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The Power is Out

30 Aug

I woke up Sunday morning and the power was out. Today is Tuesday morning and the power…is still out. Hurricane Irene provided all the goodies that a hurricane/tropical storm could provide. Downed trees, flooding, and widespread power outages. My family is currently in the dark. So, it goes without saying that I have not had ample opportunities to post. I wanted, though, to provide you all with a quick update on my condition so you understand why I have not posted in a few days. But I promise posts when the power returns.

The Music Court will soon be adding a new writer into its court. Yes, we are opening to drawbridge. Also, upcoming posts this week include two new artist profiles and a concert review. This is a great time to stay tuned for more coverage. My brief access to internet has passed. Be well and don’t let the lights go out!

Until then. Check this power outage out http://www.youtube.com/watch?v=eqGiCXtvokM

What is the Best Song about a Storm?

26 Aug
It’s raining sideways!

I live on Long Island, a little finger jutting out of New York City into the Atlantic Ocean. This weekend, Hurricane Irene will menacingly attack New York and wind gusts on Long Island may shoot up to 90 m.p.h. I have never even driven my car 90 m.p.h. I cannot comprehend these wind speeds. Next time you see us world, Long Island will be embarking on a new mission in northern Canada after Irene picks us up and tosses us over the Canadian border like a wet towel. Okay, hyperbole aside, this seems that it will be the worst hurricane to hit NYC in perhaps a century. The supermarkets are flooded with individuals preparing for the apocalypse. We’re New Yorkers. We overexaggerate like crazy.

Anyway, the hurricane got me thinking. What are some good songs to melodize this damage-inducing event. And then I thought, hey, why not ask you, the reader, to help me pick the greatest song about a storm. Yeah, you know what it is. Poll time. Get out your ballots. Here we go. What is the best song about a storm? I really tried putting this list together with songs only about actual storms, but the metaphorical storm, rain, and hurricane got the best of me. Please, provide your own feelings on best storm songs as well!

American Idol Top 11 Concert – In Retrospect

25 Aug

Usually, after the conclusion of an American Idol season, I gradually allow the top contestants to slip off into  obscurity, putting aside the possibility that they may become popular musicians. I have never spent money on an ex-Idol musician because the large stock of releases has never interested me.

 Season 10 was a little different. The Jazzy voice and Indie potential of contestant Casey Abrams stood out with “when he releases an album, I might purchase it” flavor. He is not a pop star and will never be one. I liked his honesty. The rest of the contestants, from the iconic country croon of winner Scotty McCreery to the forgettable voices of the runner-ups, were only television entertainment. Well, they did come off the screen last night and perform a 2-hour show at Nassau Colisseum on Long Island. So, yes, they did transcend the pixelated screen and some performers stood out.

For every screaming 13-year-old girl (a massive generalization, I know), there was a person like me, who watched the show and was simply curious. My mom and my sister, also avid Idol watchers, joined me for our first post-Idol Top 11 show.

Before I analyze each performer, I would like to say that the concert was actually entertaining. I say actually because this is not a show I went to with tremendous expectations. I was trying to be realistic. With each introduction, the young crowd yelled flattering comments at their favorites and kept up their shrilly screams the entire show. This was great, though. It made me smile. They were excited, many probably attending their first “big” show. It seemed that lines of cheery-eyed kids were dressed in their American Idol Season 10 shirts and their infectious excitement was humorous and invigorating.

As for the music, the band was malleable and the performers varied. The group performances were significantly better than they were months ago. This is understandable for they have had much more time to practice. The concert did reveal improved and surprising talent. The most expected thing was the in-your-face Coca-Cola and Ford advertisements, the two main show sponsors. All three judges and Ryan Seacrest made cameo appearances on the big screens adjacent to the stage and the concert producers played with Steven Tyler‘s propensity of imprecation by bleeping him twice during the recording after he accidently said that this was Season 11. The bleeps have become part of his persona and his act. The show was wholly energetic and, despite almost falling asleep during uninspiring ballads and Lauren Alaina’s awkward, subpar country performance, I was up and smiling. Let’s get to each performer. If I am a little cruel to your favorite, I apologize. This is only my own opinion!

