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The Olivia Tremor Control – Music from the Unrealized Film Script: Dusk at Cubist Castle

7 Nov

This post goes out to all those good things which existed in the 90s. Most of them were and still are completely unknown to anyone because they were buried in a sea of garbage that is usually associated with that era (by me anyway). Rarely does anyone even go back to that time period even as a result, unless it is for cartoon show themes. But let me tell you, there are some things from the 90s which stand out like shining jewels among the debris, and I am proud to present one to you tonight.

The Olivia Tremor Control is definitely up there in my top 5 in terms of bands. Part of the Elephant Six Collaborative and hailing from Athens Georgia, the band is the most perfect form of psychedelic rock. They basically sound as if the Beatles had never stopped making music, and this was just actually where they were in the 90s. The album which I will be sharing is called Music from the unrealized film script: Dusk at Cubist Castle. It was released in 1996 and was sadly swept away in the unfortunate river of boy bands, rap, and other nonsense. But I have managed to fish it out (I proudly own the CD), and will write a few words about it.

The first song on the album is “The Opera House”. A barely inaudible vocal loop flies by quickly and a raw guitar starts playing its hard rock line. Don’t forget to notice the bizarre assortment of horns coming in from all angles. “We feel OK, which is how we feel most of the time now” The lyrics are only going to get trippier from this point on in the album and I feel like this song is very good warm up.

Something I love about this band is the fact that the lyrics are always approaching dark in sort of psychotic fashion, but restrain themselves just before that point. It gives the lyrics this sort of friendly sarcastic vibe, which I most definitely rock out to and practice on a day to day basis. &)

“Jumping Fences”: This title alone speaks on a more psychedelic level. Another almost downright silly guitar intro is quickly forgotten as the rhythm joins the party, especially that suave bass line. The lyrics in this song have got to be some of my favorite ever. “We both know that this world made no sense, when you jumped everybody’s fence.” I feel like you either understand what this line means or you don’t, and it all depends on your experience with magic.

This song at a little under 2 minutes is a quick, rocking display of why this band sounds like the Beatles. If you don’t hear the similarity then you may have never heard the Beatles. And don’t think that I’m saying that they are ripping the Beatles off. The Olivia Tremor Control has definitely contributed more to this genre of psychedelic rock than almost any other band, they just had the misfortune of picking the 90s.

I  really am not sure which song off this album is my favorite, but there definitely are times when I believe that song to be “Holiday Surprise 1, 2, 3”. This song starts out slow and easy, almost with a country vibe. I’d like you to notice the vocal layering which this band uses, because that is what gives these songs that darker edge. Specifically the lines “Don’t Worry” and “In a dream” employ this and definitely to great effect.

Somewhere at around 2 minutes this song plateaus at what can only be described as being launched through the clouds and peaking in to a full and beautiful sun. Immediately after you begin your descent and the song acknowledges that fact. “Please, Please, Don’t you ever change your mind on me.”

“Courtyard” can be best described as a haphazard song. The melody is wonky and rhythm is simple,the piano is just downright ridiculous, and yet it contains some of my favorite lines ever. “Going back to where you are, and there’s nothing that I can’t tell you that you don’t already know.” I still can’t accurately tell what it means. Also a short song, it is the kind that puts a smile on your face whatever the situation. It’s simple and fun.

The Olivia Tremor is rumored to have reunited to create a new album, which makes me very happy. This band deserves a lot more recognition then it currently has. Almost no one makes such well thought out and all around trippy music they use. If you are lucky enough to own a CD or Record of theirs, then you will be rewarded by being able to actually notice all the different layers each and every song contains. Seriously, there could be up to 12 sounds playing at once at any given time during a song, and mp3’s will never be able to do that justice.

The more stuff happening at once, the tripper, am I right? You just have to learn how to pry out the gems.

&)

Listen to this band, because bands like Korn definitely did not deserve the fame.

-oko

P.S. This song, Tropical Bells, is trippy enough as it is. But then someone decided to make this video for it. &)))))

Mrs. Robinson, Are You Trying to Seduce Me?

