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13th Floor Elevators – 60’s Band of the Week #1

2 Jun

13th Floor Elevators Band: 13th Floor Elevators

 Origin: Austin, Texas

 Genre: Psychedelic Rock

 Founded: 1965 – Disbanded: 1969

thirteenth floor elevators Most Famous Line-Up:

 –          Singer/Guitarist/Songwriter (primary): Roky Erickson  

–          Electric Jug Player/Songwriter (primary): Tommy Hall

–          Guitarist: Stacy Sutherland

–          Drummer: John Ike Walton

–          Bass Player: Ronnie Leatherman

 

Name: The band’s name is based on the superstition of large buildings not having a 13th floor because of bad luck. Also the 13th letter in the alphabet is M (obviously for marijuana).

 History: What a perfect way to begin our 60’s band of the week section. 13th Floor Elevators emerged from the psychedelic scene in Austin, Texas. While in California, especially San Francisco, Los Angeles, and other surrounding areas like Monterey, psychedelic rock was supposedly most prevalent, it was in Texas that arguably the first Psychedelic Rock band sprouted.

            13th Floor Elevators were a few years ahead of their time. They were practically the inventors of this new type of rock that would find its way to somewhat infamous fame among all of the United States in a few years. They were certainly among the first to play this rock. Yet, they also were one of the first bands to face the law and succumb to consequences due to drug abuse.

            13th Floor Elevators rose from two bands known as The Spades (which included Roky Erickson and Tommy Hall) and The Lingsmen. The original five person line-up toured Texas in the spring of 1966 and found a record deal with International Artists in Houston; the same record label that also signed bands like Red Krayola and Bubble Puppy. Bubble Puppy who had a huge hit with their single “Hot Smoke & Sassafras,” in 1969 and has definitely gone down as having one of the more interesting acid-induced band names in the entire 60’s counterculture. This counterculture found 13th Floor Elevator’s album debut, The Psychedelic Sounds of the 13th Floor Elevators, particularly enticing. While it remains one of the most interesting trips into psychedelic music it did not help their cause that in the album’s sleeve notes they practically thanked LSD for helping them write the album. Yes, I would like to thank my parents, Jesus, and dropping acid.

    After the release of this album, 13th Floor Elevators continued to tour and they spread their wings to San Francisco where they performed with such groups like The Byrds. In 1967, they released a concept album entitled Easter Everywhere which while achieving some success also led to the walking of the bassist Ronnie Leatherman and the drummer John Ike Walton who left due to managerial disagreements with the label. This was the beginning of the end. Drug problems continued and after marijuana possession charges were lifted on Erickson he chose to be admitted to a psychiatric hospital due to his supposed schizophrenia instead of taking a prison sentence. This all but symbolized the true end in 1969. Mental problems, managerial issues, drugs. Sound familiar. 13th Floor Elevators fell in four years to the same problems that would take down many other bands that were enticed by LSD and Mary Jane.

Aren't old concert posters amazing. Yes, this is Grace Slick with her old band The Great Society before she hit fame with Jefferson Airplane.

Aren't old concert posters amazing. Yes, this is Grace Slick with her old band The Great Society before she hit fame with Jefferson Airplane.

Discography:

            The Psychedelic Sounds of the 13th Floor Elevators (1966)

            Easter Everywhere (1967)

            Live (1968)

            Bull of the Woods (1968)

 Best Album:

           Easily, 13th Floor Elevators best release was their very first in 1966. The Psychedelic Sounds of the 13th Floor Elevators, not only was one of the very first psychedelic albums ever to be released, but, it also takes listeners on a fascinating exploration of acid ballads in their larvae state. The album is an extraordinary mix of odd sound effects, an electric jug (which was the band’s trademark sound), and screaming, guttural vocals from Erickson who on this album may have mastered one of rock’s first real screams.

            While checking out the album you must listen to “Reverberation,” which plays with an eccentric harmony and a wave of haunting sound effects which wash your ears with swirling sound. “Splash,” sounds like The Animals mixed with ghostly echoes. The end of “Kingdom of Heaven,” which is psychedelic blues at its best, features Erickson’s rock scream.

