The Idle Race – Bands at Bauska Castle

2 Feb

I started the section “The Bands at Bauska Castle” as a way of highlighting underrated and under-appreciated bands of the 1960s and 70s. Many of my categories have to do with crediting musicians who portrayed brilliance at a time where musical brilliance was actually commonplace. Hence why many bands remain unknown even though their music was excellent. Today I want to feature an eclectic 60’s band that found themselves caught in the trap of bad luck. They are The Idle Race.

There were many incarnations of the band that became known as The Idle Race and this constant transformation may have been why they did not gain the popularity they deserved. The band also did not release much material. But, in my opinion, I think the Idle Race remained critically acclaimed but unpopular among the masses because they were playing music that was five years before their time.

The band, who originally were known as Mike Sheridan and The Nightriders, failed to break the charts even though a young Roy Wood played guitar and composed. Wood is best known for his work with The Move and Electric Light Orchestra (who will come up later). After not gaining success with The Nightriders, Wood left and joined the Move in 1965. This prompted Mike Sheridan to leave as well. Left in the band were rhythm guitarist Dave Pritchard, bass guitarist Greg Masters and drummer Roger Spencer. This core remained together and went searching for a new leader. After a short stint with guitarist Johnny Mann, the core three put out an advertisement for a new guitarist in 1966.

The guitarist that won the job was a young prodigy named Jeff Lynne. Anyone connect the dots? Lynne and Wood went on to form Electric Light Orchestra where they became incredibly popular playing similar experimental music that The Idle Race played years earlier. Lynne inspired himself. I am getting ahead of myself.

The band wanted to showcase Lynne’s vocal and guitar talents so they changed their name to The Idle Race. Wood, who had become quite successful with The Move, helped get them a record deal with Liberty Records. They released two LPs that did not do well and Wood convinced Lynne to join The Move which dissolved into ELO.

But with The Idle Race, Lynne released some awesome material that is seemingly always overlooked by 60’s rock writers. I would like to highlight two songs from different albums.

“I Like My Toys” is a psychedelic pop piece off of The Birthday Party (1968), the first album released by the Idle Race. It sounds like an esoteric nursery rhyme. It is also somewhat disturbing if you listen to the lyric. It is about a 16-year-old who is obsessed with toys and proclaims that he “is not well.” It almost sounds like Pink Floyd’s work with “Bike” and “Free Four.” They are relatively effervescent songs with disturbing undertones. The song is simple but very different. Listen to some of the keyboard and guitar elements. Doesn’t it sound a bit like ELO.

In 1969, The Idle Race released Idle Race and off of it came “A Better Life (The Weatherman Knows).”

10 years later, Lynne released “Need Her Love,” and minus the 70’s style effects the songs are very similar. You can hear a lot of ELO in the above song. It may have just not been popular because it was before its time. A beautiful song by Lynne and Idle Race.

Bad Moments in Cover History: The Story of Knockin’ on Heaven’s Door

1 Feb

So heaven's passageway is through a cave.

The image above is a cool depiction of “heaven’s door,” a mystical concept that has provided hope for the living and breathing. The concept is simple. This heavenly door is the zenith of Christianity, a gated passageway into the high heavens and cloud nine and the land adorned with all the awesome stuff you ever want, supposing you repent and have a friend in Jesus (according to Norman Greenbaum). But if you are not “good” you are not given the entrance code and you are forever stuck envying those who punched in the correct digits and are now lounging and eating buffalo wings with Babe Ruth and Abraham Lincoln (who I’m sure would have a lot to talk about).

“Knockin’ On Heaven’s Door” is not really about heaven. It was written by Bob Dylan for the movie “Pat Garrett & Billy The Kid” and profiles an effete deputy who is dying. The song is more about ineptitude and old age. It is a melancholic masterpiece. Dylan presents something that is both melodic and austere. The simplicity of the chord structure mixed with the repetitive lyric provides a framework for all lachrymose and crestfallen pieces.

