Tag Archives: Indie

Top Albums of 2014 – #8: “This is All Yours” by alt-J

17 Dec

Alt-J_-_This_is_all_yours

English Indie band alt-J (actually a Latin delta – alt-J on a keyboard gives you a delta) is actually very much like the symbol that gives the band its name. alt-J, like a delta, is perfectly harmonious and synchronized, a equal splash of 3 lines all meeting together to form a perfect triangle. alt-J, similarly, is an array of colorful sounds, a palette of droning Indie pop/rock that sticks to you like a hot summer day and, like that day, blazes a warm sun on you and invites you to get soaked by the tunes.

This is All Yours, the band’s second studio album, is a 13-track testament to how to create a successful album. The album swoons to a mystical rhythm that creates a wonderful array of music – like the colors on the album – that is just delightful. It has met with tremendous success since its release in September of this year. Perhaps the best track on the album is the one that has received the most play of late, “Left Hand Free.”

<p>

The song’s initial riff is gruff like gravel and the vocals match it – it’s almost like a calculated move by an older drunk individual who is able to control his alcohol; I mean that as a dear compliment. There is also something quite malicious and mischievous about the music; I feel like something bad is happening, but I don’t know what it is. It’s strange. It doesn’t sound like anything around today, and because of this unidentifiable swagger – fit with synth horns and 60s keyboard – the song and album finds a way onto the Music Court track.

Top 10 Albums of 2014 – #9: Xen by Arca

15 Dec

arca

Not all music is easy to listen to. Sometimes the most inaccessible music is made with the most talent and emotion behind it. I have been hanging onto Xen by Arca for some time, mulling it over and even considering it for a best track of 2014 spot with “Theivery.” Ultimately, I decided that to honor one track from this 15 song epic would be unfair; the entire album deserves recognition, and has thusly been named one of our top ten albums at the Music Court.

WARNING: This video is mildly NSFW.

This album is brief, but for once I’m not complaining. Before you are even fully aware of the electro-noise, the song is over, and you are whisked off to the next sound, playing catch-up after each track. “Failed” is the intermission, a sad, slow melody that gives us a moment to reflect. We are lead back into the cacophony with the very next track, “Family Violence,” which is eerily similar to the score of Psycho. Though the sharp electronic beats are not consistent, I consider them the lyrics of the tracks, giving each one personality amid all the other musical elements. The perk of hearing a short album is the desire it leaves with you to replay it, which is something I highly recommend for any first timers. You won’t be able to comprehend the stories told on this album unless you give it a few more spins.

Xen is out now. Find more information on Arca on his website, Facebook, Twitter, and Soundcloud. For further reading on Xen, I highly recommend this review.

Top 10 Songs of 2014 – #1: “Got It” by Banoffee

12 Dec

banoffee 2

I’ll be honest, choosing the best song this year was not hard for me. This was the first track I had ever heard from Banoffee, and it made a great first impression. “Got It” is our number one song of 2014.

It starts out with a realization: “I don’t think I know you at all.” Gently, the beat weaves between Banoffee’s airy, but fierce vocals, and carries into the refrain. “When I look at you I see this picture of how we could be, cuz I know what you got. I got it.” It is repetitive, but avoids being overbearing and annoying- this is one earworm I am happy to hum all day.

There are two elements of this track that stood out when I listened to it on repeat for hours. First, I noticed the brilliance of the artificially deep backing vocals. I haven’t heard a version without the altered backup vocals, but I imagine that it would sound sweet, yet untethered. Then there’s the soft electric sighs that sound like air. I know it’s probably just some kind of muted percussion, but if anyone were to actually use air as an instrument and make it flow as well as it does, it would be Banoffee. Homegirl’s a genius.

Please spend five measly dollars on Banoffee’s debut EP, all the cool kids are doing it. I’m told there’s an album in the works slated for release late next year. For more information, check her out on Facebook, Twitter, and Soundcloud.

Top 10 Songs of 2014 – #9: “Beware the Dog” by The Griswolds

4 Dec

The Griswolds

Formed in 2012 and signed to Wind-up Records in 2013, The Griswolds continued its meteoric rise to Indie stardom in 2014 with the release of its first album Be Impressive in August. And impressive it was. Tremendously impressive. The Sydney-based band’s infectious style of sticky pop tunes that beat around your mind like a maniacal drum circle is simply unavoidable. Unavoidable. This might be the best one-word description I can give to the #9 song on the Music Court’s top 10 countdown: “Beware the Dog”

The first song vocalist Chris Whitehall and lead guitarist Daniel Duque-Perez wrote together, “Beware the Dog” combines an odd lyric with a Spanish-style beat carried by an unavoidable guitar riff; there is that word again. Seriously, though, just listen to that riff: simple, clean, and catchy as heck! The song moves with creative percussion and island synth, but perhaps most impressive is the choral call and response that peaks with the wonderful line:

“We used to walk where the wild things grow
But now you’re f**king crazy.”

The song continues with chants at the bridge and a culmination of all instrumentation and vocals that wraps up the song wonderfully. It’s a ditty in every sense of the word, but one that drips with true melodic weight and a mixture of lyrical sarcasm and seriousness. Put simply, the song is enjoyable and as catchy as the cold, but it is a cold you just want to keep getting. If this is what 2014 held for the Griswolds, I for one cannot wait for the upcoming years!

For more information on the Griswolds visit the band’s Facebook, Twitter, or Website

Be Impressive with The Griswolds

22 Aug

The Griswolds

The Indie music world is abuzz with Griswold fever in anticipation of monday’s U.S. release of the four-piece Australian band’s debut album Be Impressive. The album, which was released today in Australia and New Zealand, has already received rave reviews from those who have had an opportunity to listen to the 11-track LP, and I can confirm that the jaunty, alternative/pop sounds of The Griswolds is not only infectious but also packs a major sing-along punch that finds a nice-sized one-bedroom apartment in that little sector of your brain where songs live.

The Griswolds, for those who have not heard of the band before, have been on the music radar since singer/guitarist Christopher Whitehall and lead guitarist Daniel Duque-Perez founded the band in 2012. Quickly, the band was picked up by several blogs on the heels of the band’s debut EP Heart of a Lion, which features four excellent tracks (one of which I am including below). The band  became Australia’s Triple J “Unearthed” feature artist, won a slot on the 2012 Parklife Festival lineup, and toured with Indie staples St Lucia, San Cisco, and Django Django. The Griswolds represent a strong “media” band, in that the band has garnered so much attention through online music pundits (myself included), and this is mainly because the band is so downright exciting.

In advance of monday’s U.S. release let’s take a listen to the song from the album that has been receiving the most airplay thus far, “Beware the Dog.”

The song starts with a cheerful solo riff followed immediately by the riff behind a felicitous rhythm fit with claps and creative percussion. The mid-verse harmony tease is concise and melodious. The chorus is classic Indie dance, a hint of dominican island mixed with fun pop harmonies. It’s the audio version of a good time, and it’s tough shaking the drive to get up and dance along. The track combines the pop synth of Vampire Weekend with the dance rhythms of Grouplove and Passion Pit, but, in a sense, The Griswolds are a bit edgier than these bands, and that is one reason why I like the tunes.

“Red Tuxedo” is my favorite track off the EP because it is so simple. The song, therefore, is different from most Griswolds tracks. The listener is greeted to a delicate guitar riff, dulcet vocal, and harmonies. It is an easy listen and I cannot shake the beauty in its structure. Great stuff.

 

Check out more from The Griswolds on the Website, Facebook, or Twitter