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Bhi Bhiman has both Rhythm and Reason

21 May

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Back in April of 2012 I came across a magical cover of Gnarls Barkley’s “Crazy” done by a Sri Lankan-American folk-rock singer/songwriter named Bhi Bhiman. To say I was hooked is an understatement. Bhiman’s powerful vocals blew me away, and I spread the word about Bhiman to whoever was listening. It is now 3 years later – somehow; gosh, time moves by quickly – and Bhiman just released his new album Rhythm & Reason, which is a continued testament to how amazingly talented he is. Thus, on the heels of this release, I will make an impassioned plea to many wonderful people who read this blog consistently. Spread the word of Bhi Bhiman. Simply put, more people need to know about this voice.

Bhiman released a self-titled album to much critical fan-fare in 2012, and it featured several tracks that accentuated his deep croon and acoustic stylings. His new album is similar in its intentions: blow you away with well-written folk rock tunes that are sung with ardor and boldness. The tracks move gracefully, blues-tinged and melody-soaked; each featuring Bhiman’s unique stylings. One such song is “Moving to Brussels,” which, while itself is a classic Bhiman track, was recently provided with a humorous video with a cameo from Key & Peele star Keegan-Michael Key.

Key plays a good J.K. Simmons impression with his volatile music lesson for Bhiman. The “Whiplash”-inspired video is hilarious. It does speak for itself, so I will let it do so … play the video now! It doesn’t hurt that “Moving to Brussels” is an energetic folk hit that moves with an infectious effervescence that draws you in. Key doesn’t hurt.

And, if you need some more Bhiman convincing, here is my favorite track by the musician. It is called “Crime of Passion” and while it is not from the new album it is still worth a listen, or two, or three!

American Idol: A Eulogy

11 May

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Oh, American Idol, how I will miss you. Oh wait, I have not watched you in several years. Actually, the last American Idol I remember was back when I was an undergrad in college; that just demonstrates the show’s fortitude and perseverance. I post the picture above not out of ignorance but out of nostalgia for a time where Paula Abdul’s ridiculous ramblings about nonsense were persistently chided by the abrasive Simon Cowell. Nostalgia for a time when Randy Jackson’s “dawgs” were held in such high esteem by the show’s wide audience. Nostalgia for the American Idol of old, the show that spawned the superstar talents of Kelly, Carrie, Phil, Jennifer (even though she did not win), and many more.

Ok, I sound like a total fanboy, but let me explain. As much as American Idol, which has just announced that its 15th season on the air will be its lost, has jumped the shark so many times that even Henry Winkler would be disgusted, the show has represented a quintessential model of successful television; it has been tremendously malleable while keeping its initial frame. The show’s point is still the same, to be crowned the top singer and receive the American Idol crown, but the judges and format has changed. Actually, let me emend my statement; Ryan Seacrest has not changed. No one has benefitted more than Seacrest who is conservatively worth $300 million and has turned into the next Dick Clark, which is a title he deserves; I happen to think he is an excellent television host.

That said, after 13 years on the air – yes, the show premiered in 2002 – the show has not garnered much viewership in the last few seasons, and Fox has decided to cut it. The talent-show Ozymandias will finally be buried into the annals of time, and it is about time. Will it be missed? Sure. However, the time is right for it to be brought out to pasture. It was a great run.

So, consider this my haphazard, odd eulogy to a show that, as much as I sometimes hate to admit it, I grew up with. American Idol, in a twisted sort of way, represents family. Seriously. For many years, American Idol was a two (often times 3)-day-a-week tradition. My mother, sister, and I would sit down, mockingly hum the opening, laugh hysterically at the awful performers, provide astute observations of early favorites, chastise those contestants who only got by on looks and had no talent, and cheer – well, my mother would cheer – contestants we found to be fantastic. There was joy in watching the show, some strange sense of familial togetherness all because of American Idol. And, for that, I thank American Idol. You became a pretty boring show, but you had a great run.

Music Court, out.

Earworm for Wednesday – Saint Motel “My Type”

29 Apr

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The four dapper looking fellows in the photograph above represent the eclectic pop quartet called Saint Motel, a musical variety act, fit with catchy pop of undefinable delineations. Try to evince the band’s genre. It’s difficult. The band goes from funky, horn-blazoned Mad Men-inspired pop/rock to more Walk The Moon-style alternative rock. That is diversity. And, the best part of it all is that the band is clearly enjoying the fruits of its talents, performing this past Coachella on the main stage and making its rounds on Jimmy Kimmel. The band, which signed to Elektra records in 2014 and released its fourth EP in August of that year, has also toured with super-acts like Imagine Dragons and the Arctic Monkeys. Put simply, St. Motel is one of the next big things of pop music, and its extraordinary throwback to upbeat jazz bars with the finest whisky sensibilities – “My Type – is a testament to the band’s emergence as cool and fun.

