My Planet, the title of their new album. In a similar vein, I’m wondering how can I be a nomad if I have my own home. Okay, maybe that’s not too similar.

In 1988, glam-band Cinderella released “Don’t Know What You Got ‘Till It’s Gone,” and while the song is a classic example of terrible 80’s power ballads, they do make a good point. Hurricane Sandy knocked off the electricity in my house, and the power authority has yet to turn it back on. Thus, no heat or lights. I have become a nomad, traveling from home to home, crashing on couches (mainly) in exchange for affable company. Thus, posting has been difficult. It is eerie in New York. The last two weeks have gone by in slow motion, and, we can only hope that this weekend brings an end to this tired movement. Since I am currently in an area with internet connection, I do want to lose an opportunity to provide you with some great new music.

1988 also saw the release of the Talking Heads’ final album Naked. The 80s were not a complete wasteland for music. Bonson Berner, the band I would like to focus on today, plays a call-back style of music reminiscent of Talking Heads percussion and synth.

Bonson Berner is the product of musicians Pato Aloi, who, after forming an influential indie band in Argentina called Siga La Flecha, created a musical project with local musicians and titled the consortium Bonson Berner. How Can I Be an Immigrant If I’m On My Planet is the band’s first release, and it was produced in Argentina and Los Angeles.

“Running Days” moves with its inventive percussion and synth. Diego Cuevas, synth, and Blair Shotts, drums, lay an itinerant track that persists through the short piece with strength and toe-tapping rhythm. The percussion is what immediately reminded me of the Talking Heads, who also stressed constant rhythm in their songs. Gustavo Limon emphasized this rhythm in his guitar. The song, though, is carried by Aloi’s croon. In a style similar to The National’s Matt Berninger, Aloi’s voice masterfully rises and falls, and, much like the percussion, remains a constant force. The stop-motion video is well done and matches the song well.

“Movement 4” moves similarly, but it features more of a light South American guitar, which provides an intriguing juxtaposition between American and South American indie music elements.

Listen to more of Bonson Berner’s new album

Check out their Facebook and Website