Archive | March, 2011

Baths – Lovely Bloodflow

26 Mar

I lay in bed for what seemed like years, stocking up on a forgotten amount of dreams, depressed that I was powerless to be productive, and browsing the internet as if it contained the secret to life. Not that the internet does not have the secret to life per say (it is the secret to life). This is unfortunately how I spent my first spring break of the semester. Yea, I did also do social things – but I was the only one with spring break, great timing SUNY system… And yes we here at SUNY binghamton also have two spring breaks this year… part 2 will be in 3 weeks. Maybe I’ll get off my lazy ass and write a novel.

And as a result of the excitement of finishing my album last weekend (…it’s not finished, the crutches of perfectionism), I missed my section on this blog! : (

But that means I’ll write two sections this weekend! : )

So.

I learned about the artist named Baths in a very peculiar manner. Sometime last summer a childhood friend of mine visited. I think the last time I saw him was when I was like 14. He, at 12, moved to Poland and later to Chicago, from were he now was visiting.

I was pleasantly surprised when it turned out that we shared many of the same musical likes, and we proceeded to share artists. Lo and behold he was a polish hipster like me! I was only a little skeptical when he told me that he knew someone that knew Flying Lotus, but was very impressed when he invited me to this underground music sharing website which I didn’t mention just now.

And so, one of the bands he told me about was Baths.
To be honest, at first I was like “cool!”, but never actually gave it a thorough listen.

Then one day I happened upon this video.

Pure F’ing Art – The opening sound clip seems to agree.

* I describe my interpretation of the video in this review, so maybe you might want to watch it once on your own so that you may possibly come up with a unique one? Just a suggestion! *

So this samurai fellow is stumbling through these beautiful lush woods, with his katana drawn, and arrows sticking out of his back. Not looking too good, he falls to his knees and breathes his last breath. A heroic warrior’s death. And meanwhile, the entire time this unrelenting beat is playing, representing the man’s fall, like a broken clock winding away. These are exactly the types of beats in modern music that I absolutely adore by the way. It makes no sense, but it just flows in some machine-like fashion, like the thoughts of refined yet chaotic organisms.

The bass is simple but it fits nicely. The beat subsides a bit, and the vocals come in. They may be hard to accept at first, but you just have to realize how unique they are. And they seemingly represent the forest ghosts now descending on our fallen samurai, who now is emitting his soul, in the form of bluish smoke.

The beat returns. The ghosts push the man’s soul back inside, wrap his wounds, and begin to drag him away across the forest floor. He regains consciousness at one point, only to realize that he is a sacrifice for some sort of forest ghost queen. The bass strums now more relaxed. She swoops in for a kiss, and the man envisions himself swimming with her underwater, a brief guitar/piano solo embodying the experience. (someone tell me what instrument it is lolplz)

She then proceeds to remove the cloth covering his mouth and begins to eat his soul. The entire forest then begins to secrete it’s own soul. And the video ends.

And it’s a hell of a video if you ask me. And yes, I am pretty sure drugs where related in it’s making. It’s about a very-grim topic too, and you can tell it’s a good because it actually leaves you with a neutral feeling at its finish. The man either was wounded in combat and was now hallucinating as he died, or the whole thing took place in some crazy fantasy setting. Assuming the former, the ghosts represent whatever was keeping him bound to the world, the forest queen most likely being his lover.

The part at the end where he is swimming, I think, definitely represents a sort of peaceful dying vision. And that would mean that the mysterious forest queen lover did the samurai a favor. Unless, of course, that that fact doesn’t out-weigh the soul-eating part in your books. It’s really up for interpretation. Pretty damn clever if you ask me.

And the music! It starts off very experimental and weird. Awesomeness to my ears! But then it continues this trend by slowly morphing into this very relaxing and melodic piece. You don’t even realize there’s a guitar playing until the very end. And the vocals are almost shrill, but they too prove to drive the song in an almost surreal fashion, like you don’t know what to make of them so you simply accept them. Eventually they calm down, the same lines being repeated, lulling out in a sense.

A very good song with a very good video, by a very talented artist.

