Tag Archives: Indie

Dsfečo Invokes More Than Emotion In Jihad Du Jour

18 Jul

Musician Dsfečo definitely knows how to invoke feelings of transcendental ambience through his latest single called Jihad Du Jour. Throughout his musical career, he has composed music for a variety of artistic outlets. Some of which include, dance, theatre, video, and new age projects. The song Jihad Du Jour, has an intense political message throughout citing how religion affects society as a whole and how society reacts back to it. In light of such a heavy topic expressed within the song, Dsfečo does a good job at musically articulating anger, sadness, and reflection all in one track.

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Frame of Mind From Sam Levin Spins Forward Ambitious Pop Sound

13 May

Sam Levin just released his newest album called Frame of Mind and it epitomizes a mixture of pop, soul, and indie rock. With lyrics intertwining between the themes of the seen and unseen, and nature undertones, Levin’s smooth vocals keep audiences entertained and wanting more. From a musical auditory observation, the mixing of variety of light synthy sounds and xylophone taps, his music does not fit within one’s typical idea of indie pop. Sounding completely evolved and already carving a specific niche in the musical world, Levin surprises audiences with his mature sound for his age of 15. For 2017, listeners should take note of his over ambitious evolution as an artist and keep track as its just the beginning.

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Eddie Yang Encompasses Soulful Sound With Split The Night

17 Mar

Eddy Yang debuts with his newest single Split the Night and it encompasses everything one could think of when thinking of an artist with soul power. The sound of his music can only be characterized as reflective, yet has a full and folk inspired rhythm. Influenced by a wide variety of artists ranging from Beach House to Kanye West, Yang gives himself just a start into a peek in his debut upon the indie music scene. Eddy Yang proves himself as an indie musician who gives listeners a raw and full sound destined for greatness in the future.

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It’s a Sin to Live So Well – “Flagpole Sitta” by Harvey Danger

16 Jul

The plethora of one-hit wonders that exist in the wide world of 20th and 21st century music is indicative of just how hard it is to hit success twice as a band or musician. It is somewhat analogous to striking gold twice. This makes the multi-level houses of gold that could have been constructed by the Beatles or Michael Jackson all the more impressive. That said, this section is about one-hit wonders, and we are going back to the 1990s, an era that spawned long lists of the one-off greats for this song.

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Before we get into “Flagpole Sitta,” let me clarify that a one-hit wonder does not mean that the band broke up directly after the release of the song. On the contrary, as is the case of Harvey Danger, the band played together for 15 years, released three albums, and performed a large amount of shows. A one-hit wonder indicates that a band/singer found wide-ranging chart success with only one track, and that was “Flagpole Sitta,” the alt/punk classic that exposed the mainstream alt/punk/grunge scene, as impacted by Seattle grunge bands like Nirvana, Pearl Jam, and Soundgarden.

“Flagpole Sitta,” and, in larger part, the album it is housed on Where Have All the Merrymakers Gone is a true indie success story. Initially released on an independent label based in Oregon called Arena Rock Recording Company. “Flagpole Sitta” was recognized as the awesome song it is, and it started seeing airplay all over. The band had sent demos of all the songs on the album to music industry professionals, including Slash records, in 1996, and Slash ended up re-releasing the album, cementing the album and its lead track as a 1990s staple and, now, best hits collection item.

What makes the song so good? It’s angry. The song doesn’t let up. It starts with a rising guitar riff that blends into Sean Nelson’s pleading vocals. The chorus is a amalgamation of yelling harmonies and a crashing instrumental. The lyric reflects the potency of the rhythm effectively; it is a catharsis of frustration and candor (“been around the world and found that only stupid people are breeding”). The song also has a timeless quality (even with the reference to ‘zines and Rage Against the Machine). It is a excellent portrayal of societal angst that uses a head-banging, toe-tapping instrumental that pumps the tune on repeat in your head for hours.

Before I end this post, it would be averse if I did not mention the passing of the founding bassist Aaron Huffman who died in March of this year of respiratory failure. Rest in peace.

Stuck In My Head — Bear Hands

30 May

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I’ve had a chance to listen to a lot of Sirius XM radio lately, and in my listening binge I have found myself on the Alt Nation channel much of the time. On it, Bear Hands, an Indie Rock/Punk band formed in Brooklyn a decade ago, has found much play with a song called “2 a.m.” from the band’s 2016 studio album You’ll Pay for This. The song is just one in a vast library of excellent music Bear Hands has released since its first LP was introduced to the listening populace in 2010. Let’s explore two of Bear Hands’ most popular songs.

“Agora,” an ode to the phobia that shares the prefix, is a jaunty, paranoid song with fragmented guitar, pleading harmonies, and a spooky key motif. With the repetition of agora in the verse it almost sounds like the band is the music video’s protagonist’s deranged mind. Oh, and the song is pretty awesome too; a sub-3-minute ditty that hits the ears hard and sticks.

“2 a.m.” has marked differences that demonstrate the band’s multifarious skill. The song is more methodical in its pace, featuring slow keys and muffled drums. The vocals reflect the instrumentation; at times they even some strained and depressed. The song serves a wonderful contrast to “Agora” and other fast-paced Bear Hands songs, and the slowed down style is impressive. It also reflects the lyrics, which sings of getting older.

 

You can find out more about Bear Hands at the band’s website

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