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Third Stop – Berlin and Potsdam – A Photo Journal

5 Jul

Dig in

When we arrived in Berlin for our bittersweet four-day European excursion finale, Rebecca and I had one initial coordinated thought. “Wow, that was easy.” Our first impression of the capital of Germany was formed in Tegel Airport after our mini-flight from Paris touched down. I call it a mini-flight because we spent only a little more than an hour in the plane. That’s how I like my flights. Take off, peanuts and diet coke, land. After we walked from the airplane to the luggage retrieval area, relieved at the sight of mid-afternoon clear, rainless skies, we were shocked to see our two bags pop out of the tenebrous cavern that is the luggage carousel first. That’s right, the first two bags! “German efficiency,” I declared like an idiotic American. We then rolled our bags to the waiting area where we were met by Rebecca’s cousin’s husband. We stayed with them during our sojourn.

So here we are. We have explored the jubilee of London, the delectable awe of Paris, and now Berlin. When Rebecca and I were planning this trip, I was most unsure of Berlin. I misjudged the city, the people, the food, the atmosphere…just about the everything. I misjudged this all because I didn’t know what to expect. On our third night in the city, we were dinner guests at Rebecca’s cousin’s apartment (we stayed next to their apartment at her cousin’s art studio – packed with poetry and classic music, much to my delight). Her cousin’s husband is an excellent chef (used to do it for a living) and he made this extraordinary meal that included juicy white asparagus (the seasonal vegetable at the time). I also had around 10 glasses of sweet wine…okay Matt, stick to the point. At the dinner was a New Yorker who had just recently moved to Berlin and we got to discussing American tourism, because, as Americans, we are required to discuss the land of the free in other countries. To be fair, this was the only mention of America during our stay in Berlin. And, if it wasn’t for some rude, misinformed, bloviating fools on our English-speaking tour of Versailles, we would have avoided any of that junk on our trip…Rebecca and I were forced to ignore those individuals. The new Berlin resident mentioned that not many American tourists come to Berlin, besides from those that just want to get in on the underground party scene.

But, why? Why do American tourists frequent Paris, London, Italy, Spain, and even Prague (the study abroad paradise), but not Berlin? In my opinion, it is a mixture of ignorance and generalities. I mentioned above that Berlin was bittersweet for Rebecca and I. We are Jewish. Berlin’s recent history is noxious. Perhaps one of the worst incidences of Western genocide and mind-blowing conformity occurred on the streets we walked. And then, after losing the war, the city was split in half, and a wall was constructed by Soviet-controlled East Germany to entrap their civilians. You all know the history. The history before the wall and the two monumental wars is widely unknown, though. After the 30-years-war in the 17th century, the Great Elector, Frederick William, promoted religious tolerance and helped populate the city of Berlin. The city became a bustling center of immigrants and tolerance. For almost a 150 years, the kingdom of Prussia reigned through the industrial revolution and the creation of several palaces eventually ending in the unification of Germany in 1871.

That’s the end of the history lesson. What I’m trying to say is that there is much to see in Berlin, and, for some time, it was one of the few places where Jews found safe haven. And then the unthinkable happened. The city may never be able to shake the scars. And, as people who had relatives affected by the Holocaust, it was a little difficult walking through the city, especially in the old Jewish quarter with the newly repaired 19th century New Synagogue. All you have to do is look down. Thanks to a creative project of which Rebecca’s cousin told us about, there are gold markings on the ground outside apartments and homes where Jews were deported during World War II. The names of where they were deported are familiar. Auschwitz, Treblinka, Buchenwald, every mention like a dagger. Was it difficult walking the streets of the city and not getting a little emotional? Yes. But even with that all in mind, I felt less like a tourist in Berlin than in London and Paris, and as Rebecca and I shared seats with Germans on the S-Bahn and U-Bahn, I felt comfortable and accepted.

The Neue Synagogue – Built 1859–1866 as the main synagogue of the Berlin Jewish community

Rebecca’s cousin quickly pointed out something about Berlin when we first arrived. The city is very green. It is full of sprouting forests, good for relaxing walks and picnics, and city residents take advantage of the greenery by tucking themselves away in biergartens, where I sampled the local Weizenbier and a soft bretzel (I bet you can guess what that is) on our first night. The largest urban garden in Berlin is the Tiergarten, which at 520 acres is the second largest urban park in Germany (it’s dwarfed by Munich’s 1,030-acre Englischer Garten). We explored the Tiergarten on our second day in Berlin and before taking the U-Bahn to the old Jewish quarter, we had our first traditional German meal at the Teehaus in the park. That is me at the beginning of this piece smirking at my pork sausage meal. It was scrumptious. The bread was thick and hearty and the creamy mustard (that I continued to have in Berlin) was the best mustard I have ever had.

