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Spatially grounded, Astronauts, etc share new single, I Know

28 Apr

astronauts, etcThe first rays of sunlight provide a nascent glow for a few minutes before the sun fully rises. Those moments are like new cells, mimicking their environment, giving back the same emotion that surrounds them. Fresh and flowing, “I Know” from Astronauts, etc reflects the light newness of the dawn.

Vocals by Anthony Ferraro float near a falsetto, while the keys and guitar guide him. Ferraro is the main force behind Astronauts, etc, but you may be familiar with him as the keyboardist in Toro Y Moi’s touring band. He also has been getting some attention for combining cold, lifeless machines and life-giving art with his Hypothetical Beats algorithm. Talent abounds in this young classical pianist-turned-producer, but he won’t be bound to one path; he takes the tried-and-true and makes it all his own. That is to say, despite his recent knack for computer science, he recorded “I Know” with a full band on analog, and had it mixed and mastered on tape.

Astronauts, etc’s EP, Sadie, is out now on Hit City Records. For more information on Astronauts, etc, visit his Facebook, Twitter, and Bandcamp.

Mighty Medley: Cotton Claw, Hira King, and In Sonitus Lux

15 Apr

An eclectic electric mix for your hump day. Get to listening.

Cotton Claw – “GRAINY”

Though the title may contradict it, this track is crystal clear and silky smooth. Beats bleed into one another until the dimensions shift around you. An excited theremin pipes in, giving the song a story, grounding it. “GRAINY” is cosmically down-to-earth.

Find more information about Cotton Claw on their website, or find them on Facebook, Twitter, YouTube, and Soundcloud.

Hira King – “Hummingbird”

Please ignore that cover art. For something that looks like it came from the last acid trip of a hippie before he was sent off to Vietnam, this track exemplifies the hip in trip-hop. I have no idea what vibe I’m supposed to get from this, but whatever it is, I’d like more please.

Find more on Hira King via their website, Twitter, and Soundcloud.

In Sonitus Lux – “Her Eyes in the Morning”

I’ll save you the trouble of googling it; “in sonitus lux” is Latin for “light in sounds.” Quite synesthetic. Taking a very prominent role in the spine of “Her Eyes in the Morning” is an obscure instrument known as a hang. It looks and sounds like an inverted steel drum, and gives this chilling ambient a little pizzazz. At thirteen minutes in length, this is an odyssey, but if you have some spare time to spend with it, you should.

Find more info on In Sonitus Lux on his website and Soundcloud.

Rocky and the Goldstein: Living a Chassidic Country Dream

11 Apr

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Move over Ray Benson, there is another country musician and member of the tribe who has rolled into town with a guitar strapped around his neck and yarmulke firmly on his head. Yes, Rocky Goldstein is about as unique as you can get as a musician. As titled, he is a Brooklyn Chassidic (type of Judaism) Country Musician, which, while it seems slightly peculiar, is actually pretty apt. When you consider the tenets of good country music – pleading tales of existential journeying and other dig-into-your-soul storytelling – it fits the Jewish story quite well. As we conclude another Passover, the Jewish holiday that celebrates the exodus of the Jewish people out of Egypt (the age-old tale of they tried to kill us but they didn’t succeed), I bring you Rocky Goldstein’s eclectic country tunes, and I am enlivened to do so, not just because I too shared bitter herbs and charoset at the seder table this Passover, but because Rocky & The Goldstein, the official name of the band profiled in this post, is an exciting band who, faith aside, plays fresh country/folk tunes that all should hear.

I had an opportunity to email Rocky a few questions for this post, and when I asked him about his musical journey, he immediately mentioned musicians like Neil Young, Bob Dylan, and Merle Haggard and how he can, with his music, “relate to the struggle and, of course, the joy” that these artists evince in their own tunes. That is what music is, right? A combination of these emotions that reflect the artist’s own life, which is what Rocky echoed to me in the interview. This mature foundation creates a well-rounded approach to music that Rocky, and the people who support his tunes reflect.

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Rocky is for all intents and purposes a solo musician, but Rocky & The Goldstein is made up of a select supporting cast consisting of the producers of his self-titled EP, Thomas Bryan Eaton and Alex Korinzer; Rocky’s writing partner Isaac Schapira; and fiddle player Craig Judelman, who can be heard prominently on the album’s initial track.

