Tag Archives: Rihanna

Teling Buffalo Tales in Amsterdam

24 Sep


Wes Carr is getting back to his folk roots. After winning the sixth season of Australian Idol in 2008 and charting #2 in Australia with The Way The World Looks, his second album (first with a label), Carr started a new project that allowed him to focus his musical production on acoustic pastoral melodies and his singer/songwriter foundations. Making music under the moniker Buffalo Tales, Carr recently released his third studio album, Roadtrip Confessions, which takes listeners on a rich, bucolic journey of savory vocals and lulling rhythms.

Carr’s true strength as an artist is as a storyteller. Like a more effervescent Iron & Wine, Carr plugs through each song on Roadtrip Confessions, navigating listeners through woven personal tales. It is a joy to enter the musical world of Carr, and it should come to no surprise that he came upon the nickname Buffalo Tales, an image that evokes stories of idyllic plains.

The video for “Amsterdam,” the lead single off the album, is a reflection of Carr’s melodic candor; the song flows naturally and effectively. Injected with an acoustic rhythm much like a strummed Tallest Man on Earth piece, “Amsterdam” is carried with a rhythmic power and vocal vitality. The energy is refreshing. The harmonies give the piece an Indie/Folk quality and add to its strength.

Yes, this is a unique cover of Rihanna’s “Diamonds.” It is subdued and personal. In that sense it almost reminds me of the “Hey Ya” cover by Obadiah Parker, but Carr’s cover is carried with a quiet potency that is both emotional and sweet. Perhaps my favorite part of the cover is that Carr holds back. He can flat-out sing, but instead of overwhelming the cover, he remains tranquil and almost melancholic.

Check out more of Buffalo Tales – Website, Facebook, Twitter .

Kesha and Rihanna: The Debate Continues

19 Mar

Hey everyone,

Happy friggin’ Friday! Couldn’t have come sooner, I think.

Any who, I’d like to tip my hat to Rihanna this week…her latest single Rude Boy topped the Billboard chart at #1, making her the first female in the US to have six singles landing the top spot since 2000. Overall, I really dig Ri’s newest album, Rated R. I think it’s a great improvement and departure from her previous body of work, which was mostly generic sounding stuff straight out of the pop factory.

Ah yes, but between the Chris Brown fiasco and legal troubles with her personal trainer,  Rihanna is well acquainted with controversy. The last question being over the originality of the music video  for Rude Boy.

Rude Boy is a stand out amongst Ri’s others, complete with colorful collages of eye-popping graphics and animal prints. Also, the men she seems to be wooing look like they were cast straight from the shuffleboard deck of a cruise ship. If you somehow get bored just watch the singer frantically pretend to know how to play the drums; it’s a joy for all of the senses.

Nonetheless, there have been murmurings that Rihanna’s video may have borrowed a bit too much from MIA, an artist known for her gritty and over the top graphic art.

Here’s MIA’s video for the single Boyz

No matter the similarities, last time I checked there was no set trademark on a style of expression… but I’ll leave it up to you to decide.

The second order of business came to me during midterms week.  You know, midterms week? That time of year when I sit rigidly in my little booth at the library, drooling at the wall and listening to blatantly bad music to stay conscious? And I’m talking really bad music folks, old school too. Backstreet Boys, Spice Girls, N’sync and many others I’m too embarrassed to mention.

Most recently the artist Ke$ha joined the ranks on my delightfully bad music play list. Her album Animal was all the buzz this year, as her single Tik Tok penetrated clubs and mini-malls everywhere.

As I engaged in my self-deprecation of cramming and musical enjoyment, I managed to shed some of my Ke$ha related shame. Sure, lyrics such as “I dont really care where you live at, just turn around boy and let me hit that” probably don’t make much of a contribution to the greater culture.

But what I like about Ke$ha is that she’s honest about who she is, and what kind of music she puts out. She isn’t trying to be something she’s not and she puts forth no false advertising over the dubious quality of her work.  The equivalent of sugary junk food, her songs are meant for pure, albeit trashy, fun. Nevertheless, too much junk food can be bad for your diet, so Maybe Ke$ha should be just played at the club or gym–not on the car radio when my mother is present.

So is Ke$ha all in good fun, or a real step down for the music industry?

Heres Ke$ha’s latest single, Blah Blah Blah

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