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Peter Bradley Adams Free EP

19 Dec

    

If I ever become a roadie for Adams I will be going on the PBA tour. That makes me laugh!

        A holiday gift from the good folks at Sarathan records. Enjoy this free, legal, EP of 3 great Peter Bradley Adams songs. I reviewed his music a little while ago and you can read it over at this link: https://musiccourt.wordpress.com/2009/11/12/the-bands-at-bauska-castle-peter-bradley-adams/

    Adams’ style of folk/rock is beautiful and this free EP is most definitely a treat. Download the three songs at this link: http://www.peterbradleyadams.com/free/ep/   Enjoy!

Court Links: Album of the Decade

19 Dec

Since I recently posted the question to you readers about the best album of the decade, I thought I would give you the opinions of some other reputable websites. First lets start with the metacritic.com choice.

Metacritic.com created a point system based on every major review over the past 10 years to make their decision. Sounds pretty foolproof. The winner? Beach Boy Brian Wilson’s album SMILE which is a fantastic album and could have very well been in my top six. Check out the statement: http://www.contactmusic.com/news.nsf/story/wilsons-smile-is-named-best-reviewed-album-of-the-decade_1126215

Rolling Stone also created their very own 100 best albums list of the decade based on votes by artists and music critics. The list is quite large and I thought I would just let you all pick it up at #10. There are a few rap albums interspersed in this list which are very well deserving of their title, but, since our poll is for rock albums alone, #1 may look familiar (Hint: It is on our list!)

Check it out: http://www.rollingstone.com/news/story/31248017/100_best_albums_of_the_decade/33

Remember. Vote on our own poll for top album of the decade: https://musiccourt.wordpress.com/2009/12/18/court-polls-what-is-the-best-rock-album-of-the-decade/ and check out our new twitter feed: http://twitter.com/musiccourt

Court Polls: What is the Best Rock Album of the Decade?

18 Dec

      

Name every album in this picture and I will be quite impressed

      Keeping with the theme of last week’s poll, let us explore a slightly tougher question. Judging albums is arbitrary and I know that full well, but, because this is an opinion blog I can make my own decision and no one can stop me (hahaha). Though, in this poll I hope to be unbiased and to outline out six albums that do deserve the title. It would seem like in rock music alone this decade  has witnessed an agglutination of various combinations of genre sampling. What I mean by this is that there has been no unified rock stance like we have seen in decades prior. This list just represents the variety of music that has been played over the past decade and, hopefully, it will put to rest any thoughts that this decade was a wasteland for music. The so-called burning junkyard of rock’n’roll is not so much of a junkyard if you dig deep enough, past the surface of mainstream garbage. You may know some of these albums and may already have listened to the songs, but, listen again, do some research, and let us know what you believe to be the greatest rock album of the last decade. I understand there may be some I left off the list so comment below if you have any other ideas.

Thanks for voting and I am looking forward to your responses. I can assure you that my response and heck maybe even another blogger’s response will be gracing the musiccourt’s pages in a few days. Look up any of the albums on www.lala.com and listen to some tracks from the album if you do not know them.

60’s Band of the Week #7: The Action

17 Dec

Being home has many benefits. One of these benefits is that my oversized binder full of various 60’s bands is within hand’s reach. What does that mean for you? Well, if you have ignored the title of the post I will enlighten you. The 60’s Band of the Week section that has been completely disregarded since August is back; at least until I go back to school in late January. The band that will begin this glorious return is a group whose talent never produced much success. There are a lot of 60’s bands that unfortunately fell into that trap, but, like The Action, their skill was ultimately realized in the release of old material in best hits collections.

Band: The Action

Origin: Kentish Town, North London, England

Genre: British Beat Pop and Blue-Eyed Soul

Founded: 1963-1969

Original Line-Up:

Reg King (Lead Vocals)

– Peter Watson (Guitar)

–   Alan ‘Bam’ King (Lead Guitar and Vocals)

–   Mike ‘Ace’ Evans (Bass Guitar and Vocals)

–   Roger Powell (Drums)

Name: After being formed under the obvious title of The Boys, the band decided it would be better to establish some creativity and rename the band The Action.

