Trivia Answers For the Weary

20 Aug

Give this man some answers! Just to be clear, I did manipulate this cartoon, but all the credit obviously goes to the creator who is listed on the side of the cartoon. Still, this suited dude really does want answers, and how can I possibly say no to the desert businessman? Well, I can’t. How about some answers?

Wait! You have not tried your luck at the questions yet? No fear. Follow this link.

1.) In The Doors’ “Touch Me” Jim Morrison concludes the instrumental at the end with these three words. What are they? And, because this is the easy question, I will provide an audio clue.

“Stronger than dirt.” Yes, that is what Jim Morrison utters at the end of “Touch Me.” But why did Morrison mumble the AJAX advertisement slogan in the song. Were they paid to do it? The Doors, brought to you by AJAX, where you can just touch the dirt right off the shirt. Does Morrison sound like a guy who would have allowed his music to slip into the hands of advertisers? Absolutely, not. Morrison says “Stronger than Dirt” to express his disappointment with his other band members, who apparently were considering an offer from Buick for the use of “Light My Fire” in a commercial. Obviously, Morrison did not approve of this money-making scheme and it fell through. And, because of it all, we get this nice easter egg for trivia questions to be formed around! Every answer choice got a vote, which means that I am doing my job well, and that somebody thought he said “Robbie’s a Jerk” which is kind of funny.

2.) Woodstock, baby. That Jimi Hendrix finish was mind-boggling. But, man, who was the act that went on right before him. Uhh…?

This is one of those questions where you think you should know the answer, but then you realize you have absolutely no clue. The weird thing about this festival was the times when acts went on. Unlike regimented music festivals today, the concert didn’t stop at a reasonable hour. It just went on and on and on. Crosby Still & Nash played at 3:00 a.m., the morning of the last day. The band that opened for Hendrix went on at 7:30 a.m. Hendrix closed the show at 10 a.m., and gave his famous performance to a tired, muddy and dispersed crowd. Who was the band that opened for Hendrix?

Excuse me? The greasers with the corny dance moves? This must be a joke? No, as people woke up after their short power naps, they saw Sha Na Na on stage. I’m sure members of the audience thought that they took the “bad” acid. Sha Na Na performed, and, if it was a doo wop show, it would’ve been looked at as a solid and fun performance. And then it would have been forgotten. But it was WOODSTOCK. Their performance sparked a saying though. He/She was as out of place as Sha Na Na at Woodstock. That pretty much says it all.

3.) Now comes the HARD question. Let’s see if I can stump you guys. Simon and Garfunkel’s “The 59th Street Bridge Song,” otherwise known as “Feelin’ Groovy” was recorded in August of 1966 with what famous Jazz drummer behind the drum kit in the studio?

I’ll admit it, this question was tough. Like damn near impossible. Unless you are familiar with Jazz drummers or the studio recordings of Simon and Garfunkel songs, then this question was not going to yield an educated guess. The answer, though, is Joe Morello. And, here is a drum solo.

The Glorious Return of The Music Trivia

17 Aug

Was this really done, or did somebody photoshop that into the NOW That’s What I Call Music background? That picture really projects. It better be one hell of a music quiz. Well, do you know who does have one hell of a music quiz…because I’m actually looking for some questions, just kidding! While the first installments of Music Trivia went worse than expected, I thought that I would bring it back this Wednesday just for kicks. I get a lot of enjoyment in compiling and administering our little version of Trivial Pursuit, supposing we were only answering pink questions and those questions were only the music side of entertainment. Damn, if that was the case, I feel like I would do very well at Trivial Pursuit.

Now that Trivial Pursuit is in our minds, let’s use its new format for our questions today. I will ask three questions at different difficulties…easy, medium, and hard.

Remember – This hasn’t worked at all, but, after you answer the questions in the poll, POST your answers as a comment. I want to know if you got all three correct. If you did, you get the special prize of R-E-S-P-E-C-T and it means a lot. Let’s get to it.

1.) In The Doors’ “Touch Me” Jim Morrison concludes the instrumental at the end with these three words. What are they? And, because this is the easy question, I will provide an audio clue.

VIDEO:

2.) Woodstock, baby. That Jimi Hendrix finish was mind-boggling. But, man, who was the act that went on right before him. Uhh…?

3.) Now comes the HARD question. Let’s see if I can stump you guys. Simon and Garfunkel’s “The 59th Street Bridge Song,” otherwise known as “Feelin’ Groovy” was recorded in August of 1966 with what famous Jazz drummer behind the drum kit in the studio?

