Archive by Author

A Seder Plate of Music

14 Apr

two-options-for-passover-seder2

Happy Passover! I write this as my stomach prepares for a night of hedonistic gluttony. While one of the central tenets of Passover is the prohibition of leavened items, the food is still absolutely sumptuous. Passover is perhaps my favorite Jewish holiday. Like all holidays, it presents the opportunity to see family, but Passover has a unique component – the seder. The Passover seder encompasses the annual retelling of the Jews’ biblical exodus from Egyptian bondage, and, like most elements of any good religious story, there is a great deal of symbolism and purposeful repetition. I am partial to storytelling, and, for Jews, this is one of the most epic tales of survival, revenge, and escape. With the recent release of Noah, it will not be long before the tale of Moses is offered in IMAX 3D.

So, in celebration of the first night of Passover, I thought I’d be a bit creative with a post before I start noshing on matzoh and hard-boiled eggs. Perhaps the most crucial element of Passover is the seder plate, which features six items – variations of food, of course – that are all symbolic of an emotion felt by the enslaved Jews. I wonder what song might fit each item?

 

1.) Maror and Chazeret

Maror and Chazeret are bitter herbs. In the Ashkenazi tradition (Eastern European Jews), horseradish or lettuce is used. As one might guess, Maror and Chazeret are used to symbolize the bitterness and terror of slavery. Unfortunately, slavery persisted well beyond Egypt, and the work songs of African Americans in bondage demonstrated just how awful slavery was (and still is). “Trouble So Hard” by Vera Hall is an excellent example of a bluesy work song from the early 20th century, which represented the troubles of African Americans during slavery.

 

2.) Charoset

Charoset is a sweet mixture of nuts, apples, cinnamon, and red wine, which represents the mortar that Jews used to build houses in Egypt. While the sweetness seems slightly paradoxical, it tastes a whole lot better than mortar! What best represents the dirty work of construction? How about a little late Rolling Stones?

 

3.) Karpas

Karpas, traditionally parsley or celery, is dipped in salt water to represent the tears of Jewish slaves in Egypt. Get the sense this is not the most optimistic holiday in the world? Crying. I don’t need any more of an excuse to use Roy Orbison’s operatic voice for the purpose of this post! The end of this song is one of the greatest vocal climaxes in any song ever – just saying!

 

4.) Z’roa

Sacrifice. The Z’roa is a roasted lamb or goat shank bone that represents the traditional Pesach sacrifice. It is not eaten. It is just on the plate to represent the sacrifice. A song to represent animal sacrifice? Elton John – “Sacrifice”? No. This is tough, and the food is calling my name. We go with Evanescence.

 

5.) Beitzah

The Beitzah also represents sacrifice (the festival sacrifice), but it has come to also represent mourning, as eggs are traditionally the first things served to mourners after a funeral. Let’s go with the latter option for our song. Unfortunately, mourning is an inevitable human emotion and thus several songs are written about the subject. Eric Clapton just happens to have one of the most heart-wrenching of the bunch.

 

Gosh, perhaps we shouldn’t say HAPPY Passover. Well, in the story the Jews escaped slavery! Jews have a history of powerful persistence, and no matter the adversity (and it continues to exist), Jews continue to persevere, and this holiday is an example of this. Enjoy the festivities if you celebrate!

 

A Lazer Gun Show from Brisbane

11 Apr

Hey Geronimo

 

In his epic War and Peace, Leo Tolstoy wrote “The strongest of all warriors are these two — Time and Patience.” This was particularly apt because it took an inordinate amount of time and patience to write this work, which eclipsed 1,000 pages! I mention Tolstoy’s quotation because I have not posted on The Music Court since February. It’s weird typing these words, greeted once again to the blank “Add New Post” canvas. When I started the Music Court several years ago, I made you – the reader – a promise that I would never produce rushed, unimaginative content. Every post would be structured with care. You have responded favorably by helping us reach nearly one million views since our creation. Over the past few months I was simply unable to concentrate on writing keen posts for the blog. Thus, minus the excellent contributions from our concert reporter, Mimi Hong, I have let the blog sit (and my emails pile up). I am excited to write that I am back, and to celebrate my first post since April and thank you for your patience, I have an excellent Indie Pop single for you to check out from a band hailing from Brisbane, Australia! 

Famous Apache Indian leader Geronimo once said, “While living I want to live well.” If I might be so bold, I’d like to add a component to this quotation – “live well” … and listen to great music. It should come to no surprise then that Hey Geronimo, the subject of today’s Music Court feature, is creating some top-notch, effervescent Indie Pop music that you should listen to … right now!

This sub-three minute jitterbug infuses upbeat rock elements with staccato beats and carbonated harmonies. These elements are all wrapped up into a loaded firework and shot off into the sky to explode with wild colors and shapes. And, like a firework, the music attracts the listener’s attention and doesn’t let go. Instead, it explodes in the ears of listeners like pop rocks. There is just so much energy in this song. The spacey electronics to the crashing drums are both incredibly effective. It’s an excellent release from an up-and-coming band.