If any of you guys have a unique interpretation of the video, please share! Mine, I’m pretty sure, is the obvious interpretation. I tried not to dive too deep…

&)

-oko

P.S. If you would like to know more about polish hipsters (lol), then here is a very good documentary which I recently watched. It shows a lot about the current art and music cultures and sub-cultures developing in Poland and how the youth are embracing them. Cool place if you ask me. From Poland with Love

The Elite 1967 Album Eight – Second Half

24 Mar

Who will be in the final four of the greatest albums of 1967. In a week we will know for sure. That is, if you vote, of course. Voting has already begun on the first two match-ups of the elite eight. Haven’t had a chance to vote yet? Follow the link below to vote in the first match-ups.

First Two: https://musiccourt.wordpress.com/2011/03/20/the-elite-1967-album-eight-voting-begins/

A peculiarity has developed as this music bracket has narrowed. The 1st and 4th seed, both Beatles‘ albums, advanced to the elite eight. The Doors share the spotlight with the Beatles. They hold both the #2 and #6 seed, which will both be voted on below. Can this be a final four of Beatles vs. Doors? 1967 was an incredible year for both bands. Let’s get to the voting.

#3 seed: Are You Experienced by The Jimi Hendrix Experience vs. #6 seed: Strange Days by The Doors

Are You Experienced never trailed against Procol Harum‘s debut album, winning 9-3. The debut album for the band led by Hendrix is one of rock’s finest, ranked 15th on the Rolling Stones list of greatest albums of all time. Strange Days pulled ahead of the Left Banke at the last moment to take a commanding lead and win its first round battle. The album is as musically cogent as its covers oddness.

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#2 seed: The Doors by The Doors vs. #10 seed: Surrealistic Pillow by Jefferson Airplane

The Doors is an iconic album that may very well be the band’s best work, as well as being their first. In its first match-up it destroyed Days of Future Passed and it will look to do the same to Surrealistic Pillow, which massacred Love’s Forever Changes in the first round battle of the two psychedelic albums.

Remember to Vote! Voting ends on April 1 and the Final Four will be uploaded that day.

The Allman Brothers At The Beacon – A Review

23 Mar

Warren Haynes and Derek Trucks - Photo by Angela Weiss/Getty Images North America

When you go see a band like the Allman Brothers, a band that plays with effortless technical proficiency, it is easy to make the assumption that you will hear excellent music. There is no doubt about that. But it would be a wide misconception to believe that the music will not be tinged with passion. Even with several dates at the Beacon Theatre, The Allman Brothers vary set-lists and demonstrate true fervent blues playing, without jeopardizing what made them a great band in the first place, pure talent.

The Beacon Theatre is a perfect venue for the Brothers. It maintains the feel of an old city playhouse with its intricate wall designs and large statues. The venue shoots you back in time. The vintage playhouse juxtaposed wonderfully with the Allman Brothers ode to blues that became a pervasive force in Tuesday night’s set-list.

The concert began with “Statesboro Blues,” a blues staple written by Blind Willie McTell turned into a huge Allman Brothers hit. The band came out immediately on fire with a wall-of-sound that combined Gregg Allman‘s voice with the three-man percussion brigade and Trucks and Haynes’ guitar work.

This was my first time seeing the Allman Brothers and I was unsure how Derek Trucks and Warren Haynes balanced the skill that both have. Haynes played rhythm for most of the night, but shared some solos with Derek on extended jams. Haynes’ voice never tired through the show, which was good because Gregg Allman faded as the show went on.

Allman’s lack of participation in the show was my only complaint. He sat behind the piano/keyboard for the entirety of the show and sang only a few times. Allman does have the best voice of the bunch. When he did call and response with Haynes, Allman won the vocal chops battle. Luckily, Allman picked an excellent band to support him, and they did for the majority of the show.

The band played nine songs during the first set, including a jazzy rendition of “The Weight” which included Steve Molitz on keys and Rich Robinson on guitar. Molitz, for those who don’t remember, was actually featured on this blog before with his side project Headtronics. He is an excellent keyboard player and it was awesome to see him live. (Check out that post here: https://musiccourt.wordpress.com/2010/04/14/open-your-mind-for-headtronics/)

A classic rendition of Dylan’s “Blind Willie McTell” dominated the first set. It was not only an ode to a favorite blues musician, but, it displayed the wide range of musical talent that the band shares. Joining the Allman Brothers on stage was the Juke Horns, a group of talented horn players. They provided a wave of sound that complimented the backbone guitar riff. It was a bluesy rendition that blew the top off the Beacon.