Good luck everyone and remember to write a comment with your answers!

Yeasayer – All Hour Cymbals

16 Aug

Summer is almost up! It’s halfway through August and I feel like school ended last week. Asking myself what I did this summer is pretty much fruitless because the Hell if I remember. Time is slipping past me like sweet drinks disappearing at a summer party.  It was like basking in a fountain of undisciplined youth, where my spirit ignores any form of calendar, finding balance in a sort of timeless hedonistic blur. But something now in the back of my mind is telling me that it is ending… probably all of those school related e-mails.

For those of you out there who may have also just realized that summer is indeed ending, I have today a band for you which will hopefully allow you to make peace with that fact.

Yeasayer is a Brooklyn based band which fuses psychedelic indie folk with something which could only be described as gospel soul. Put away your doubts until you hear this reverent amalgamation. Their debut 2007 album, All Hour Cymbals, is something unlike anything the world has heard prior. I’ll provide you with a few of my favorite songs from it.

The second song on the album is ironically named Wait for the Summer.  With a brief spacey intro this song does not hold back from heading straight into the melody. “Life was easier when one of us was dead.” The lyrics of this song and the entire album are gorgeous, bursting on multiple cryptic layers with hidden messages that could be either taken as quasi-religious or blissfully hedonistic. The vocal sound itself is also extremely unique, with ample amounts of chorus and humming noises hidden giving it that gospel vibe.

The mixture of the sleigh bells and the sitar-sounding guitar create a bizarre mixture of musical styles from different regions of the world and the spacey synth acts as a multi-cultural glue. The entire first half of the song is in your face waving its brazen weirdness. However, right before 2 minutes, the song goes through an absolutely wonderful metamorphosis.

The latter half of this song contains the kind of vibe that if it had existed during the 60’s, would force hippies into rhythmic swaying and all around mystic magical merriment, and or deep introspection. Not that hipsters aren’t actually the odorless modern day incarnation of hippies and aren’t doing this in Brooklyn apartments. The vibe that the ending of the song puts out is that could be in some old foreign cartoon. “I’m rising, rising, falling down” is the sort of chant that could easily garner a following and start some sort of revolution.

Simply put, this next song 2080 is a masterpiece. And if the previous song already had you swaying and feeling enlightened then prepare to be blown away. The introduction seems to slow time as a swarm of insects is locked into battle with the glorious tone of the guitar. The bassline and the drums create one of those rythms that an enlightened individual would argue as being perfect. The lyrics in this song can only be described as prophetic. The multiple meanings are so broad that even the title of the song can be included. Every time I hear 2080 being said, I can’t help to think that it may also mean 20 A.D. as if they were analogous in some way.

Halfway through once more, the song becomes an epic chant. This one is the kind that melts away any anxiety and fear and replaces it with forlorn anticipation and respect. Words cannot describe the magic this song instills effectively multiplying any spells you have already cast upon yourself. The ending with the children chanting is simply cool, an appropriate ending to a song describing the glory of future generations. Time has nothing on it.

This last song I decided to include is a personal favorite and actually one of the more unique songs on the album. Wait for the Wintertime I would also assume is the direct opposite of Wait for the Summertime. The song starts you off as if lost somewhere in a frozen winter wasteland.  A fiendish howl and a beat drops in which for some reason makes you question if the frozen plains are not actually some middle-eastern desert.

“Solid gold, and nothing is gonna stop us” solidifies that vibe as the song takes you on a roller coaster ride which has you questioning materialism and all of Brooklyn culture. While the first two songs made you feel holy, this one gives off an almost cultist vibe. The slow beat feels like it’s pulling you into hell, with demons laughing and bouts of guilt flooding you along the way. The way the song transitions between sections is eerie in the sense that it feels like it is delaying the inevitable. Brilliantly evil in my opinion. The rest of the album isn’t as evil by any means, but I like to play this song once in a while to confuse people.

As you now listen to this band, remember that time may actually not exist according to the discovery channel. That does not however say that summer doesn’t end, and if that fact upsets you, then just don’t forget to Wait for the Summer. Unless of course you are one of those people who prefers to Wait for the Wintertime.

-oko

P.S. I started writing this article on Sunday. I don’t what happened, but now it’s Tuesday. Time is weird man.

&)

Idol Albums – Coldplay LP in October – Ticketing Experiment

15 Aug

McCreery to Release Debut Album in October

Alfred E. Newman – Oh – I mean Scotty McCreery, winner of the most recent season of American Idol, will release his first album Clear as Day on Oct. 4. In a message to his fans McCreery wrote, “We focused on making the best music possible. I’m really proud of it and so grateful to have the opportunity to record an album before my 18th birthday.”