I am not going to go in any particular order, but at the end I will rank the performers from 1-11 in a mock standing of how I think the show would’ve, could’ve, and maybe should’ve turned out if it started with the top 11 today. Now, do keep one thing in mine. Each individual performance (every member of the top 11 had an individual song – or multiple) was geared towards the performer’s comfort zone. So, I am judging them on what they do best, not what the show makes them do.

Thia Megia – She is 16. And, I don’t say that as an excuse, but as a fact. Her individual performance was average. She has a good voice, though. It is quiet and was drowned out during the group performances she sang in (most of the low-standing runner-ups were delegated to back-up duty for a lot of the night). She will get better as she gets older.

Paul McDonald – Oh, Paul. He had one good performance on Idol that kept him in the show for an extended period of time. “Maggie May” fit his quirky voice like a glove. We thought he could go far. Then, one flaw, he could not sing any other song well. So, what song does he sing? “Maggie May.” And, he sang it well. But he fell up short on everything else, even having trouble keeping in tune in the groups.

Pia Toscano – This was a homecoming for her, so she had a chance to showcase herself a little bit, performing a new single for her New York fans. But, unsurprisingly, she fell up short like she did on the show. Yes, despite a loyal following in New York, she was extremely forgettable to most of the country during the Idol season and during the show last night. You see, she has an insurmountable problem. She is a ballad singer, through and through. When you are a female ballad singer you have to be in the level of “great” to be remembered (I.e. Celine Dion, Whitney Houston, Barbara Streisand). Is Pia great? No. She has a “good” voice and that will unfortunately leave her in the wake of the vocal giants, destined to be forgotten.

Stefano Langone – Another performer with a Pia problem. Stefano can stake his claim as a Bruno Mars-like performer. He just doesn’t have as strong of a voice. His voice strains to easily. And despite for randomly taking off his shirt during one of the performances, an act that confused most of the crowd and acted more as a laugh than sensual act, he was also forgettable.

Naima Adedapo– Here was a nice surprise. I liked her during the show, but she was booted quickly because her voice lacked intensity and her eclectic dance moves tired her out during her performances. But on stage last night, was an endurance-freak with a significantly better voice. Yes, backing vocal tracks help everyone, but hey, as the type of performer that Naimi seems to be leaning towards (mainstream pop) you would never get caught away from home without the assisted amplification. Her lively performance of J-Lo’s “On The Floor,” where she broke out in a mid-song African dance, was electric. I actually think she can make it. And, if they did the show again, she would finish closer to the top.

Jacob Lusk – The gospel singer. Lusk has a magnificent voice. It is smooth and his vocal runs are effortless. His problem was simply that gospel is a small market now, unless, of course, you can transform it into a R&B, Gospel, Soul, Pop combination and become a performer like John Legend. Lusk drove through Luther’s “Never Too Much” and then performed a touching tribute to Nick Ashford, who unfortunately passed away this week. He sang the Ashford and Simpson written, “You’re All I Need to Get By,” which was most notably performed by Marvin Gaye and Tammi Terrell. The youthful crowd couldn’t really understand these references, so they remained quiet during Jacob’s performance for the parents.

