Tag Archives: Music

N8 ST9 Has Come Full Circle

28 Aug

N8 ST9

N8 ST9 (Nate Stein) has been on my radar for some time. The post-electronic artist mixes skilled instrumentation with dreamy electronica to create a delicate sound that, while heavy on the electronic percussion, is harmonious. Now, on the heels of his new album Full Circle, I believe it is a good time to introduce him to the readers of this blog. This aforementioned mixture is musically intriguing.

Perhaps most engaging about the new album is its vibe. Electronica and instrumentals sometimes conflict when haphazardly paired together, but N8 ST9 combines the two elements competently, thus creating a cool, euphonic atmosphere that surrounds the listener. The album is split between pure electronic instrumentals (like the two reviewed below) and pop-fueled tracks like “Light Up Myself,” which ST9 wrote for a close friend who is a recovering alcoholic.

Aside from the imprecation outburst to begin the song, “Light Up Myself” is a diverse song that has three distinct parts. The song begins with an ethereal guitar riff that transitions into a Paul Simon-esque verse with creative percussion, which continues even when the song shifts to a modern Indie rhythm. In only two minutes the song effortlessly shifts back and forth from different musical elements and inspirations. This is just accentuated towards the end of the song with the airy piano bridge fit with melodious vocalization. ST9 takes listeners through a musical parade, successfully evoking the ups and downs of his friend’s life.

The above two tracks are the diverse instrumentals I mentioned. “Intention for Bliss,” the opening track on the album, features the fluffy keys reminiscent of an Owl City song. “Watching” features more driving electronica (something I don’t usually go for). In this case, though, I am lured by the 80s beats that blend well with the melody ST9 successfully introduces to the listener.

It’s an impressive release for the young artist, and I am looking forward to listening to more of his music.

Check out the rest of the album and follow ST9 on his Facebook and Twitter

Looking Forward to End-of-Summer Albums

12 Aug

End of Summer

Doesn’t it seem that summer passes by quicker than any other season? For those (like me) who live in a state that experiences distinct climates, it is easy to become ensconced in the warm weather just to have it ripped away from you quickly. I should stop complaining. Summer still has more than a month to bathe us in beach weather. As we continue to enjoy the fading rays of summer, let’s take a glimpse at some end-of-summer albums music lovers should be looking forward to.

August 20

John Mayer – Paradise Valley 

The crooning bluesman is fully recovered from his vocal surgery and has hit the ground running after the delayed (2012) release of his fifth studio album Born and RaisedParadise Valley abides by a similar formula as his last release: mixture of folk and country rock. The first single is evident of that.

Mayer’s airy croon does not disappoint and the song carries a relaxed rhythm. It’s a pleasant listen – and the embedded video is hilariously odd.

August 27

Franz Ferdinand – Right Thoughts, Right Words, Right Action

Franz Ferdinand

It has been almost a decade since “Take Me Out” hit #3 on the UK charts. Wow. The 2004 self-titled album sold more than three million copies and engendered worldwide popularity for the Scottish band. The band has always been able to stay relevant with its tunes, but the music has not been frequent. After a quick follow-up in 2005 it took the band four years to release its third LP and another four years to release the most recent album. The early reviews are proclaiming that it is well worth the wait.

September 17

Five For Fighting – Bookmarks 

Bookmarks

John Ondrasik – a.k.a. Five For Fighting – has penned some pretty substantial hits on his piano including: “Superman,” “100 Years,” and “The Riddle.” Slice, his last album, was released four years ago, and it is about time for the lifelong L.A. Kings fan to release a new album (I wonder if Bookmarks will celebrate the Kings 2012 Stanley Cup victory). One thing I can presume is that the new album will feature Ondrasik’s original, infectious piano pop that continues to impress.

MGMT – MGMT

MGMT

It is not usual for a band to have a self-titled third album, but, well, MGMT is not usual. This eccentric psychedelic rock band is on the cusp of the much awaited release of its unique third album, and fans of the band are in for a wacky treat. The band did tell Rolling Stone that they “are not trying to make music that everyone understands the first time they hear it.” It is refreshing to see two musicians carrying on the rich tradition of good psychedelic rock, and I have always been keen to the band. Just recently the band released its second single from the album, “Your Life is a Lie,” and…it’s…uhh…this:

NOVI is here to Make A Scene

6 Aug

NOVI

Back in 2011 when Los Angeles-based pop singer Novi released her debut EP Now I’m Here she raised eyebrows with her brazen, imprecation-filled single “Blackbirds.” Underneath the ribald lyric, though, was an artist ready to break out. NOVI, the moniker of Carolyne Neuman, is no stranger to success – her first release, “All the Way” was featured on One Tree Hill – but with the forthcoming release of her second EP Now I’m There I think it is about time that the country started learning more about NOVI.

Remember when Florence and the Machine first released “Kiss with a Fist” in 2008. The debut single went on to foreshadow the success of the band. I mention this track because I believe its brash nature best reflects NOVI. NOVI reminds me of a young Florence Welch – unconventional, fearless, and skilled. Those are three qualities that are particularly necessary if you want to succeed in the industry.

