Archive | April, 2011

March Madness Results – Top 1967 Album: Sgt. Peppers Lonely Hearts Club Band

16 Apr

We have a winner! The tournament’s #1 seed Sgt. Peppers Lonely Hearts Club Band was not denied, and unlike my incorrect pick of #1 seed Duke in the 2011 March Madness tournament, Sgt. Peppers brought it home. Am I surprised by the results? No. Despite the list of 16 fantastic albums, Sgt. Peppers was arguably the best. It beat #3 seed Are You Experienced by Jimi Hendrix by only three votes. It was close, but so was the Duke vs. Arizona game, that ultimately led to Duke’s demise.

Sgt. Peppers Lonely Hearts Club Band is widely considered as not only the Beatles‘ best album, but also the greatest album of the rock n’ roll era. The album was preceded by Revolver and it demonstrates musical elements that the Beatles were exploring in Revolver, like electronic sampling and creative instrumentation. Elements of Revolver were heard more in Magical Mystery Tour (a combination LP) and the culmination of the Beatles’ psychedelic experimentation resulted in the concept album that was Sgt. Pepper’s Lonely Hearts Club Band.

An album is obviously defined by its track listing. A concept album is also defined by its order. The album’s first song, “Sgt. Peppers Lonely Hearts Club Band,” is an invite into the magical world of the Beatles. The song sounds like the opening of a Broadway play. It is a tremendous concoction of melody, studio sounds, brass and rock. The song also seamlessly flows into track two, “With a Little Help From My Friends,” a traditional pop/rock Beatles’ hit. While Sgt. Peppers flows as a concept album, the music pieces psychedelic elements with the Beatles’ rock sound, but the psychedelic trinkets are more defined in some songs than others. It is this pleasant combination, mixed with the band’s unique efficiency, that makes Sgt. Peppers so successful.

Best song off the album? Is there any question. “A Day in the Life” provides listeners with one of the most original psychedelic pieces ever created. The song combines drawn-out verses and strange lyrics, with a fast-paced day breakdown and two of the most intense transitions ever heard in music. It is the David of rock music. Enjoy.


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No “King of Limbs” Sequel – Rolling Stone Top Lead Singers

14 Apr

King of Limbs Sequel Denied

Despite the optimistic thoughts of Radiohead fans, guitarist Ed O’Brien crushed the rumors that there will be a sequel to Radiohead’s recent release King of Limbs.

“There are [other] songs that we have started, that we never finished, but there’s not like seven or eight finished songs waiting in the wings to be released now, or in the autumn, or something,” O’Brien said in an interview with BBC. “When we start a new record, we tend to start afresh. It’s kind of an evolutionary thing– only the fittest survive.”

I had a hunch that there would be a second release, so I am surprised by the news. It seemed all-to-perfect. Perhaps that is why there will be no sequel. It would’ve been too predicted by fans. Radiohead prefers to work in spontaneity and secrecy.

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Rolling Stone Readers Prefer Plant

In the world of lead singers, few command the stage with an excellent voice and flavor. Rolling Stone asked readers to vote on the top lead singer ever, and readers responded by picking Robert Plant. Robert Plant is the wrong choice. He is a product of misguided voting. I wouldn’t even put Plant in my top 10. I find his voice to be arrogant. By arrogant, I mean that his screech is annoying and disingenuous and his sneer is self-indulgent. His voice is not authentic and, therefore, should not be on the list. But, he is voted among the top vote getters in every poll and this is because of the success of Led Zeppelin, who are also horribly overrated.

So, who is the greatest lead singer of all time? Do you ever have to ask? Just, listen.

Freddie Mercury possessed the perfect rock voice. His voice maintains perfect timber while traveling into different realms of passion. His voice leads a song better than any lead singer was ever able to do. On the list, he is #2, and while this is a good placement, it is disrespectful for a singer of his quality.


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Slide Guitar – “Traveling Riverside Blues”

13 Apr


Yesterday was Josh Lampert’s birthday. Josh, as some of you may remember, has written for the blog before and is still technically writing his Top Guitarists Section. The man above is certainly included on his list. For Josh’s birthday, I bought him a slide for his guitar. We jammed for a while, Josh playing the slide and soloing over songs like “My Sweet Lord.” I made him play the opening riff. I was reminded of one of the masters of slide guitar during our birthday session. Robert Johnson.

Robert Johnson, who started the famous die at 27 music curse, was definitely a progenitor of popular slide guitar work. He played slide Delta Blues, music that originated from the Mississippi Delta, and he played the music with such rawness and precision that he left a lasting imprint in blues music style. Listen to this exceptional example of Johnson’s blues slide.

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“Aquarius/Let the Sunshine In” by The 5th Dimension – Psychedelic Soul

12 Apr

Psychedelic soul is one of the most thought-provoking spawns of the psychedelic music movement. It initially seems like an impossible breed. Soul and Psychedelic are two different animals, right? Actually, no. Let’s break both genres down. Soul music is based in gospel and rhythm and blues. At the time of the psychedelic revolution, soul’s rhythms were morphing into the nascent phase of funk. Psychedelic music is characterized by eccentric instrumentation, keyboard and odd melody. These two genres can mesh. Rhythm and blues combined with psychedelic instrumentation form a brand of music that is fresh and different.