Haley Reinhart – Haley is a good, not great, female vocalist whose eccentric indie-like voice is raspy (a little too raspy), but still jazzy. She performed “House of the Rising Sun,” which is widely considered among the top American Idol performances of all time, and she performed it well. I’m not going to say that she is a one-trick pony, but her voice doesn’t diversify well, and therefore, since she was often a displaced performer, it was easy to tire of the performances. Now, let me explain this a little better to the passionate negators of this view. By saying she lacks diversity, I am not insulting her abilities. Many artists lack diversity. They, if they are good, become ensconced in their own genre and then master it. I see Haley performing in the genre of blues/jazz. She may do a great job attempting to restore this genre to popularity. Heck, she can do it with Casey. But, and this is a big flaw in my mind, she has limited range. When she pushes into the upper register her voice naturally goes to a grunt (or rasp).  She is simply exploring the limits of her voice. In judging ability, this is a flaw. Many people think its cool. I guess it is a matter of preference. So, to sum this little analysis up, she was a good contestant who had a flaw in her voice and she still does.

James Durbin – Durbin is the closest thing Idol has gotten to a hard rocker. Daughtry is alternative. Adam Lambert is theatrical (and is now performing mainstream pop). Durbin has an above-average rock voice, and if it wasn’t for a weak spot in his voice, he would have possibly won the show. Durbin can hit high notes and his regular level notes, but in the middle of this range is a weak spot in his voice that is a minor, but noticeable blemish. He is still awesome. He put on the best show of the night, performing “Uprising” and “Sweet Child O’ Mine.” The crowd was rocking with him and Durbin bounced around the stage like a professional. Stick him in a rock band and they will do well.

Casey Abrams – We are nearing the end. Casey is probably the most talented musician they have ever had on American Idol. His flawless bass playing gives him this cool element that pairs excellently with his jazzy voice, the best of the competition this year in my opinion. Last night, he proved it. Casey has one of those voices everyone wishes they had. It is sultry, almost playfully lascivious. His range is impecable. His runs are spot on. He didn’t hit a bad note. If  Casey released an album, I would buy it (supposing he stuck to what he was good at – jazz-fusion). He performed a slowed-down version of “Smooth” that was tremendous. It is one that I will remember. Watch for this guy. He knows what he is doing.

Lauren Alaina – Alaina opened after the intermission and sang three songs. Now I wont give her too much flack because I believe she is just getting over bronchitis. She also sprained her ankle backstage during one show. The tour has beaten her up. Alaina, though, has the same problems that she had during the show. She performs with little energy and confidence. She seems awkard on stage and this is easily recognizable through her consistent tugging on her dress and rigid movements. She is a country singer with Carrie Underwood aspirations, but only time and age will tell if she can really reach that level.

Scotty McCreery: As the winner, McCreery was saved for last. He performed five songs. He looked like a consumnate professional on stage; someone who is been performing for years. He has an innate vocal gift. His deep croon is country perfection. He deserved to win based on pure voice and can last in the music world for 50 years with such a voice.

So, there you have it. Now, if I had to rank them from 1-11, here is how I would do it (I will include their actual rankings in parentheses):

1.) Scotty McCreery (1)

2.) Casey Abrams (6)

3.) James Durbin (4)

4.) Naima Adedapo (10/11)

5.) Jacob Lusk (5)

6.) Haley Reinhart (3)

7.) Lauren Alaina (2)

8.) Stefano Langone (7)

9.) Thia Megia (10/11)

10.) Pia Toscano (9)

11.) Paul McDonald (8)

How do you think it should have turned out?

I’m Not Dead Yet

23 Aug

Thank you Monty Python. As you have noticed, I have not posted in a few days. I just want to assure you that I’m not dead yet, and contrary to public opinion, I will not be soon. You see, I’ve just been busy lately and this has thwarted me from posting. I know, real sob story. Seriously, though, I love posting. I take enjoyment in having the ability to bring you quality posts about good music. Quality is the key word there. Can I post everyday? Yes, a quick video and a “this song is good” can get me five posts a day. But I believe that every post should have some value, even if it is a brief reminder that I am not dead, just busy.

Tomorrow night may be the death of me, actually. Okay, that is an over-exaggeration. After work, I am joining my sister and mother to view an American Idol concert. Yeah, the post-TV live concerts the group of singers put on for fans of the show. I plan on writing a review for the blog, so hold tight. Look, I enjoy American Idol. It has become understandably predictable and somewhat trite, but I still watch it religiously every season. Perhaps it is because the show has become a family activity. Or, maybe there is something inherently wrong with me. Either or. What I do know is that I am interested in seeing the concert tomorrow.

