Tag Archives: Brandon Flowers

Get Some Scars with Lux Lisbon

25 Feb


To sum up Lux Lisbon in a few words, this is music you just want to keep listening to. Lux Lisbon’s unique brand of classic rock inspired Indie power pop is electrifying, stimulating, and infectious. The 5-piece band met in Nottingham University and has been creating sprawling melodies and anthemic harmonies since its inception. With a sound like the Killers and Muse, Lux Lisbon is powerful and they are not afraid to demonstrate it.

The band is made up of Stuart Rook – Vocals, Songwriting, Piano, Synths; Charlotte Austen – Vocals, Bass; Alastair Jones – Guitar; Johnny Colgan – Drums; Rob D’Ath – Guitar, Vocals. The band saps the full sound out of all of its instruments and vocals to create a theatrical, Spector-like wall-of-sound.

The band will release an EP called Get Some Scars on March 25 of this year, and below is a sampling of the four tracks from the EP. They will be touring the UK to support the release.

“Get Some Scars” begins with neat harmonies that transition into a steady beat. The vocals are spot on; a Brandon Flowers-like croon with deeper inflections. The chorus, featuring an amalgamation of voices, hooks the listener. Heck, the entire song has that effervescent, hooky quality that encompasses good pop songs. It makes you want to hit repeat when the song ends. But before it does, pay close attention to the skillful vocal layering at around 3:30 (“when I get to the gutter). Organized, contagious, and cool.

“Bullingdon Club” is heavier. The song is certainly more Muse-like. It is an ardent, Matchbox 20-like, heavy-hitter with all the qualities of a great power rock hit: effective electric guitar, tremendous vocal, well-placed synth, fast-paced percussion, and moving bass. This is one heck of a composition.

Keep track of Lux Lisbon: Website, Facebook, Twitter



The Wall of Boolfight

17 Dec

Boolfight - Album cover (cover art by Klara Domröse)We are crossing the Atlantic Ocean today to become acquainted with Boolfight, a French Indie-rock outfit that successfully blends beat-driven synthesizers with Killers-like rhythms and melodies. The band released their new album, Feral, in November, and the inventive spread of tunes benefits from a collaboration with Nicolas Fromageau, who many of you M83 fans might know as the musician that created the band’s first two albums with frontman Anthony Gonzalez. After leaving M83, Fromageau founded his current heavy-electronic group, Team Ghost, which will release its second album next year. Adding Fromageau’s proclivity for an effective electronic sound helps elevate Boolfight’s music in the new release, but Boolfight provides a far tamer sound than heavy shoegaze electronica.

“Deluxe” has a simple 80’s feel to the opening of the piece. It’s refreshing. This is one of Boolfight’s greatest attributes. The music is not cumbersome. It is electronic easy listening. The melody is clearly defined and refreshing. The vocals, too, are clean – reminding me of a subdued Brandon Flowers. The end employs a wall-of-sound technique, but the music remains composed. At no point does it fly off the handle. There is almost a subtlety to it, and I am a fan.

“Majesty” starts similarly. The buzzy synthesizer at the song’s inception reminds me a bit of M83. Enter in some percussion and concurrent synth and the song transforms into Keane on electronic steroids – an elegant combination of pop melody and synthesizers. “Majesty” is my favorite track, and I believe that it, if introduced to the American public, it could go far. I mentioned the Killers and M83 in this post, and Boolfight molds these influences into a graceful track.

Check out the rest of Boolfight’s album

%d bloggers like this: