Tag Archives: Willie Nelson

How Good is Willie Nelson’s Cover of “The Scientist”

15 Feb

By now most music lovers have heard a portion of Willie Nelson’s acoustic cover of “The Scientist” by Coldplay. The cover was featured in a stop-motion advertisement by Chipotle called “Back to the Start.” In the advertisement, an individual farmer falls into the trap of factory farming and then realizes the mistake in his ways and goes back to open, healthy farming. It is a wonderful advertisement, beautiful in its sincerity and simplicity, and effective in its message. It is somber and uplifting. I think it is one of the best advertisements I have ever seen. I love Chipotle’s Vegetarian Burrito Bowl and will most certainly continue visiting the establishment. But I’m not writing to share with you all how good the burrito bowl is (even though it is such an excellent post-gym Saturday lunch). One of the reasons the commercial is so successful is Willie Nelson’s passionate cover of “The Scientist.” Listen and watch the advertisement:

After its first primetime spot on the Grammy’s this weekend, the Youtube views for the advertisement have ballooned to 5 million, eclipsing viral status and entering legendary territory. It has over 22,000 likes and has sent the music news world into a posting frenzy. Of course, also, it has sparked the questions of whether Willie Nelson’s version is better than the original.  Even Coldplay fans are bowing to the 78-year-old country crooner saying that his version is superior. I don’t think it is possible to say which version is better. Despite that Nelson’s version is a cover, the two songs couldn’t be more different. Seriously, I have heard two original songs sound more alike than these two versions of the same song.

Coldplay leadman Chris Martin recorded “The Scientist” after a late-night rendezvous with an out-of-tune piano in Liverpool. He just happened upon the chords and thought they sounded lovely. He actually wanted to work on the George Harrison song “Isn’t it a Pity,” but found “The Scientist” instead. After being released as the second single from A Rush of Blood to the Head in 2002, the four-chord melody took off and today is one of Coldplay’s most beloved songs. Coldplay’s version is almost certainly about a failed relationship and a plea to try again.

Willie Nelson’s version, though, recorded in 2011 for the Chipotle commercial, takes on a completely different feel. Nelson has been a widely renowned critic of overly mechanized farming and the poor treatment of farm animals and independent farmers. The song, in this sense, seems to be a plea to tear down our modern farming constructs and work ourselves back to healthy food and family farming. It is a plea for health, and, in that way, may even make the lyric (while it doesn’t fit perfectly) stronger.

So what about Willie Nelson’s version is so fantastic. Let’s start with the Coldplay version (above). Chris Martin’s elegant falsetto is infectious and the simple piano fits his voice well. The song is stripped down itself, rising softly with some strings and drums, but remaining a true ballad throughout. It is celestial and boundless in its omnipotence. Listen to how it sets the nighttime scene.

Nelson’s version is more rural and pastoral. It sounds like it can be played on a porch while looking out on an open plain. Instead of a piano, Nelson favors a tuned-down acoustic guitar, picked delicately, with a haunting electric providing a passionate whine. The drums begin in the second verse and I like the addition. The sound remains soft, but full, with many tasteful elements.

The kicker in this song is Willie Nelson’s voice. There is no denying that Chris Martin has a wonderful voice, but Nelson’s worn croon is, itself, an American icon. His voice is stitched into the tapestry of America’s music tradition with musicians like Johnny Cash and Buddy Holly. At 78 years old, his voice painted with such tenderness and verisimilitude, I almost feel that I am with him seeing his farm turn into an intolerable operation.

Before this song was released, I, like everyone, would have probably said that Willie Nelson’s greatest cover is his version of “Always on My Mind” which reached #5 on the U.S. charts in 1982. But now, I think that “The Scientist” is clearly number one. And, I think it has a similar power that Johnny Cash’s version of “Hurt,” originally by Trent Reznor and Nine Inch Nails, has. Simple, passionate, and real. A musician who has been through it all giving a career performance (like a historical record). Reznor has publicly come out and laughed about how Johnny Cash’s version made his song a Johnny Cash song, and while the same may never happen with Nelson’s “The Scientist,” I do think Chris Martin may have to soon publicly acknowledge how legendary Nelson’s version is.

Make Michael Buble Crazy, Willie Nelson Smokes Marijuana Part 2, Beady Eye is Transparent

6 Dec

Make Michael Buble Crazy:

We begin this installment of court links with a brief list of instructions on how to make Michael Buble go crazy:

1.) Go to one of his shows (sit close to the front)

2.) Interrupt show and tell Buble you want your son to go on stage to sing with him

3.) Tell teenage son who is quite nervous to go on stage

4.) Let him sing and blow everyone away, including Buble, with his singing ability.

5.) Buble WILD!

Don’t believe me. Watch this video. Thanks Fark.com for posting this!

Buble really goes wild. I mean, look, is it awesome that the kid can sing well? Yes, of course. Do you have to pick him up? That may be crossing the line. I laughed. Buble is a great sport. Plus, it are these moments that can make a kid’s life. I mean, what a story. Yeah, I impressed Michael Buble with my singing voice. No big deal or anything!

Willie Nelson Smokes Marijuana Part 2

A while ago I posted this to the blog. https://musiccourt.wordpress.com/2010/04/19/willie-nelson-smokes-marijuana/

Well, I wasn’t joking. After being arrested last week in Texas for marijuana possession, Nelson’s charge was dropped down from a felony to a misdemeanor. This means lesser fine and maximum jail time. This all according to a Rolling Stone article by Jem Aswad

Link: http://www.rollingstone.com/music/news/68404/239424

You can quote me on this: Nelson will not serve jail time. Why? Well, first off, he is a 76-year-old celebrity musician who advocates marijuana usage and will never stop smoking. Jailing Nelson would just be stupid. You would be depriving the public of Nelson for a period of time because he was in possession of six ounces of marijuana. Seriously! Sometimes I question the law. Legalize it. Tax it. Make money. Nelson can go on and do what he does…and he will be providing money for the U.S. Government in the process. Instead of propagating this conservative hoopla of arresting people for possession. Let’s keep the law and lawyers out of a place they do not belong…Willie Nelson’s tour bus.

Beady Eye is Transparent

So, you know how occasionally when I review a new band I mention how their sound reaches back to the old days of rock n’ roll, 60’s style. Well, Liam Gallagher has made his living trying to be Paul McCartney on every Oasis album. Now that Oasis has broken up, Liam has gone on to bigger and better things, exploring more musical styles and finally breaking free from the grip of attempting to copy 60’s music. Did you believe that last sentence? Yeah, I am not a good lier. Liam’s new project, Beady Eye, is a flat-out copy of 60’s everything. Here is their new album cover which was just released.

And, how about a band picture:

Seriously. Can you rip the 60’s off anymore? Listen, I do not mind being inspired. Heck, 60’s music inspires me too. But, when you have spent your entire career unsuccessfully copying music from an era 45 years ago, maybe you should just collect your money and stop. I shouldn’t say he has been unsuccessful. Gallagher has made a lot of cash doing this. Just stop. I don’t need to hear your music anymore. But, if anyone is interested. Here is a song from Beady Eye.

It sounds like “Great Balls of Fire” with the piano. It is like early 60’s fused with some background musicians attempting to harmonize with the nasally Gallagher. Well, enjoy!