The Berlin Documentation Center – at Bernauer Strasse 111

Later in the day we went north to the Berlin Documentation Center which, as you see, still has a large piece of the wall standing. It also has a thought-provoking, somber memorial for individuals who lost their lives attempted to escape East Berlin. It’s almost impossible to imagine an entire city split in half, and I must admit even through my best attempts to envision the scene I could not.

The Fernsehturm, or TV Tower, was built between 1965 and 1969. It is the tallest structure in Germany and was built in East Germany.

This is one of my favorite images from our trip. Why? I think it looks like an alien spaceship is about to take off from the top of the building. I can assure you, though, the top does not feature spaceship controls, unless they are hidden in the kitchen. That’s right, the top of the TV Tower is a restaurant, and because of our wonderful hosts, Rebecca and I sampled the food high up in the sky. The restaurant rotates slowly (no, it is not the drinks) and gives diners a magical view of the city of Berlin at night.

The Pergamon Altar in Berlin’s Pergamon Museum

After visiting around 100 museums (give or take a few) in London and Paris, we only visited three in Berlin. Rebecca and I are museum nerds. We love institutes of independent learning. We love walking slowly through exhibits and enjoying what they have to offer. We had our fill on this trip. The other two museums we visited were the Neue Synagogue museum and the Jewish Museum (where we spent around three or four hours…seriously!) What you are seeing above is a shot of the restored Pergamon Altar, a monumental structure built in the first half of the 2nd century BCE by King Eumenes II in the Greek city of Pergamon (present-day Turkey). It is a spectacular structure to observe and is quite fascinating. The prime real estate for museums in Berlin is Museum Island, the literal northern half of an island on the river Spree that features five museums (Pergamon, Altes, Neues, Alte Nationalgalerie, and Bode). Across from the Altes Museum is the Berlin Cathedral which dwarfs Rebecca in this photo.

Sometimes, after doing a lot of travelling and exploring, you need to take a break. Rebecca and I rested our sore legs at a diverse market in Alexanderplatz which is to the east of the Brandenburg Gate and the Tiergarten (if you want a marker). The market (spanned a couple of weeks I believe or just one week) featured several vendors including Ethiopian food and craft stands. There was also a vegan sausage stand that Rebecca (as a Vegetarian) made sure to sample. I spent five euros on a bratwurst and a pilsener. Look at my face.

 It will go down (with fish and chips) as one of the greatest lunches I have ever had. It was a warm day, and a nice cold glass of beer with my condiment smothered meat-treat put me on a cloud above cloud nine.

On our last day in Berlin, Rebecca and I took the S-Bahn to Potsdam (around a 30-minute train ride), and if you read this and are inspired to take a trip to Berlin I must stress that you go to Potsdam. Rebecca’s cousin suggested we check it out and thank goodness for his suggestion. The city is rich with history (where the Potsdam Conference with the big three took place), and features some beautiful Prussian palaces. Beautiful is the word of Potsdam folks. I must have said it around 30 times during our mini bus-tour around the city.

The New Palace in Potsdam – Construction started in 1763 after the Seven Year’s War under Frederick the Great

I photoshopped Rebecca into this picture when I got home. Just kidding. No, that’s real. It doesn’t look real. Heck, the castle looks plastic. But, no, that is just one of the magnificent castles that you will see when you visit Potsdam. Because you are now going to go, right?

Well, that’s it. A trip that opened our eyes to new cultures, foods, and history. Next stop, South America?

A New Bohemian Rhapsody

3 Jul

This is American Idol alumnus Adam Lambert performing “Bohemian Rhapsody” with Brian May and Roger Taylor in Kiev, Ukraine a few days ago. Lambert is playing the impossible part of lead-singer Freddie Mercury during a mini-tour with Queen. If anyone is fit to play the part of Mercury, though, it is Adam Lambert. He has been compared with the late theatrical crooner since he auditioned for Season Eight of American Idol with the famous Queen song that he is seen performing above. So, I guess the question is, how does he compare with the original? The answer is simple. He doesn’t. It is impossible to echo Mercury unless you are Mercury. Since that is now impossible, we must rely on videos, like the one behind Queen as they before in Kiev and the one of Mercury I saw during the performance of the play “We Will Rock You” in London this past June. We can ask, though, how he does in his own right? Overall, I’d give him an eight out of 10.

Freddie Mercury’s voice was unparalleled in his particular genre. He was able to sing with a rock grunt and manipulate his voice in such a way that the song came out smooth, effervescent, and effortless. He also had a naturally high voice and demonstrated such extraordinary range that he was able to  successfully hit notes that fell all over the spectrum. In my opinion, his voice may just be the best (if not one of the best) rock voices ever to be recorded. “Bohemian Rhapsody,”  written by Mercury for the 1975 album A Night at the Opera is his chef d’oeuvre. The song is delightfully theatrical and Mercury’s voice shines, ranging from pugnacious to tearful. It is one of the most masterful examples of singing I have ever heard in a rock song. Hence, it is difficult to reproduce on any level.

