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Mermaid in China more resembles siren with enchanting debut EP

17 Feb

Mermaid-In-China

Mermaid in China is four guys from Portland layering dreampop melodies with a diverse range of influences. Their self-titled debut demonstrates the breadth of their talent, from cheery pop ballads to melodramatic underwater sequences.

As a whole, the EP is extremely fun, but it does not exhaust. The opening track, the first song we hear from Mermaid in China, is “The Vast Divide,” catches you with that initial hook, and demands you dance for the following entrancing five minutes. The next song though is duller, in the sense that it is not bound by falsetto dance rhythms. Aptly, it’s titled “Gentle,” as it feels like a deep breath after having a sugar high. I cannot stress enough how catchy each song can be though; Mermaid in China can go from mellow indie rock to bubblegum pop. Then “The Average Man” once again resets any expectations you have been calculating in the back of your head. Lo-fi shoegaze electro wave… though so many words can describe this music, none do it justice. Give it a listen, form your own opinion, use your own words.

Mermaid in China’s debut self-titled EP is out now. Visit them on their website, Facebook, and Twitter.

It’s all Beecher’s Fault

16 Feb

Last week I heard the first new music from Florence + the Machine in what feels like decades. I really loved their debut, Lungs, and I think this upcoming release will echo the raw energy from tracks such as “Kiss with a Fist” and “I’m Not Calling You a Liar.” Coincidentally, or perhaps serendipitously, this week I also heard Beecher’s Fault with a track called “Matchstick Kings.” It reminds me very much of the energy and emotion that F+tM exudes, but with a nostalgic and bright twist.

“Matchstick Kings” reminds me immensely of “Dog Days are Over.” In both, the intros are slow and purposeful, building up to something but coming to a pause before launching into the full song. Beecher’s Fault offer Boyhood-like false memories of your childhood with cute xylophones and admission that “we are the kids that never get old.” Of course, this isn’t true; we do get old, and we become adults. We build our lives like they built little matchstick “things” but inevitably, this means that they must fall apart. But once they do, we just start over again.

Visit Beecher’s Fault on their website, Facebook, and Twitter.

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Follow your only instinct

9 Feb

The day glows warmly. It’s sunny, but the woods cause the sunlight to create dull shadows even at midday. There’s a lonely cabin near a creek. During the winter months, the chimney pumps out smoke from the fireplace, but it’s not winter yet, so all is silent. The air is cool, a breeze causes the trees to sigh. The cabin is hollow, cavernous even, without furniture or many walls. In the middle of the room are instruments and amps and sheets of music, all carelessly piled atop one another. This is the hypothetical space where Colorado Youth conceived their debut album, Only Instinct.

This is a cohesive folk album, but it often feels like more than that. One of my favorite tracks is “Fare You Well,” a soft four minute melody. Other tracks are louder, with fuller swells of guitars and brusque vocals, but still others are stripped down and acoustic. Listen closely and you may even catch a banjo.  Only Instinct’s opening track, “Tricks,” sets the tone with a slow-burning intro, a choral refrain, and eventually a taste of the true form that Colorado Youth exhibits. Powerful vocals demand to know, “is it just my mind playing tricks on me?” We’re being had, you and me both.

Only Instinct is out now. For more information, visit Colorado Youth on Facebook.

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Gee, no wonder, Jack + Eliza release debut EP

28 Jan

jack + eliza

Think of all the famous duos you can. Who do you come up with? The White Stripes, The Kills, Batman and Robin. Simple, yet effective teams that gave their all so effectively, you’d have expected more people to have been involved. Our latest talented twosome: Jack + Eliza.

There’s a dusky nostalgia in Jack + Eliza (…though I may just associate the thought of summer with nostalgia because I’m writing this as the northeast is ravaged by an enormous blizzard). Their debut EP was released last summer, and is exactly the sunny disposition everyone (except LA) really needs right now. Aside from the light and bright melodies, I also really love the earnest youth in their voices and lyrics. Think of Jack + Eliza as Best Coast’s younger sibling. That comparison works sonically as well, with their songs generally being upbeat and reverb-laden. All around, feel-good tunes.

Their No Wonders EP is out now. For more information on Jack + Eliza, visit their website, Facebook, Twitter, and Soundcloud.

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Silent Partner makes some noise

27 Jan

I love music. I know that seems obvious, but bear with me for a moment. One of my passions is discovering new music, but I also love sharing it, hence this article and the many I’ve written up until now. I could not live without music, or sounds in general. I would have a very hard time if I was suddenly struck deaf. Which brings me to the subject of this article, Tom the Lion’s “Silent Partner.” The video for the track shows a woman signing along with the lyrics in a manner that I can only describe as heartbreaking.

Rebecca Withey is herself hearing impaired, and she does an incredible job emoting throughout this clip. There is an overwhelming amount of silence felt throughout, despite the track swelling and cascading with rhythm and feeling for four minutes. The minute-long intro watches Withey stare silently back at you, but the vocals don’t provide any relief. Withey lip-syncs along to very few of the lines in the song, and even then she is not loud. She is forlorn, her gestures exact. (The continuity editing of this video is superb.) Though the song isn’t necessarily about being deaf, this video is a perfect intersection of theme and emotion. The song would be tragic without the video, and vice versa, but paired together they become something more.

“Silent Partner” is from Tom the Lion’s Sleep LP, which is out now. For more information, visit Tom the Lion’s website, Facebook, Twitter, YouTube, and Soundcloud.

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