When I was 18…well, I wasn’t releasing debut album. Wait, let me qualify that. Debut “Succesful” albums. That is pretty awesome. For the top-24 this year I knew that McCreery would end up winning the entire competition. Why did I think this? American Idol has an incredibly strong country base. Seriously, solid country stars can fly through the show with ease. McCreery not only has a true country croon, but also he is young and respectable. Big, big help. At the end, the final two contestants were country singers and this really came to no surprise to people who have been watching the show for a while.

McCreery is insanely talented. Yes, for some, his act became old quickly. I mean, he could only sing country, right? Yes. But why is this an issue? He has a niche. He is perfectly comfortable in said niche. His first (and all remaining albums) will be country (with a probable pop twist). That is what album number one will be. I’ll make this prediction now. I think that McCreery will have the longest and most succesful career among all idol winners.

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New Coldplay Album


What the heck does that album title mean? Good question. Your guess is as good as mine. Coldplay will release Mylo Xyloto on Oct. 25, their official full-length follow-up to 2008’s Viva La Vida, which both had an understandable name and sold 2.8 million units. Yeah, nbd. Despite the rap that Coldplay gets, they are a hugely popular band and their piano-based rock is enjoyable. The band released the album’s first single “Every Teardrop is a Waterfall,” in June. On Sept. 12 the band will release their second single “September” to the awaiting public. Yeah, September in September.

I’m looking forward to the new release, even moreso now because the title is so enigmatic. Coldplay knows what they are doing and if the album has similar fire power to Viva La Vida it will meet with tremendous success. I’m also curious. Chris Martin has stated that the album does not have a specific genre and while that is pretty consistent with his dislike for pigeon-holing Coldplay’s music, it is still worth mentioning because last time fans were told to expect the unexpected, the band released an album that oozed with fluid sounds and eccentric rhythms.

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Experiments with All-Mobile Ticketing

Alright, this is pretty awesome. Billboard had their Summer Blowout Party featuring bands like LMFAO and Swizz Beatz. That’s not the awesome part. I mean I’m sure the concert was cool, but the way that people got into the concert is even cooler.

ShowClix, a company founded by  Joshua Dziabiak, is attempting to revolutionize the way that people get into shows. Do you lose papers easily and sometimes misplace tickets? Well, with ShowClix, everything is on your phone. That’s right, after you purchase your tickets they are sent to your phone via text message. When you get to the gate, you present the text message with your ticket and an attendant uses a device to scan it. Deal done. You go and enjoy your show and the garbages at the venue are not full with ripped up tickets (an environmentally friendly option). That’s how people who went to Billboard’s Summer Blowout displayed their tickets. It takes electronic ticketing to a new level.

I think this is great. Even if this is applied as another delivery option, it can save a lot of paper and frantic minutes searching for those damn tickets before you leave for the show. I can foresee this emerging as a premier ticketing option in the future. What do you think?

The Andes are Falling!

11 Aug

Don’t worry. The Andes are not really falling. Go back to bed South America, everything is going to be okay. But if the Andes were in Pittsburgh, PA, well, then residents might need to take caution. Falling Andes, a new Indie/Pop, is hot off the presses and one listen to their dulcet melodies and sticky rhythms will get you hooked on the Andes.

Falling Andes was manufactured by multi-instrumentalists Dan Peluso (vocals, guitar, synthesizer) and Jordan Wood (vocals, guitar, bass, keyboards). The accomplished duo started writing songs together and expanded the band to include drummer Peter-Michel Natishan and guitarist Mike Boyer. Now when I say the band is new, I am not pulling your leg. Their debut EP dropped two days ago on iTunes. Pick it up. You will feel mighty good about yourself when the indie world picks up on the exuberant joy of Falling Andes.

If I had to pick one song to introduce the band it would have to be “San Francisco.”

The synth beginning is promising, but when the airy guitar chords kick in and lay comfortably over the synth the listener is transported to Fisherman’s Wharf, his/her eyes staring at the San Francisco Bay. The voice of the lead vocalist is distinct. I’m not entirely sure how to describe it. His “oh, no” shouts remind me of the always theatric Arthur Brown’s shout of the same words in his song “Fire.” It fits perfectly, though. The song is fresh and catchy and I smell the sea when I listen to it. Which, of course, is interesting because the band is from Pittsburgh. Definitely check this band out.

Visit the band’s website