Adam Lambert certainly has the “type” of voice to sing the song. It actually does have a similar quality to Mercury’s. It is theatrical. That is a good start. But, in a remarkably similar fashion, it is tremendously controlled. Lambert certainly considers his voice an instrument of power. That actually is some of the problem with this rendition. It is a little too grunty. I find that when a singer cannot reach a particular note (whether the note is too high or just too difficult) they grunt and quickly end the note as to not highlight the inability. This most certainly could have been because it was live. Mercury, himself, sang the opening of the song in short bursts similar to Lambert. I am not saying Lambert’s voice is incapable. He has one of the better rock voices out there today (despite the fact that he continues to release mainstream music – he is in the wrong genre!) He is simply not Freddie Mercury. Listen to the famous scaramouche commedia dell’arte operatic part where Lambert drops out in favor of a light show (like in old Queen Rhapsody performances with Mercury) and Mercury is heard on a recording. Yes, it is a mastered recording so that must be taken into account. If you do listen to Mercury perform the song live, though, you can just hear the buttery smoothness of his voice. It is perfection and while Lambert may be one of the only singers out there that can do this song justice anymore, he cannot hit Mercury’s vocal precision.

However, Lambert absolutely destroys the rock breakdown. He flat-out breaks the song open. He also puts on such an incredible show with Brian May on stage. The interactions are fresh and exciting. Lambert hits a high note, owns it, and then continues rising into this classic rock screech that sends shivers down your spine. Then the song quiets down and, in a similar fashion to the London show “We Will Rock You,”  Freddie Mercury’s hologram ends it. That was the best part of the song and Lambert showed he belongs.

I give Lambert an eight because I feel that he held back a little bit – perhaps because he still wants to settle into the role – and I can’t wait to hear him belt it.

UPDATE: Jacob Miller and East Side Drag

2 Jul

Jacob Miller – Busking in the Bluegrass

You may remember Jacob Miller from a post I did in October about his Sept. 2011 release Blue Ridge Ramble. You can read it here. Ah, yes, Jacob Miller, he is that awesome bluegrass throwback with the warm voice and plucked guitar that makes you want to sit on your porch on a warm summer day with a nice cold beer and listen as the music mixes with the soughing winds and constant crickets. Yeah, well, thanks for doing my job for me. I guess I’ll just pack up my keys and come back tomorrow!

Jacob Miller, now a 22-year-old country-blues-ragtime-folk singer/songwriter/guitarist based in Portland, OR, is currently busking his way through the Northwestern United States. Back on June 22, he checked in with me to alert me of his peripatetic ways and send me the link to his new eight-track album, East Side Drag, which he released with his four-person band, The Bridge City Crooners. Here is what he wrote 10 days ago:

“Right now I’m in Wisconsin, and leave tomorrow for Minneapolis. There for two days, Sunday we leave for Montana, then north to Alaska. Should be a good trek. I’m looking forward to it, and looking forward to playing a lot along the way.”

Miller is a true musicians’ musician. If I don’t accomplish anything else with this update (which will take a glimpse at a few tracks from his album in just a moment), I hope that you take that message with you. He plays music because he loves music. Miller has the voice and skill to create a unique brand of Indie/Folk that could become widespread in this climate. But that would still require him to conform to a different style of playing, and Miller is not giving up his style. Miller, much in the vein of The Wiyos, the Carolina Chocolate Drops, and the late Rory Gallagher, is keeping Bluegrass music in our ears. While Miller’s first release that I reviewed focused more on independent blues, East Side Drag is an ode to fast-paced, harmonica-driven bluegrass style. And, take it from me, if you are into this type of music you will enjoy it a lot. Wait, you don’t have to take it from me, you can just listen for yourself.

East Side Drag

I actually had an issue picking three songs to profile from the album. I wanted to choose more like all of them, but I limited myself to three, starting with the title track from the album, “East Side Drag.” The first 10 seconds of the song set the mood of the album exceptionally well. Maybe it’s the kazoo. A kazoo, a scraped washboard, a bluesy guitar riff and harmonica- tell me you are not feeling like you are outside with this true jug band. There is just something about this feel-good music that sponsors thoughts of relaxing by a lake down South. Miller carries the blues riff over the fast-paced bluegrass rhythm smoothly and if you are not tapping your feet right now there must be something wrong with you! Kudos to Ben Bailey – Washboard/hollerin’ and Kyle Neumann – Harmonica for creating all those fancy noises making you tap your feet.