After Jimi Hendrix, who combined R&B and rock, added psychedelic to the mix, he proved that the two genres fit together like puzzle pieces. Other bands were inspired to take the leap into this style of music. The 5th Dimension, with strong foundations in melodic soul and pop, released “Aquarius/Let the Sunshine In” in 1969, recording a medley of the two songs that had appeared in the musical “Hair.” What came of this combination was tremendous success.

What makes this song psychedelic? The lyric fits the parameter. It is based in astrological belief and zany extraterrestrial writing is perfect for psychedelic music. Though, the lyric is not the tell-tale sign of psychedelic soul. The strong musical base beneath the heavenly harmonies fulfills the qualifications. The song is also two full parts (the first medley to ever hold the #1 spot on the Billboard Hot 100 chart), and both parts are certifiable psychedelic soul (in their own ways). Let’s discuss part one first.

Listen up to 2:18. The whistle and percussion that comes before the opening lyric provides a mystical sound that gets listeners in the mood to hear something different. The first verse is psychedelic, no doubt. It has a keyboard backing and is airy. The chorus then comes and starts moving like a R&B/Soul/Pop song. The horns and harmonies keep us in the psychedelic realm. The second verse features even stronger keyboard and whispered backing vocals that demonstrate creative vocal interplay. The song is playing with both psychedelic and soul music in the first portion. The strong soul and R&B is not really there in the first part, despite the chorus which tinkers with these elements. Then, press play at 2:18, and woah!

The bass guitar and horns drive the song into soul music. Wow. Listen to that bass guitar. What is this? This is psychedelic soul. Hear the keyboard backing turn to more traditional piano? The transition into this soul exploration is awesome. The backing harmony and horns are still psychedelic, but that psychedelic feel has been replaced with R&B and Soul and this is genius. The songs feature different strengths. The first part is more psychedelic, while the second part is more based in soul.

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Classic Guitar Store Riffs – The Kinks to Reunite? – Dowd vs. Dylan

11 Apr

So is it functional?

I remember going to Guitar Center in 10th grade to pick out my first acoustic guitar. I ended up with a starter set, but that is besides the point. When I was walking around the store, a customer was testing out a Gibson on a bench next to an amplifier. He was trucking through some noticeable riffs and performing them with technical proficiency. I feel like every aspiring guitarist has had this moment in their playing career. Someone at the music store serenading shoppers with their version of “Stairway to Heaven.” Well, for those who have mastered some of these famous riffs, a guitar store is a good place to go if you want to attract attention. It’s easy to plug in an expensive guitar and play. But, before you drive over to a music store, take a look at this list of top ten riffs to play with your borrowed gear.

http://www.gibson.com/en-us/Lifestyle/Features/top-ten-riffs-0404-2011/

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Ray Davis Wants a Kinks Reunion

The Kinks potential reunion tour has been derailed twice over the past ten years. First, Peter Quaife developed kidney problems in 2000, and then talks of only three members playing shows were thrown off with Dave Davies‘ stroke in 2004. Quaife unfortunately passed away in 2010 and the band immediately went down to three. According to a Rolling Stone interview with Ray Davies, Ray is meeting with his brother Dave (now fully recovered). A potential reunion tour can be on the horizon, and, because of what seems to happen when reunion tours are discussed, it may be best for the band to immediately play some shows. I know fans would be on board for that.

Link: http://www.rollingstone.com/music/news/ray-davies-wants-the-kinks-to-reform-20110411

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Dylan’s China Concerts – Selling out?

Maureen Dowd is a great columnist for the New York Times. Her commentaries are thought-provoking and refreshing, and many rebuke her points of attack with intensity. On April 9, she posted a scathing column entitled “Blowin’ in the Idiot Wind,” where she calls Bob Dylan an ultimate sell out for allowing the Chinese Ministry to disallow him from performing his famous protest songs. Dowd reminds readers that Dylan did walk out on The Ed Sullivan Show when he was told he could not play “Talkin’ John Birch Paranoid Blues.” He was 22 years old back then. He is now 69.

I don’t know what to make of Dowd’s comments. She, in a sense, is completely correct. Dylan, who firmly warned against government oppression in his lyric, gave into China, the quintessential quiet oppressive government. You are told to practice what you preach, and Dylan did not follow this sentiment. Dylan was a protester. Dylan fought. But, that was over 40 years ago. Age is no excuse of selling out. I am not attempting to defend Dylan in my comments. Perhaps his reasoning for the China concert was pure selfishness. He is a consummate performer and maybe he just wanted to finally take his talents to China for a show, despite their restrictions. I am not sure. I do agree that he did sell out. I am just not sure to what extent.

Check out Dowd’s column: http://www.nytimes.com/2011/04/10/opinion/10dowd.html?_r=2

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