When I asked Rocky about the foundation of his sound, he recalled his exploration of Judaism and trip to Israel that sparked his musical inclinations.

“I played a few shows in New York and then went off to Israel for a year and half to learn in a Yeshiva, which is a Jewish higher learning institute. There, I met my good friend, Isaac Schapira. We both talked about our love for country music and started writing these mock American pride songs. Eventually, we decided to start writing songs about the experiences of what we were actually going through.  He really helped me hone in on writing lyrics with a clear message as opposed to cryptic, subconscious prose.” 

This prose and sound, as stated above, might be viewed as a bit odd, but when I asked him how a nice Jewish boy from Long Island gets into country music he explained a natural progression to the genre.

“Country music in particular always had these themes of self-deprecation, regret, and life lessons with religious undertones. Jewish identity is often defined by these characteristics. As I became more observant in my Judaism, I found songs like “Less of Me” by the Statler Brothers or “In my hour of darkness” by Gram Parsons to be songs I could relate to. They spoke about the struggle of going on a spiritual journey and the tribulations that came along with it.”

Let’s listen to some tunes.

“A Dream,” the initial track on the EP, features a traditional Jewish folk fiddle followed by Rocky’s grainy vocal that carries the piece. The guitar is plucked with upbeat intensity and the fiddle is never to far behind. I particularly enjoy the song’s simplicity, which, in my mind, is what makes good country music. It is vocal and strings mixed with light percussion, which acts like a perfect pairing.

“The Sun” is an ode to the singer/songwriter. Much in the vein of classic musicians like Paul Simon and more modern musicians like Vance Joy, Rocky’s vocal is smooth and tender and it carries the piece. The fiddle is such a great touch and it adds to the song’s dulcet sound. Using a culinary allusion, it simply tastes good, which makes sense, because when I asked Rocky to imagine a situation where he gets to dine with two musicians who inspired him, Rocky picked legends of the pen and harmony Leonard Cohen and Paul Simon, a classic dinner of “melody” and “lyric.” Asked what he’d get, he figured he’d go simple, “a beer or a coffee and maybe a knish, as long as it’s kosher,” of course.

 You can find the self titled EP on rockyandthegoldstein.com and purchase at http://www.cdbaby.com/Artist/RockyandtheGoldstein. Feel free to like him on Facebook.

Dancing with the undertow

8 Apr

All art comes from a thought, or more likely a series of thoughts. Though not all happy ideas turn into happy art, the new video from Idea the Artist doesn’t seem to worry too much about that. Teeming with pastels and watercolors, “Seafloor” takes “art rock” to a new level.

Idea the Artist is Inés Beltranena, a folktronica musician from San Francisco, though I wouldn’t limit her artistry to music. Yes, the slow pull of “Seafloor”’s rhythm is enchanting, but so is the watercolor and pastel sketches on which the visuals of the video are based. This is the title track to her newest album, a collection of songs meant to inspire in the wake of her own personal hardships. Though her struggles were hers to bear, she shares her feats with us; says Beltranena, “this is my expression about all struggles, and all triumphs, not just my own.”

Seafloor is out now. For more information on Idea the Artist, visit her website and follow her on Facebook, Instagram, and YouTube.

Shake Your Bones

7 Apr

Trails and Ways (David Wallace)California is in the middle of a historic drought, with new water restrictions making national headlines. I bring this up because I live in California currently, and I am very nervous about how little water we really do have left. Water and energy conservation has never become quite so dire, and beautiful people like Trails and Ways want to help save our planet. They are proud supporters of Our Power Campaign, a noble organization that aims to fight the climate crisis while providing good jobs in vulnerable communities; learn more here.

Feeling like a sonic lollipop, “Skeletons” will instantly brighten your day. The song reminds me immensely of Cub Sport, particularly “Pool!” with those unmistakable falsetto hooks. Bourne of a dream, “Skeletons” describes the experience of dancing in a club only to have time fast forward to hundreds of years from now, showing a glimpse of the ruinous state the planet will be in due to the crises we currently face. Trails and Ways make impending doom fun, but ‘fun’ in the sense that feeling proud of yourself for helping to save the planet that we are still hoping to use for the next eternity is fun. Donate today.

“Skeletons” will appear on Trails and Ways’ upcoming album, Pathologies, due out 6/2 via Barsuk Records. You can pre-order it here. For more information on Trails and Ways, visit their website and follow them on Facebook, Twitter, and YouTube.