            The album is completely underrated like the band. While they may have been the first they most certainly were not the most famous. This could be due to their problems with drugs and their relatively short life but, besides a cult following, they lack the respect they deserve among fans but not musicians. Musicians tend to cite the 13th Floor Elevators as huge inspirations. Bands like ZZ Top and REM.

 Best Song:

            Straight off of The Psychedelic Sounds of the 13th Floor Elevators is “You’re Gonna Miss Me,” which is the band’s most famous song. It is immediately noticeable for the opening riff sounds exactly like, “For Your Love,” which was written by Graham Gouldman for The Yardbirds, a revolutionary British band which brought such musicians like Eric Clapton, Jeff Beck, and Jimmy Page into the spotlight. It was written in 1965 when Roky Erickson was performing his “You’re Gonna Miss Me,” with the similar riff, with his band The Spades. Well, “For Your Love” was released in February of 1965 and was written when Gouldman was 19. Okay this is trivial. What is most important is that the song is a catchy, rhythmic boogie with a swinging harmonica, hints of southern soul, crazy vocals, and an awesome tone-setting electric jug mixed with Tex-Mex influences.

 Fun Facts:

Did You Know…

–  On Easter Everywhere 13th Floor Elevators did a cover of Bob Dylan’s, “It’s All Over Now, Baby Blue.”  Better yet, it is rumored that it is his personal favorite cover

 – Janis Joplin, before she joined Big Brother and the Holding Company, sang a few songs with the band and considered becoming their singer back in Austin before she left for San Francisco and joined Big Brother. You can only imagine what would have happened if Roky and Janis teamed up. Those concerts must have been incredible and that band would have been insane.

 – In 2006 Dell Computers used “You’re Gonna Miss Me” in one of their ads for their XPS laptop. Proving that if you use an XPS laptop you are obviously dropping acid.

Lyric of the Day #8

2 Jun

I was waiting for number eight because this means our first Beatles lyrics. One cannot get any better then The Beatles and while my favorite band will always be Pink Floyd because their music is…yeah that’s my issue I cannot describe it… The Beatles are easily the most influential band and clearly the best band of all time. It is a close second.

So the lyrics I bring to you today are from a song released on the 1964 album Beatles for Sale. Any guesses? I will give you a clue: Eight Days A Week

“Ain’t got nothin’but love babe,
Eight days a week.”

         – The Beatles, “Eight Days a Week,” off of Beatles for Sale

But, of course, working hard for all eight days. The story of who came up with the title is interesting. Paul McCartney has given credit to his chauffer and to Ringo Starr impersonating a chauffer, both saying the famous line, “Working eight days a week.” Don’t worry my memory is spotty too. Whatever it may be sometimes you gotta work that extra day. It is two a.m. and I feel that I have been working eight days.

This 1964 song is the perfect transition into a new section that will appear later today. Yes, sometime today we will debut the 60’s Band of the Week. Check back and learn about the first band. Who they were? What they were about? All of their interesting stories and more! So, check back later today for some links and the first installment of 60’s Band of The Week.

Song of the Day #7

2 Jun

Yesterday’s two posts both had to do with music in movies. “Shipping up to Boston” from The Departed and “Mrs. Robinson” from The Graduate. The coincidence inspired me and today we shall do it on purpose. When I pick my brain for famous moments one particular scene catches my memory. There is nothing better then an upbeat, unexpected song in a zombie movie. So, as a mock-zombie flick “Shaun of the Dead,” the hilarious horror/comedy/parody/ mocking every zombie movie convention ever, one could expect the perfect song to be used during the climactic zombie fight towards the end of the movie. Oh yes, Simon Pegg and Nick Frost, as well a group of zombie fighting friends, fight charging zombies to the tune of “Don’t Stop me Now” by Queen.