3 Nov

People of today, Lady Gaga isn’t the first one to push boundaries of what we are willing to accept from our stars in terms of eccentricity.  Elton John started blazing trails of strange looking clothing, obnoxiously large earrings and oversized sunglasses back in the 70s, and his reign as a pop icon has lasted for more than four decades.  Just to give you some perspective on how popular he is, here are some stats I find unbelievable.  He’s sold more than 250 million albums, putting him in the same class as Elvis, the Beatles, Michael Jackson and the Rolling Stones; those numbers helped by his seven straight number one albums in the US. Oh, in case you weren’t impressed enough, his tribute to Princess Dianna A Candle in the Wind, sold 33 million (THAT’S RIGHT 33 MILLION) copies.  (To put that in perspective, it takes one million copies sold to make a record platinum certified and five million to make it diamond certified.)  He’s still relevant too, check out Elton at the Grammys with Eminem.

They probably consider themselves a folk duo, but Simon and Garfunkel are pretty much everything a pop band should be.  From the folk mold, they sampled acoustic instrumentation, simple harmonies and traditional song structure.  But folk in many cases had become political (like Dylan) or attempted to emulate the common man by sounding like him (like Woodie Guthrie) or was rough around the edges (like Pete Seeger), yet Simon and Garfunkel inherited none of these characteristics.  Their songs are finely polished and record not man at his most weary, but man at a stage of perfection, with graceful harmonies that are caressing enough to put a baby to sleep.

Old School Pop

31 Oct

The pop music played on the radio years ago wasn’t as bad as today.  Turn on your average, everyday pop station and you’ll hear Lady Gaga, Lil Wayne and Bruno Mars multiple times per hour.  Like K$sha?  Me neither.  But she’s still played 42 times a day like she has some sort of deal with the devil and I’m not talking about the good kind, like a Robert Johnson or Led Zeppelin type deal, but one that someone talentless would make, say Vanilla Ice, to stay relevant.  Well, maybe I just have an over romanticized vision of the whole thing but at one point real musicians ruled the airwaves.  Sure, not all pop acts were great (cough Barry Manilow, cough), but enough to make me reminisce of days long before I was alive  where driving in a car didn’t require satellites or an iPod cable to get cool tunes.

The Beatles were the ultimate pop band and while their later albums added to this sound, they never really lost their pop sensibilities upon breaking up.  Paul McCartney went on to form Paul McCartney and Wings famous for such songs as “Maybe I’m Amazed” and my personal favorite, “Band on the Run”.  George Harrison development as a songwriter continued with the sound he developed in the later Beatles albums (compare “Here Comes the Sun” and “My Sweet Lord”).  You can’t forget John Lennon who came out with almost a prayer for peace with his seminal work, “Imagine”.  I really feel bad about being like everyone else and leaving out Ringo but then again, I can’t really pick any of his music out by name.

I didn’t realize how long this article would become so stay tuned for some non-Bealtes pop music from back in the day in a future post.

Fuck Buttons – Tarot Sport

30 Oct

Hey everyone. I am at a mental loss today. No fancy intro. Not much information about the song or band either. I’ll play it off as a minimalistic post.

Fuck Buttons are a UK based experimental electronic group. The following two songs are from their album Tarot Sport. I saw them live in Brooklyn about 2 years ago. It was full or hipsters and almost everyone was on magic of some sort. The scene was one of the best.

This song is flying in a ship the size of the most massive suns, through a space were light is something which you can touch as well as change your perception of, at will. “Surf Solar”

This song is wind surfing through snowy desert dunes in a sand storm, were the previously mentioned light reacts brilliantly to your movements as well as the particles of snow and sand caught in the wind. “The Lisbon Maru”

This band makes exalting music, something you listen to when you simply want to exist in other worlds. The songs are minimalistic in my opinion because they change very little over the course of what seems ages, and I believe that this sort of minimalism is what allows the mind to roam free and create.

Sort of like meditation.

&)

-oko

P.S. Exaltation. Aptly named “Olympians”

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And the “Watch the Throne” Tour Begins

30 Oct

When hip-hop powerhouses Jay Z and Kanye West announced that they were collaborating on an album last year, heads across the country exploded. Now with their album “Watch the Throne” long released, the duo have kicked off their tour, starting in Atlanta. Part of the setlist includes obvious staples from their album together (“Otis”, “Who Gon Stop Me”), as well as clear solo hits from the past (Ye’ performed a bit of “Jesus Walks” and “Can’t Tell Me Nothing”).

Its not really bling unless it causes Scoliosis.

Obviously, Kanye and Jay Z don’t need the money at this point (pan to Kanye’s entire bottom row of diamond teeth)-they are touring because they actually want to. With a fair share of dramatic entrances and heartfelt encores, the tour should definitely be a successful pursuit.

Here’s a single off their album, “Otis”