History: Most bands are judged on records sold, the market that surrounds them, and other misguided labels for success. This is unfortunate because there are many bands out there that suffer from, what I would like to coin Thomas Jones syndrome. Thomas Jones, the current running back for The New York Jets, puts up tremendous numbers and has an incredible work ethic, but, due to some odd reason he continues to live as the personal embodiment of Rodney Dangerfield’s “No Respect.” Yes, I understand I use Dangerfield a lot in these type of discussions and I believe it is only because I am impressed at my own attempts at witty humor, but, honestly, Jones and bands that are the like of The Action are often disrespected by most of the music community. How so? Nobody knows of them even if their work is far better than most commercially succesful bands (or running backs for that matter). Let’s look at a little Action history.

After forming they quickly signed to George Martin’s Parlophone Records and released a few singles that saw good reviews by critics, but miserable sales. Some bad management and disappointment eventually led to their disposal by Parlophone and the eventual leaving of original members. The new band transformed and became psychedelic and then folky, abandoning the soul-rock that was rooted in the incredible voice of King and the scene they once played in. The question remaining is simply what happened.

They were an English band in the Mod scene playing with bands like The Who, who obviously went on to bigger and better things (You see what I did there?). They experienced the band nightlife in London and they often played to sold out crowds. Heck, Mike Evans was good friends with Keith Moon and both respected each others work. Evans tells a story of the first time he saw Reg King perform. “I remember the first time I heard him sing, in a pub in Kentish Town. I went there with Keith Moon. Reg was singing “Stand by Me” and I thought, Yeah. Later Keith sat in on drums and proceeded to smash them up much to the resident drummer’s horror.” (Thanks to ready-steady-go.org.uk).

The man behind the mic Reg King was the power behind the band. While King did not provide some of the odd antics (KEITH MOON) that defined this musical era, he was the definition of blue-eyed soul. The man could, and still can sing his heart out and this is generally something that makes a good band. So, what happened? My guess is that they were simply overshadowed (maybe not for reasonable reasons) in a music time that saw the rise of more flamboyant bands, who, while displaying equal talents still provided more marketable music that sold in both London and in the States. These are the bands that made it, not ones like The Action. But, luckily, recordings still exist and albums have been cut with them which brings me to my next point…

Best Album:

Action Packed released in 2001 is a great collection of old singles and good songs. Check it out here: http://www.amazon.com/Action-Packed/dp/B000058A1G/ref=pd_sim_m_1 Another great collection is Rolled Gold.

Did You Know:

Phil Collins (of Genesis and solo fame) has frequently said that The Action was one of his favorite bands and in 2000 when he played with the reunited band he remarked it was like played with the Beatles.

Song of the Day #70: “He Ain’t Heavy, He’s My Brother,” by The Hollies

16 Dec

       I am profiling this Hollies song for two reasons today. The Binghamton chapter of Delta Sigma Phi celebrates this classic as our Fraternity song because of its strong emphasis on sweet brotherhood. So, for all of my Fraternity brothers out there, good luck on the rest of your finals and get home in one piece.

       The second reason I am putting this song up is because just recently the Rock n’ Roll Hall of Fame announced the 2010 inductees and on the prestigious list amidst performers like Abba and The Stooges was the small English rock group known for their vocal harmonies over 40 years ago. The Hollies, where Graham Nash, the Nash in your Crosby,Stills and Young, resided until December of 1968, hit major pop success in the 60’s and have never officially broken up. But, I think it would be wise to talk about the band within the year span of say 1963-1969.

      The band, whose name comes from the bands admiration of Buddy Holly (No Duh!), first signed with Parlophone in 1963. There, they became record label mates with that band the Beatles (I think you may have heard of them) and started releasing the first wave of the British pop invasion through United States radio airwaves. Their full-out attack on the United States media and on the UK’s music charts, saw the Hollies supplant numerous bands to take their place as one of the top dozen bands in the UK pop scene. You see this is the only type of war that I could see necessary, musical competition and battling up the charts and onto radios. For that music war’s sake I would never want to see peace.

     The Hollies kept trucking on with hit after hit until Graham Nash left citing various creative differences and a disgust for the pop grip that seemed to have wrapped around him. After Nash, however, the band may have released their most beautiful hit, “He Ain’t Heavy, He’s My Brother.” The 1969 ballad written by Bobby Scott and Bob Russell reached #3 in the UK and #7 in The United States. The song is a simple ode to brotherhood, a melodic adventure into a lyric that will stand true forever. The vocal harmonies are right on target and the piano is played to perfection.

Little Trivia: Do you know who played piano on this song for The Hollies?

Answer: Here is a clue, he is flamboyant and he sings a song promoting a weekend night for fighting. You guessed it! Elton John