Watch Out! Queen Zombies

Freddie Mercury zombie

And that is not the great part. The entire fight is in perfect rhythm with the song. A show of strobe lights distract the zombies. It’s like we entered into a Queen concert in the afterlife. Oh no look out Freddie Mercury zombie! But, in all seriousness, the 1979 hit single off the album Jazz, known as one of the rare songs Brian May, the usually faithful guitarist, did not like (I do not blame him) is playing in the background of a zombie fight until a zombie is thrown through the jukebox cutting the music immediately. Shaun of the Dead

Lyric of the Day #7

1 Jun

Are we ready to go back in time? How about to June 1, 1968 which, to the horror of my parents, was 41 years ago. 1968, a year before one of the most memorable years in United States history, and while a noticeably pressing time a fantastic time for films and music. This is where we travel today. The #1 song on this date 41 years ago. “Mrs. Robinson,” written by the great Paul Simon and performed by his duo “Simon and Garfunkel,” from Forest Hills in Queens, New York.

Mrs. Robinson The song is most recognizable not as the single or the full version on the album “Bookends,” which was released in 1968, but as the title track in the AFI ninth greatest film of all time “The Graduate,” where Mrs. Robinson has an affair with a young Dustin Hoffman. Mike Nichols, the director of the film, fell in such obsessive love with Simon and Garfunkel’s music that he practically begged for Paul Simon to write three songs for him. He only got one but it sure was a good one. The most famous lyrics of the song are most definitely the timeless, year-bending, American words:

 

 

“Where have you gone, Joe DiMaggio
A nation turns its lonely eyes to you (Woo, woo, woo)
What’s that you say, Mrs. Robinson
Joltin’ Joe has left and gone away
(Hey, hey, hey…hey, hey, hey)”

                         – Simon and Garfunkel, “Mrs. Robinson,” off of their studio album “Bookends”

In 1999 soon after DiMaggio’s death, Paul Simon wrote an op-ed article in the times. In it he stated that the line was meant as a tribute to DiMaggio’s heroic stature in a time where popular culture distorts how we see our heroes. “In these days of Presidential transgressions and apologies and prime-time interviews about private sexual matters, we grieve for Joe DiMaggio and mourn the loss of his grace and dignity, his fierce sense of privacy, his fidelity to the memory of his wife and the power of his silence.”

Joltin’ Joe has left and gone away and he has brought with him a sense of dignity not only of society but, especially for the sport of baseball, that truly has been riddled by money and cheating. Unfortunate concepts and entities that ruin the natural past time and hurt the foundation of why people watch the sport and cheer for its players with such insane fervor.

Links of The Day

1 Jun

 

These are some nice links

These are some nice links

 

I have to point out something first. Right now on my itunes playlist I am listening to “You’re the Cocaine,” by Joshua James who, while being an extraodinary musician is in love with singing about cocaine. No big deal, except it is going to be followed by Eric Clapton’s “Cocaine.” This, of course, is a completely random list. I do not have a cocaine playlist, but is someone trying to tell me something?

 

 

This is just sugar right

This is just sugar right

Anyways, on from my stupidity to the links of the day and boy do I have two great ones today.

First, we get one coming from The Independent in London documenting a book coming out by a former Jimi Hendix roadie claiming that Jimi was actually killed by his manager who Jimi was going to fire. Manager Michael Jeffrey had recently put a 2 million dollar life insurance policy on Jimi with him as the benificiary. In a drunken guilt-ridden plea, the roadie, James “Tappy” Wright, apparently heard straight from Jeffrey’s mouth, “He was worth more to me dead then alive.” Read the article and possibly go and find the book (I know I will). Jeffrey is now dead (ironically died from a plane crash 2 years afterwards), but still this just adds another peg into rock and roll mysteries. Was it a forced overdose? I hope not but as much as you attempt to avoid being swayed it sounds oddly convincing.

  http://www.independent.co.uk/news/people/news/hendrix-murdered-by-his-manager-says-former-aide-1693583.html

 

On the brighter side of life I have for you an incredible video. A guitar teacher, Brodie Cummings, from Santa Rosa performing 100 of the most famous rock riffs in a little under eight minutes. The list of the songs is off to the right so you can follow along. I especially like the awesome “Eruption” at the end. The guy is very good. Five Jimi songs also appear in this rock tribute.

http://www.brodiecumming.com/events.html

Enjoy!