Tag Archives: Synthesizer

Gorillaz Are On Fire

18 Jun

Image result for the gorillaz fire flies

After a six-year gap between its last two albums (Humanz was released last year), Gorillaz is on the heels of The Now Now, the band’s sixth studio album, which will be released on June 29. Why such a quick turnaround? Well, for all intents and purposes, it seems like Damon Albarn, Blur frontman and Gorillaz lead, feels like he is getting old, and he might as well release as much as he can without waiting another seven years like the last album gap. Seems reasonable enough.

What is not aging is the music. Gorillaz is one of those rare bands that continues findings itself on the cutting edge of music. “Fire Flies,” one of the tracks off the new album, is no exception.

My favorite Gorillaz track in a while, “Fire Flies” takes on a Demon Days feel with its sultry darkness, fit with heavy bass, dreamy synth, and excellent vocal. The persistent rhythm is produced with classic Gorillaz flair, a euphonious concoction of melody. It’s just a tremendous track, continued proof that Gorillaz will keep popping out excellent tunes for as long as they decide to proceed as a group.

DAMEDAS Is All You Need Today

13 May


With the eccentric musical flair of Grizzly Bear and a penchant for 60s pop psychedelia, DAMEDAS is about ready to take the Los Angeles scene by storm. Founded in 2007 by musician Felipe Damedas, DAMEDAS has just recently expanded to include a full group of musicians…and words. The transformation from instrumental to lyric-laden psych/pop was not a difficult for the foursome.

What is perhaps most striking about DAMEDAS is its clear appreciation for the roots of rock n’ roll. The art (above) is reminiscent of the Beatles, and, class-style portraits aside, the music bears a neat resemblance to Beatles-style psychedelia – infectiously effervescent, heavily melodic, and elusively organized. Let me explain:

“All I Need is All I Have” is a tight single by DAMEDAS. The music is crowded with drenched harmonies, twangy guitar, and spondaic percussion. The instrumentation combines a wall of sound approach with portions of sincere quiet. Although I already made this comparison, I can best describe the music as a mix between old and new psych/pop. While the synth fits in with newer Indie Psych/Pop, the sing-song swooning melody is much like late 60s psych/pop. Excellent track!

You can download the single for free at DAMEDAS’ Bandcamp. Check out more about the band: Website, Twitter and Facebook


The Wall of Boolfight

17 Dec

Boolfight - Album cover (cover art by Klara Domröse)We are crossing the Atlantic Ocean today to become acquainted with Boolfight, a French Indie-rock outfit that successfully blends beat-driven synthesizers with Killers-like rhythms and melodies. The band released their new album, Feral, in November, and the inventive spread of tunes benefits from a collaboration with Nicolas Fromageau, who many of you M83 fans might know as the musician that created the band’s first two albums with frontman Anthony Gonzalez. After leaving M83, Fromageau founded his current heavy-electronic group, Team Ghost, which will release its second album next year. Adding Fromageau’s proclivity for an effective electronic sound helps elevate Boolfight’s music in the new release, but Boolfight provides a far tamer sound than heavy shoegaze electronica.

“Deluxe” has a simple 80’s feel to the opening of the piece. It’s refreshing. This is one of Boolfight’s greatest attributes. The music is not cumbersome. It is electronic easy listening. The melody is clearly defined and refreshing. The vocals, too, are clean – reminding me of a subdued Brandon Flowers. The end employs a wall-of-sound technique, but the music remains composed. At no point does it fly off the handle. There is almost a subtlety to it, and I am a fan.

“Majesty” starts similarly. The buzzy synthesizer at the song’s inception reminds me a bit of M83. Enter in some percussion and concurrent synth and the song transforms into Keane on electronic steroids – an elegant combination of pop melody and synthesizers. “Majesty” is my favorite track, and I believe that it, if introduced to the American public, it could go far. I mentioned the Killers and M83 in this post, and Boolfight molds these influences into a graceful track.

Check out the rest of Boolfight’s album

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