“My Type” starts with a tremendous horn riff that falls into a disco-like beat straight out of the Tramps’ disco inferno, fit with a range of percussion instruments. The vocal is such a spot-on throwback to everything good with disco/jazz/soul music that one cannot help but smile. The song has a movie quality to it. It sounds straight out of the pictures; it is almost like it was particularly made for it, and the music video suggests something similar. The song is just “my type” and it strikes me as the type of many others. On a completely different musical note, check out “Cold, Cold Man” which is more true Indie/pop with dreamy keys.

You can find out more about the band on its website

Special Feature: Can’t Miss Summer Music Festivals of 2015

16 Apr

Hello Music Court readers. I am happy to re-introduce Beth Kelly to the Music Court pages who has a special feature on some excellent summer festivals. With that, take it away Beth.

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Ah, sweet summertime. While most of the Midwest is still de-thawing, it might be hard to remember a time when the air didn’t hurt your face. But with hotter days ahead and warm evenings on the horizon, soon it will be time to pack up the car, grab some friends, and hit the road for one of the summer’s best music festivals. From the small and the scrappy to the big and (let’s be honest) overblown, let us help you find the fest that fits best. Read on for a few I’m excited about myself!

Movement Electronic Music Festival – Detroit, MI / May 23-25th

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After the first Detroit Electronic Music Festival brought together hundreds of international Techno lovers from all over the globe in 2000, Hart Plaza has become home to the enormous, electronic-themed event. This year sees a diverse mix of house, techno, and hip hop among performers who include Wu Tang Clan’s Method Man, house music icon Kerri Chandler, dance-punk rockers !!!, Disclosure, and even Snoop Dogg, who, after revealing a love for “Euro tekno” last year, has been performing under the moniker “DJ Snoopadelic.” Make a trip to the Motor City on Memorial Day and witness some of techno’s pioneers in action, all set against a beautiful backdrop of the Detroit River and Ambassador Bridge. If you thought Eminem was the only musical export to come from the city in recent years, consider this an education.

Sasquatch! – George, WA / May 22-25th

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An internationally-acclaimed music festival/mythical being that emerges from basalt cliffs carved high above the Columbia River Gorge each Memorial Day weekend, Sasquatch! never disappoints. This year’s Sasquatch! lineup remains as impressive as ever, with highlights that include Modest Mouse, James Blake, Hot Chip, Tame Impala, and a dizzying list of other talented performers. Camping is your only option here, so bring enough supplies to last you and your friends all four days. A significantly smaller-scale event when compared to jumbo-fests such like Lollapalooza, with attendees numbering at about 20,000 you can expect a communal PNW vibe and maybe even this guy.

Pitchfork Music Festival – Chicago, IL / July 17th – 19th

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Chicago’s annual celebration of all things left of mainstream Pop, this 3-day party finds its home in the cozy Union Park. Coming into its tenth year (I feel old) the event is known for featuring a range of popular and critically-acclaimed performers. Summer 2015’s lineup runs the gamut from local rap act Chance the Rapper to Norwegian DJ Todd Terje. In addition to the music, Pitchfork hosts a vendor sale which includes art, gig posters, and a record sale managed and organized by Chicago’s independent community station. The shows tend to end promptly at 10pm, so do your best to fit in all the food, drinks, and fun your body can handle before sunset—but don’t forget to leave room for the after-party.

Made In America Fest – Los Angeles, CA and Philedelphia, PA / September 7-9th

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After starting the first festival small in 2012, Jay Z got together with Budweiser in 2013 to put on the first big two-day “Made in America” festival in Philadelphia. Last year, the event expanded to Los Angeles, occurring in both cities simultaneously over Labor Day weekend. Performers included Kanye West, Kendrick Lamar, Pharrell, and the controversial Iggy Azalea. While Jay-Z is off on his own tour with Beyonce this year (you can click here for live-streaming info), if you’re looking for a hip-hop focused fest, this is surely one of the best.

