Tag Archives: Australia

Teling Buffalo Tales in Amsterdam

24 Sep

Buffalo-Tales

Wes Carr is getting back to his folk roots. After winning the sixth season of Australian Idol in 2008 and charting #2 in Australia with The Way The World Looks, his second album (first with a label), Carr started a new project that allowed him to focus his musical production on acoustic pastoral melodies and his singer/songwriter foundations. Making music under the moniker Buffalo Tales, Carr recently released his third studio album, Roadtrip Confessions, which takes listeners on a rich, bucolic journey of savory vocals and lulling rhythms.

Carr’s true strength as an artist is as a storyteller. Like a more effervescent Iron & Wine, Carr plugs through each song on Roadtrip Confessions, navigating listeners through woven personal tales. It is a joy to enter the musical world of Carr, and it should come to no surprise that he came upon the nickname Buffalo Tales, an image that evokes stories of idyllic plains.

The video for “Amsterdam,” the lead single off the album, is a reflection of Carr’s melodic candor; the song flows naturally and effectively. Injected with an acoustic rhythm much like a strummed Tallest Man on Earth piece, “Amsterdam” is carried with a rhythmic power and vocal vitality. The energy is refreshing. The harmonies give the piece an Indie/Folk quality and add to its strength.

Yes, this is a unique cover of Rihanna’s “Diamonds.” It is subdued and personal. In that sense it almost reminds me of the “Hey Ya” cover by Obadiah Parker, but Carr’s cover is carried with a quiet potency that is both emotional and sweet. Perhaps my favorite part of the cover is that Carr holds back. He can flat-out sing, but instead of overwhelming the cover, he remains tranquil and almost melancholic.

Check out more of Buffalo Tales – Website, Facebook, Twitter .

Amanda Merdzan Redraws the Indie/Folk Map

12 Jun

Amanda Merdzan

When astronaut John Glenn orbited above Perth, Australia in 1962, people in the Western Australia capital city turned on all their lights so the city would become a sparkling lightbulb to the orbital viewer; Perth is aptly known as the “City of Light” because of this magnificent communal stunt.

Indie/Folk musician Amanda Merdzan is also from Perth, Australia. What do these two things have in common (despite the similarity of origin)? Merdzan, similar to her hometown, is a “city of light” for Indie/Folk music. Her music dazzles with a powerful edge that shines through her savvy vocals. While a troubadour with a sincere rawness to her tunes, Merdzan juxtaposes this denuded flavor with a striking maturity in her words and musicality. Put simply, Merdzan is a fluorescent light in an often lucifugous climate.

After the release of her debut album in 2010, Merdzan spent three months in the U.S. before going home in 2011 and gigging around Perth. She is now on the heels of her latest release, an EP called The Map Has Been Redrawn.

“Afraid” is the title track off of the 5-song EP. The song bounces with a Mumford and Sons rhythm at its entrance, combining Merdzan’s potent vocal with an excellent instrumental of echoed strings, plucked acoustic guitar, and heavy percussion. The inception of the piece latches on to the listener like a good book to an eager reader; once it pulls you in you cannot stop exploring the created world. And it is quite a world – one full of imagery-inducing harmonies and musical precision. Seriously, the song does not have a flaw.

This live acoustic version of “Each Day Like the First” (the 4th song on the EP) exposes the tenderness of Merdzan’s voice. The song flows with the subtle authority of Fleet Foxes or Tallest Man on Earth. While pastoral, the persistent rhythm maintains an urban quality – a contradiction that works well to create the wonderful aura that encompasses all of Merdzan’s songs.

Follow Merdzan on her website, Facebook, and Twitter.