In 1987, the prototypical hair metal band decided they would start using it in their live sets. The song was then poisoned by the melodramatic, hyperbolic fingers of Axl Rose and a song loved for its downtrodden seriousness became the toy of unnecessary and cocky bedizenment. Guns & Roses destroyed a perfectly good song. Rose’s horrendous voice is so drawn out and fake it kills the song’s wonderment. “Knockin’ On Heaven’s Door” is somber. Guns & Roses’ version is an arena rock hugger-mugger that is vomit inducing. Everything from Slash’s screeching guitar to Rose’s awful voice turns the song into a showy piece of garbage. And, do you know what’s worse? People actually like it, no, love it. They think that it is the better version. Some don’t even know that it was originally recorded by Bob Dylan. Maybe it simply signifies a change in people. Seriousness in music is simply not appreciated.

Do you want to hear a good cover. Listen to Warren Zevon’s beautiful version off of his last album The Wind. That version is the model of verisimilitude. Zevon was dying when he recorded the piece and he knew its meaning.

Tours and New Albums and Tours: Bob Seger, Bright Eyes, The Mountain Goats

31 Jan

Bob Seger Turns the Page Quickly

Back Touring

In a Rolling Stone exclusive, writer Andy Greene outlines the process of Bob Seger’s decision to tour this Spring. Last year his staff quietly scheduled 40-50 concerts which Seger declined initially. But, he turned the page on the book of no and randomly alerted his staff this month that he actually wants to tour. Seger put his staff in a large predicament. It takes months to schedule a U.S. wide tour. To say they have scrambled to get everything together is an understatement.

But it has been announced that Seger will embark on a two-and-a-half month tour beginning in March, so I guess they did a good job. A few dates will be announced next week as the staff continues to iron out the tour details.

The tour will be classic Seger mixed with some new tracks off of his upcoming 17th studio album set to be released sometime this summer, according to Seger.

I saw Bob Seger back in 2006/2007 when he toured last. He rocked MSG to the tune of a packed crowd. I expect the very same this time around.

Article: http://www.rollingstone.com/music/news/exclusive-bob-seger-tour-details-20110128

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Bright Eyes’ Bright New Album

Bright Eyes has released several albums displaying their indie/folk style and lead singer/songwriter Conor Oberst’s melancholic and fluid lyric. In an exclusive NPR first listen, writer Robin Hilton boldly declares that their new album The People’s Key is the zenith of Bright Eyes’ success. Keep in mind Bright Eyes released I’m Wide Awake, It’s Morning which is widely regarded as one of the best album’s of the last decade.

In the review, Hilton describes Oberst as, “older and wiser and more sure of himself. His voice is stronger, the sonic palette is richer and the poetry is more compelling.”

And on first listen I actually agree. Oberst and Bright Eyes explore a wide spectrum of music on this album. They move from straight folk into odd experimental tracks. There is no better example than the first track “Firewall” (below) which features Oberst’s friend Denny Brewer, who is the guitarist for the band Refried Icecream, talk about his esoteric views on existence. Esoteric because I don’t want to call them utterly nonsensical and chimerical. The song that follows continues in that vein both musically and lyrically. The album is a huge success and is available for listening on NPR through the link provided. The album comes out for purchase on Feb. 15.

Exclusive First Listen: http://www.npr.org/2011/01/30/133278431/first-listen-bright-eyes-the-peoples-key

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All Eternals Deck Continues Mountain Goats’ Awesomeness

I have posted so many pictures of this band on the blog I am running out of picture choices.

The Mountain Goats are coming back to the Eastern United States to promote their new album All Eternals Deck, which is set to be released March 29. How do I respond to this news?

YES!!!!!!!!!

That is somewhat suitable. They are coming to Ithaca on April 2 and I am going to see them for my second time. I just bought tickets. The Mountain Goats are one of my favorite bands and John Darnielle is a lyrical deity.

The new album will most likely be fantastic. I will lean on the first song leaked from the album entitled “Damn Those Vampires.” Take a listen.

Below is the track list from the album and the concert schedule.