Hopscotch Music Festival – Raleigh, VA – September 10-12

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One of Raleigh’s biggest annual events, this festival was established by local newspaper Independent Weekly in an effort to bring both local and national acts to the stages of Virginia. In a “SXSW” style the bands play at various venues across town, touching on genres spanning from classical to dance and “alt-country.” Under new leadership this year, it’s safe to say we can expect a lineup even better than last year’s. Though after Spoon, De La Soul, St, Vincent, and a host of other talented musicians captured crowds in 2014, it’s going to be a tough act to follow.

Rocky and the Goldstein: Living a Chassidic Country Dream

11 Apr

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Move over Ray Benson, there is another country musician and member of the tribe who has rolled into town with a guitar strapped around his neck and yarmulke firmly on his head. Yes, Rocky Goldstein is about as unique as you can get as a musician. As titled, he is a Brooklyn Chassidic (type of Judaism) Country Musician, which, while it seems slightly peculiar, is actually pretty apt. When you consider the tenets of good country music – pleading tales of existential journeying and other dig-into-your-soul storytelling – it fits the Jewish story quite well. As we conclude another Passover, the Jewish holiday that celebrates the exodus of the Jewish people out of Egypt (the age-old tale of they tried to kill us but they didn’t succeed), I bring you Rocky Goldstein’s eclectic country tunes, and I am enlivened to do so, not just because I too shared bitter herbs and charoset at the seder table this Passover, but because Rocky & The Goldstein, the official name of the band profiled in this post, is an exciting band who, faith aside, plays fresh country/folk tunes that all should hear.

I had an opportunity to email Rocky a few questions for this post, and when I asked him about his musical journey, he immediately mentioned musicians like Neil Young, Bob Dylan, and Merle Haggard and how he can, with his music, “relate to the struggle and, of course, the joy” that these artists evince in their own tunes. That is what music is, right? A combination of these emotions that reflect the artist’s own life, which is what Rocky echoed to me in the interview. This mature foundation creates a well-rounded approach to music that Rocky, and the people who support his tunes reflect.

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Rocky is for all intents and purposes a solo musician, but Rocky & The Goldstein is made up of a select supporting cast consisting of the producers of his self-titled EP, Thomas Bryan Eaton and Alex Korinzer; Rocky’s writing partner Isaac Schapira; and fiddle player Craig Judelman, who can be heard prominently on the album’s initial track.

When I asked Rocky about the foundation of his sound, he recalled his exploration of Judaism and trip to Israel that sparked his musical inclinations.

“I played a few shows in New York and then went off to Israel for a year and half to learn in a Yeshiva, which is a Jewish higher learning institute. There, I met my good friend, Isaac Schapira. We both talked about our love for country music and started writing these mock American pride songs. Eventually, we decided to start writing songs about the experiences of what we were actually going through.  He really helped me hone in on writing lyrics with a clear message as opposed to cryptic, subconscious prose.” 

This prose and sound, as stated above, might be viewed as a bit odd, but when I asked him how a nice Jewish boy from Long Island gets into country music he explained a natural progression to the genre.

“Country music in particular always had these themes of self-deprecation, regret, and life lessons with religious undertones. Jewish identity is often defined by these characteristics. As I became more observant in my Judaism, I found songs like “Less of Me” by the Statler Brothers or “In my hour of darkness” by Gram Parsons to be songs I could relate to. They spoke about the struggle of going on a spiritual journey and the tribulations that came along with it.”

Let’s listen to some tunes.

“A Dream,” the initial track on the EP, features a traditional Jewish folk fiddle followed by Rocky’s grainy vocal that carries the piece. The guitar is plucked with upbeat intensity and the fiddle is never to far behind. I particularly enjoy the song’s simplicity, which, in my mind, is what makes good country music. It is vocal and strings mixed with light percussion, which acts like a perfect pairing.

“The Sun” is an ode to the singer/songwriter. Much in the vein of classic musicians like Paul Simon and more modern musicians like Vance Joy, Rocky’s vocal is smooth and tender and it carries the piece. The fiddle is such a great touch and it adds to the song’s dulcet sound. Using a culinary allusion, it simply tastes good, which makes sense, because when I asked Rocky to imagine a situation where he gets to dine with two musicians who inspired him, Rocky picked legends of the pen and harmony Leonard Cohen and Paul Simon, a classic dinner of “melody” and “lyric.” Asked what he’d get, he figured he’d go simple, “a beer or a coffee and maybe a knish, as long as it’s kosher,” of course.

 You can find the self titled EP on rockyandthegoldstein.com and purchase at http://www.cdbaby.com/Artist/RockyandtheGoldstein. Feel free to like him on Facebook.