The jams were on target all night and Trucks did an excellent job leading guests into solos and then whipping them at the solo game. During a lengthy jam, Trucks paired himself against Haynes and guest guitarist Tom Guarna in a three-way guitar duel, that Trucks won hands down. He is an astounding slide guitarist and a worthy successor to Duane Allman, who was honored along with Berry Oakley at the closing visual slideshow.

By the way, Derek Trucks totally teased “Norwegian Wood” in his solo for “Jessica” which was hilarious and awesome.

The Allman Brothers at the Beacon

22 Mar

Catching an Allman Brother’s show at the Beacon Theater in New York City is more of an unpredictable event than a concert. While the band does entertain with music, the set-list through the Brother’s string of 13 Beacon shows constantly changes and you never know who will join them on stage. The band, consisting of Gregg Allman, Derek Trucks, Warren Haynes, Jaimoe Johanson, Marc Quiñones, Oteil Burbridge, is tremendously talented. Every member has an immense musical library in their head that allows them to effectively jam through numerous complicated blues songs effortlessly. The Allman Brothers are the band to see if you want to witness musical proficiency.

Tonight will be my first time seeing the Allman Brothers and I am not sure why it has taken me so long to buy tickets for a show. Perhaps it is because it seems like they will always be a staple for their double-digit concert tour in New York City. No rush if they continue coming back. But, I do also feel that the band is just simply underrated and understated. All classic rock fans know the Allman Brothers, but only few dedicated fans truly know their music. Unlike the Dead, the Allman Brothers have a smaller following even though their music is jam blues/country rock at its finest. The untimely death of Duane Allman and Berry Oakley did not effect the band immediately. They were still one of the biggest draws. The band absolutely fell apart in 1976 because of conflict, therefore not perpetuating their music until they were reformed by Allman in 1989. This 13-year lapse did not help their popularity, and because of this they are still somewhat flying under the radar and not getting the credit that they absolutely deserve.

The last time the band played on March 22 at the Beacon Theater was in 2007. The last song of set II was “In Memory of Elizabeth Reed,” one of my personal favorites. Here it is for your listening pleasure:

The Elite 1967 Album Eight – VOTING BEGINS

20 Mar

The NCAA Men’s March Madness Tournament has been mercurial thus far. It is close to impossible to pick games correctly. Solid favorites have been outplayed by low-seeded teams. If your bracket is busted, do not fret. Welcome to the Music Court’s 1967 Album Tournament where you choose the best albums from 1967. We have just finished up our first round (16 albums) and we are on to our elite eight. For those who voted in the first round, thank you. If you are new to the tournament, please vote. I am eager to hear all opinions. Remember this cannot work if you do not vote. We begin the elite eight with two matches. The other two matches will be posted on Friday, March 25 and voting for the elite eight ends on Friday, April 1.

#1 seed: Sgt. Peppers Lonely Hearts Club Band by The Beatles vs.  #9 seed John Wesley Harding by Bob Dylan

Sgt. Peppers Lonely Hearts Club Band, the consensus #1 seed in The Music Court’s 1967 album bracket pool flew by Always Free in The Beatles’ first round match (12-0). The album that features “A Day in the Life” will move on to face the upset winner in the 8 vs. 9 match-up, John Wesley Harding, which beat Aretha Franklin’s I Never Loved a Man the Way I Love You. Dylan, who is keen to upsets, matches “A Day in the Life” with his “All Along the Watchtower.” Does he have enough to pull off a dramatic elite eight upset, or will he be blowing in the wind?

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#4 seed: Magical Mystery Tour by The Beatles  vs. #5 seed: Disraeli Gears by The Cream

The Beatles do not like to lose. In a well-fought opening round match, Magical Mystery Tour (released only four months after #1 seed Sgt. Peppers Lonely Hearts Club Band), beat out the scrappy Velvet Underground and Nico 8-5. Disraeli Gears, a very strong five seed, crushed Pink Floyd’s debut album 10-2. Will Disraeli Gears stop the Beatles from having a guaranteed path into the finals, or will Magical Mystery Tour face its predecessor in the final four match? Magical Mystery Tour is perhaps more touted because of its artistic draw, but the track listing still does include “I Am The Warlus” and “Strawberry Fields Forever,” two of the Beatles most psychedelic pieces. Clapton and The Cream do put up a fantastic fight with “Sunshine of Your Love” and “Badge,” two awesome blues/psychedelic fusion songs. This is going to be a battle.