All Eternals Deck tracklist:
1. Damn These Vampires
2. Birth of Serpents
3. Estate Sale Sign
4. Age of Kings
5. The Autopsy Garland
6. Beautiful Gas Mask
7. High Hawk Season
8. Prowl Great Cain
9. Sourdoire Valley Song
10. Outer Scorpion Squadron
11. For Charles Bronson
12. Never Quite Free
13. Liza Forever Minnelli

The Mountain Goats – 2011 Tour Dates
3/24 Richmond, VA @ The National
3/25 Washington DC @ 930 Club
3/26 York, PA @ Strand-Capitol PAC
3/28 New York, NY @ Bowery Ballroom
3/29 New York, NY @ Bowery Ballroom
4/01 Boston, MA @ Paradise
4/02 Ithaca, NY @ Castaways
4/03 Toronto, ON @ Opera House
4/05 Chicago, IL @ The Vic
4/06 Nashville, TN @ Mercy Lounge
4/07 Atlanta GA @ Variety Playhouse
4/08 Chapel Hill, NC @ Cat’s Cradle
4/10 Asheville, NC @ The Grey Eagle
4/11 Columbus, OH @ Wexner Center
4/12 Pittsburgh PA @ Mr Smalls
4/15 Philadelphia PA@ Theater of Living Arts

The Best Back To School Song: “Be True To Your School” by The Beach Boys

28 Jan

 

 

Hey! Put that surfboard away!

“When some loud braggart tries to put me down
And says his school is great
I tell him right away
“Now what’s the matter buddy
Ain’t you heard of my school
It’s number one in the state”

The Beach Boys win purely on their ability to use braggart in their lyric. End of story. But seriously, “Be True to Your School” won the poll for best back to school song and this title is well deserved. Their overly corny, early 60’s, nauseating school pride anthem is so utterly ensconced in the education system that it might as well be sung after the pledge of allegiance. I pledge allegiance to Brian Wilson and the plaid shirt wearing members of his surf music band.

 

Don't these look like law abiding citizens

This 1963 ode to pep rallies and Hawthorne High School, the Wilson’s school in California, is cheery and so supremely hokey it kind of needed to win. Seriously, the song is so early 60’s Beach Boys mouthwash that it practically is most of their other songs in the same key. Not much ingenuity there. But the harmonies are great and the lyric is class.

It wins because of these reasons. That are not many songs that can inspire someone to want to go back to school. Most inspire young people to long for school’s end. The Beach Boys try to get you in the classroom with the lure of pride. So get your letterman jacket on and be true to your school.

Landfall – Please Remember Me Mr. Postman – Green Hornet Opera

27 Jan

Jimmy Buffett Has a Few Too Many Margaritavilles

Jimmy Buffett © David Atlas

Jimmy Buffett did not play his famous song “Landfall” during last night’s concert in Sydney, Australia. If he did it would have just been cruel irony. Buffett was released today from an Australian hospital after taking a sober plummet off the stage during his show Wednesday.

“Jimmy has been released from the hospital and is doing well,” read a statement on margaritaville.com.

The concrete floor did not provide much padding for Buffett’s head and the collision caused him to temporarily lose consciousness. Buffett is a trooper though and he has yet to cancel his next concert on the 29th. Get well soon Buffett. We need our only vacation troubadour to continue lecturing us on the importance of relaxation.

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Gladys Horton Dies

Gladys Horton, who co-founded Motown’s Marvelettes, died Wednesday night in Los Angeles. She was 66

The Marvelettes hit it big with their 1961 song “Please Mr. Postman” that characterized classic Motown style in both beat and dance. Horton sang lead in the band at only 15 years old

The song reached #1 on the pop charts and was an inspiration to later Motown super girl groups like The Supremes.

My condolences go out to her family. May she rest in peace.

Check out this old recording:

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Wait Kato Can Sing

Seth Rogen and Jay Chou star in the remake

Many reading this remember the old TV version of the Green Hornet where Bruce Lee played the ace kong-fu master, Kato. In the movie remake of the classic 60’s show, which is currently playing in national theaters, Kato is played by Taiwan’s Jay Chou, a 32-year-old rap and R&B star from Taiwan, where he is most known.

Chou, who has appeared in numerous Chinese films, added a music to Kato’s character, unlike Lee’s straight kong-fu approach.

“I hope to show Western audiences that Asians don’t just do kung fu, but also sing, write songs and play the piano,” he said in an interview with the Associated Press. “So I put the musical element into my Kato.”

Chou plays piano in the film and it ends with a Mandarin language song called “The Nunchucks” that he wrote 10 years ago, inspired by the weapon that his idol Lee made famous years ago.

“When I got a chance to play a hero, I told myself I couldn’t give up,” he said.

The movie has already spawned a promised sequel and Chou will stay on for the production of it, but afterwards he will return to what he loves, music.