Now, NOVI’s music is different from Florence’s music. While Florence – besides from “Kiss With a Fist” – focuses on creating an ethereal atmosphere with her songs, NOVI mixes an in-your-face attitude with a touch of Lana Del Rey’s sun-soaked voice. The music itself covers the spectrum of effervescent and blunt to emotion-saturated and harmonious. One thing remains constant in all of NOVI’s music – it is good. Yes, this seems rather simplistic – especially in a review – but the music is diverse, stimulating, and, well, good. Let’s put it this way – once you listen to a track you want to continue exploring the esoteric world of NOVI. Let’s listen to two tracks from the new EP.

“Whisky and FireFlies” begins with an infectious whistle opening – much like “Good Life” by OneRepublic – and that bleeds into NOVI’s verse – which almost acts as a singing rap. The percussion carries the song into a Florence-like chorus. NOVI’s voice is deceptively good. The vocal play in the song is skillful.

“Make A Scene,” though, is where I see true star quality. While “Whisky and FireFlies” is a nice song, “Make a Scene” is a powerhouse – a true force that has mainstream and Indie attraction. The beat is ridiculous. The listener is fully drawn into the song from the start and NOVI helps suck the listener further into the piece with her eclectic vocal. The hook is potent. Featuring a Mika-like instrumental rise, the chorus is the song’s core. This is a 2:45 bundle of goodness, and, if it is any indication of NOVI’s future, much like Florence, it looks very bright.

 

Keep in tune with NOVI – Website, Facebook, Twitter

Fip Fok Warriors – CoCo and the Butterfields

30 Jul

Warriors

 

 

It should come to no surprise that Coco and the Butterfields is from Canterbury, a historic English cathedral city; the band’s music is downright regal. As the photograph (an eclectic amalgam of Pocahontas and Braveheart) above suggests, the band combines traditional English pop with pastoral folk and gritty hip/hop to create a tremendous sound that has not only sparked its own derivative genre (“Fip Fok” – folk/pop/hip-hop) but also has expanded the ears of listeners while sucking them into an infectious sound. What? Did I look into the picture too much?

It should go without repeating that I am a big fan of what Coco and the Butterfields is creating, but, heck, I’m going to bedizen the group with flashy adornments of praise. The music is fresh and original. Original is an understatement. The five-piece band combines the folk prowess of Micah Hyson (double bass) and Rob Wicks (banjo) with the filthy and fresh beatbox stylings of Jamie Smith. Folk and beatbox? It takes a rare breed of band to pull off that stunt successfully. Just take a listen to the band’s glorious cover of “Just a Dream” by Nelly. It is unconventional (almost humorous in its musical absurdity), but after the initial shock sets in, it is not difficult to imagine the song being a Coco original. This is the mark of a great band.

“Warriors” takes effervescent to a new level. The music is off-the-bubbly-charts. If you do not have the sudden urge to get up, jump up and down, and sing along to the track than something must be terribly wrong with you. In a style similar to fellow countrymen Skinny Lister, Coco and the Butterfields combine a traditional folk instrumental with fresh elements. “Warriors,” though, maintains a unique theatrical feel that creates a big-screen appeal. It also maintains a dangerous contagiousness that invokes constant repetition of the song…seriously. The song is a gem. This band needs to make its way to the Big Apple, so I can hear the song live – yes, I’m selfish. Heck of a song from one heck of a band.

Get on the Coco and the Butterfields train. Follow the band on its Website, Facebook, and Twitter.

 

The Folk Monsters of Yellow Red Sparks

21 Jul

Yellow Red Sparks

Speaking about the self-titled debut album of his folk band Yellow Red Sparks, Joshua Hanson said, “I don’t believe that it’s possible to share everything a writer is feeling or trying to convey within 3 ½ minutes of a track.” Wise words from a singer/songwriter who comes close to doing the impossible with each of the emotion-packed pieces on the album. Hanson, and fellow band-mates Sara Lynn Nishikawa (upright bass/vocals) and Goldy (drums/vocals), pack in so much Indie/Folk goodness in each song that hitting play is much like popping the cork of an expensive bottle of champagne.

Yellow Red Sparks originally started as the moniker of Hanson, a solo musician from California. After adding two members – which accentuated the Indie sound – the band released its debut album in January of this year. In the Spring, Hanson was notified that his song “Monsters with Misdemeanors” won the Grand Prize in the International Songwriting Competition (ISC). The song was selected from more than 20,000 entries. High praise for a rising folk songwriter – and a totally deserved reward for a folk song saturated with raw emotion.

A soft acoustic riff sits over light percussion and Hanson’s mature vocal. Hanson’s style hits with a similar force as singer/songwriters like Greg Laswell, Ben Gibbard, and Joshua James. The strings help add to the song’s powerful melancholy. The song’s melody, which has a DeVotchKa feel, climaxes during the bridge in a similar manner – with rising strings and crying vocals. It would be a crime to not discuss the award-winning lyrics of the piece. The lyrics tell a story of relationship turbulence, but do so in an original manner – almost minimalistic in the short verses that feature such gems as “there’s a parked car that won’t let me over
And there’s one thing I’ll regret, but you’d be the last.” The song is true tour-de-force.

Make sure to check out the rest of Yellow Red Sparks’ excellent debut release here. You can track the band on its Facebook, Twitter, and Website.