Also, I have another concert review to write. So, expect two concert reviews in the upcoming days. I hope to get them both out this week. Before I slip off to dreamworld, I do want to leave you with a song. I was going to post a clever song about being busy, but when I thought of potential songs all I could think of posting to the blog is:

Random, right? There is something about this Warren Zevon song that always has worked for me. Perhaps it is his subtle humor. Maybe it is simply the fact that it is a great song with great lyrics. Heck, it did spark a movie title. You know what I do know?

“LeRoy says there’s something you should know
Not everybody has a place to go
And home is just a place to hang your head
And dream of things to do in Denver when you’re dead”

Somehow that makes a whole lot of sense. Okay, a lot of Zevon sense!

Trivia Answers For the Weary

20 Aug

Give this man some answers! Just to be clear, I did manipulate this cartoon, but all the credit obviously goes to the creator who is listed on the side of the cartoon. Still, this suited dude really does want answers, and how can I possibly say no to the desert businessman? Well, I can’t. How about some answers?

Wait! You have not tried your luck at the questions yet? No fear. Follow this link.

1.) In The Doors’ “Touch Me” Jim Morrison concludes the instrumental at the end with these three words. What are they? And, because this is the easy question, I will provide an audio clue.

“Stronger than dirt.” Yes, that is what Jim Morrison utters at the end of “Touch Me.” But why did Morrison mumble the AJAX advertisement slogan in the song. Were they paid to do it? The Doors, brought to you by AJAX, where you can just touch the dirt right off the shirt. Does Morrison sound like a guy who would have allowed his music to slip into the hands of advertisers? Absolutely, not. Morrison says “Stronger than Dirt” to express his disappointment with his other band members, who apparently were considering an offer from Buick for the use of “Light My Fire” in a commercial. Obviously, Morrison did not approve of this money-making scheme and it fell through. And, because of it all, we get this nice easter egg for trivia questions to be formed around! Every answer choice got a vote, which means that I am doing my job well, and that somebody thought he said “Robbie’s a Jerk” which is kind of funny.

2.) Woodstock, baby. That Jimi Hendrix finish was mind-boggling. But, man, who was the act that went on right before him. Uhh…?

This is one of those questions where you think you should know the answer, but then you realize you have absolutely no clue. The weird thing about this festival was the times when acts went on. Unlike regimented music festivals today, the concert didn’t stop at a reasonable hour. It just went on and on and on. Crosby Still & Nash played at 3:00 a.m., the morning of the last day. The band that opened for Hendrix went on at 7:30 a.m. Hendrix closed the show at 10 a.m., and gave his famous performance to a tired, muddy and dispersed crowd. Who was the band that opened for Hendrix?

Excuse me? The greasers with the corny dance moves? This must be a joke? No, as people woke up after their short power naps, they saw Sha Na Na on stage. I’m sure members of the audience thought that they took the “bad” acid. Sha Na Na performed, and, if it was a doo wop show, it would’ve been looked at as a solid and fun performance. And then it would have been forgotten. But it was WOODSTOCK. Their performance sparked a saying though. He/She was as out of place as Sha Na Na at Woodstock. That pretty much says it all.

3.) Now comes the HARD question. Let’s see if I can stump you guys. Simon and Garfunkel’s “The 59th Street Bridge Song,” otherwise known as “Feelin’ Groovy” was recorded in August of 1966 with what famous Jazz drummer behind the drum kit in the studio?

I’ll admit it, this question was tough. Like damn near impossible. Unless you are familiar with Jazz drummers or the studio recordings of Simon and Garfunkel songs, then this question was not going to yield an educated guess. The answer, though, is Joe Morello. And, here is a drum solo.