Jacob Miller’s cover of “Hesitation Blues,” – traditional blues song special to me because the 60’s psych/folk band the Holy Modal Rounders did a cover where they mentioned the word psychedelic (psychodelic) for the first time in a song – is intimate and smooth. I use the word smooth to describe Miller’s music a lot, and the reason I do this is because it seems effortless (which it probably is). Miller sings the song with a fun, nasally croon that echoes the intention of the song’s original authors more than 100 years ago. The lyrics are malleable and the piece is perfectly constructed for others to manipulate. Miller’s cover is one of the better versions I have heard.

I want to include this last song, “Take it Back” for a few reasons. First, it features the vocals of Joy Pearson who does a wonderful job pairing with Miller. It was also recorded on June 5th, the day before Miller and Ben Bailey hit the rails. It’s a fun piece, bluesy and quick. Pearson has a quiver in her voice that I love and her brief solo at the end is impressive. Like any good blue song, it comes and it goes, and like that Miller hit the rails to play it again somewhere else. Keep doing what you are doing and doing it well!

Back of My Neck Getting Dirty and Gritty

29 Jun

Is there a song that screams summer more than “Summer in the City” by New York natives The Lovin’ Spoonful? Today, as I walked through the blistering summer heat and bathed myself in the hot sun that baked the sidewalk, I immediately thought of the ode to a hot and sticky New York City summer day and smiled. The song is a true classic. Everything from John Sebastian’s excellent voice, to the background city noises, to the repetitive guitar riff that seeps into your head as sweat pours out, meshes perfectly to form a less-than-3-minute gem. It’s a fun song and it’s great to sing along with…especially when you are sweating and burning walking on the same streets that Mark Sebastian was writing about when he penned the song.

And, what’s better on a sunny summer day than a little trivia. Hear the electric piano in the song? The individual who played the electric piano on the Spoonful record is a musician/composer who has done some pretty famous arrangements in his career. Can you name that person? Also, for bonus points, what famous Frankie Valli song did he arrange? Have a good weekend everyone!

Drunksouls and Their Music Revolution

27 Jun

Flying sharks, 20’s King Kong, deformed multi-eyed beasts, fist-pumping humans — Yeah, sounds like the future.

Drunksouls play a variety of “drunk” music, a genre of musical expression created and defined by them. Well, beyond “groove” it’s not really defined. I am going to try my hand at creating a definition. “Drunk” music represents an odd phenomenon that often occurs when one is intoxicated – the combination of consuming several genres, like foods when drunk, into a mishmashed Huck Finn-like jumble that you don’t think could possibly taste good, but when you take a bite out of it you are satisfied. Now I promise I am perfectly sober writing this post, so perhaps my analogy isn’t the best. The fact remains, though, that Drunksouls combines elements of rock, reggae, 90s ska, funk, and electronic music into a combination that is refreshing and original.

Drunksouls does not only represent the most diverse band we have profiled here on the Music Court, but also they are the first international act that has graced our digital platform. The independent French band carries almost ten members in their fun coterie and their new album Revolution features 16 tracks, with a few gems that I will profile today.

Firstly, though, we must look at the busy album cover above. It’s like a 10-year-old’s nightmare after he has seen Jaws, King Kong, and Tremors, all in one night (what horrible parenting!) It’s also bloody awesome. Is it representative of the tunes? Sure! It’s a combination of a whole bunch of odd stuff. It fits right in. Let’s get to some music. We will start with my favorite song on the album which is called “Human Race” and falls as track two.

The five-minute song begins with a four-chord surf-guitar progression played by guitarist Julien Mur. This leads into head-nodding ska beat produced by Pierre Pesin and the trumpet. It is an attractive rhythm and infectious. Djamil Ramdane, the vocalist for the group, has an eccentric voice that is high and effective. He effortlessly produces the verse which has such hedonistic gems as, “Always looking for a better heaven, Cause everything is not enough for me” which made me laugh at its satire. The chorus is followed by some alien electronic noises and a small change-up in the rhythm, but the horns come back and normalcy (if you can call it that) is restored. The song is fit with a guitar solo as well. It is an excellent ska piece (one of the best I have heard in years) and I just want to listen to it again.

“J’ai fait un reve,” the following track, which means “I Had a Dream” is another song that deserves a mention. It is immediately different from its previous tune, featuring a bluesy guitar over a Spanish-sounding rhythm and a spacey swooning noise. The initial beat is replaced by an acoustic guitar and the vocals for the first few lines and then it comes back. It is a pleasant riff, invoking images of a calm beach and sun. It’s a shorter song, but I love it for its simplicity.

I urge you to check out the rest of the album. Take a listen to “Happy Death Day,” another gem from the album.

You can stream the entire album for free on the band’s Soundcloud and make sure to like them on Facebook