Hey Geronimo released its sophomore EP back in November and has since been touring the new EP (Erring On The Side of Awesome) throughout Australia. The band has found permanent residence on several music charts seemed primed for break-out global success.

Follow the band on Facebook or Twitter. You can also check out its website.

Song of the Day – Working Class Hero

20 Feb

Working_Class_Hero_by_vhm_cain

OK. I’m here. I’m typing. This is a good sign. I have been immersed in a lot of work lately, and thus have not had the opportunity to post to my beloved Music Court in a few weeks. I do very much hate falling into long posting droughts, and for more than four years I have prided myself on posting at least once a week (every week). Unfortunately, as they say with going to the gym, when you fall beyond 3-4 days of not posting (going), it is hard to pick back up again. You see, one of my main tenets on the Music Court is not dreck content. Meaning, I will not post for the sake of posting. I’m afraid today’s post falls into that blasphemous category. But, I had to prove to you all that I am alive and well!

Although this post is rather impromptu (and I promise I will be back posting regular content soon), I figured I might feature some John Lennon. This song came up on shuffle the other day as I was driving home from Connecticut, and I just spent the few minutes of mindless driving listening to the lyrics of the piece. Yes, I have heard it several times before, but often times you hear a song and do not truly listen intently to the lyrics. I am continually struck by two elements of this piece. One, this is one of Lennon’s angriest songs – perhaps his angriest. His use of imprecation is at an all-time high and once you get past the fact that he once sang “Love Me Do,” you realize just how incredibly diverse he was as an artist. While the song may seem a bit strange coming from the deep pockets of John Lennon, he accurately represents the utter droll of middle class monotony and subtle, tortuous mayhem. Look, Lennon was a tremendous song writer. Tremendous is an understatement. But this song is perhaps the apex of his melancholy look at the machinery of the “working class hero.”

New Column and Writer – Nathan Hensley and the Audiophile Chronicles

4 Feb

Power of Words

The Music Court is growing! Help us introduce new writer, Nathan, whose Audiophile Chronicles will surely be entertaining, wise, and engaging. Look out for his posts every Wednesday … first post tomorrow.

Here are some words of introduction from Nathan:
My name is Nathan, and I’m here to take you down the proverbial Rabbit Hole that is my mind. My musical tastes fluctuate wildly across the boards, and you can expect nothing less than sporadic diversity from my musings. Some days I’ll talk about 60’s Psychedelia, some days I’ll talk about the complexities of East & West coast Hip Hop. …Or maybe I’ll go on about what artist pisses me off this week. Who knows? I don’t even know, to be perfectly honest. Anyway, I sincerely hope you look forward to reading from me, because I know I’m looking forward to writing for you.

Up Fanno Creek with a Paddle – A Band on Its Way

3 Feb

Fanno Creek

One of the definitions of the word monument is “something venerated for its enduring significance.” It is also the title of Portland Indie-Rock staple Fanno Creek’s new album, and one listen to the band’s music proves the definition apt. A beloved sing-along band in the city of roses, Fanno Creek is ready to spread its arms and fly over the musical waves of all 50 states and beyond … and maybe soon become a monument. While I am admittedly overwhelmingly kind on the Music Court, I reserve the 50-state praise for the bands I feel are ready to spread rapidly, and this trio consisting of Quinn Mulligan, Evan Hailstone, Dane Brist is more than ready.

Bands that depend on harmonies need to maintain a closeness that other bands may get away with lacking. Fellow Northwestern harmony-kings Fleet Foxes formed by way of two long-time friends. Fanno Creek shares a similar tale. Evan Hailstone and Quinn Mulligan knew each other in diapers and started making music together in their mid-teens. In college, the duo expanded to include drummer Dane Brist, and after several incarnations formed Fanno Creek in 2009. Since then, the band has toured the local circuit, forming a loyal following of music lovers who know good tunes when they hear them. With Monuments, it is time that the word spread.

“On My Way” is a quintessential example of why I cannot stop listening to Fanno Creek. The song starts with an infectious harmony pasted over a pounding singular drum. The vocals are intricate. The incipient harmony leads into a pure layered vocal over a gospel clap, an element slightly unconventional to Indie/folk music but quite refreshing and unique. Brist’s drum is not far behind, and it crashes into a culmination of symphonic sounds and this majesty diapason of harmonies and electronics. It is a wave of sound. It’s just really damn impressive!

“Trilithon” is my second favorite track on the album, and while ostensibly it expresses similar qualities to “On My Way,” the reverberating drum and swooning harmonies (and soft vocal howls) almost sound Beach Boys-esque, and this adds a whole new element to the music.

So … you know what to do; spread the word of Fanno Creek to all of your friends!

Check out the rest of the album at Fanno Creek’s Bandcamp. You can follow the band on its Facebook and Twitter.