Archive | March, 2013

Top 10 Review: American Idol Season 12 – Predictions!

11 Mar

American-Idol-Season-12-Randy-Jackson-Mariah-Carey-Ryan-Seacrest-Nicki-Minaj-Keith-Urban-400x300

New season. New judges. New top 10. Same show. American Idol is now in its 12th season, and, while it has experienced a drop in ratings, it remains one of the most watched singing competition television shows (a distinguished title, I know). Many have given up on the show claiming it has jumped the shark more times than Fonzi said “Eyy” over the course of “Happy Days,” but I remain a loyal viewer. What can I say; I’m a creature of habit.

If you are a Final 10 viewer (a person who only watches when they are down to the good people), it’s time to turn on the television and tune into the show. You haven’t missed much. Randy Jackson is still on the panel. My father made the perfect analogy when he said that Randy is most similar to a guy who should have left the party several hours ago and now different people have shown up and he is just out-of-place. Mariah Carey represented the big catch this season for show producers. Her voluptuousness has nearly fallen out on several occasions, and her affected speech is vexatious. That being said, she seems to care and she isn’t too bad. Nicki Minaj has surprised me. I thought she would be gimmicky, and, while eccentric, she gives solid criticism (often the most vocal criticism) of the bunch. Keith Urban must think he has hit the jackpot. He genuinely loves the show and the singers on it. Ryan Seacrest is still your indelible emcee, and he is damn good at it.

By now, I have mastered the art of watching the show in 20 minutes. I tape it and fast forward through the nonsense. Some would say that means I must fast forward through the entire show, but, it just means the commercials, monologues, judging, and the awful performers (listen to a few notes and you know if the performance will be good or bad).

PREDICTIONS and REVIEWS:

The Top 10 (In Order from 10th place to 1st place):

10.) Amber Holcomb

amber-holcomb

Amber was the one throw-away girl choice. There were four girls that deserved a spot. There was one more spot. It went to Amber. She is a cheap Beyonce impersonator with a weak voice and a pretty face. She will be out of the competition faster than you can say her name. She does get to tour with the top 10, though, so, that’s a cool consolation.

9.) Paul Jolley 

paul-jolley

Similarly, there were four guys who deserved a spot, and Paul Jolley was the “oh well, we need five people in this group.” He  does have a nice voice. It’s…nice. He’s obsessed with Carrie Underwood. He won’t make it far.

8.) Lazaro Arbos

lazaro-arbos

Lazaro has a great story. His crippling stuttering does not affect his singing – a smooth balladeer style. The story will only carry him so far, though, and his voice, while good, can certainly become a little boring. I predict a few average performances and an exit in the eight spot.

7.) Devin Velez 

devin-velez

Like usual, after the first few out, things get a little muddled up in the middle of the pack. This is tough to predict. Devin has a beautiful voice. He sings in English and Spanish and possesses an intriguing performance quality that can keep him in this show through the long haul. Unfortunately, I see him losing a bit of luster after the first few weeks of top 10 shows and falling into the trap of forgettable. Can he make it further? Of course. He may be a top five candidate. For this incipient prediction, I’m choosing him to leave in the seventh spot.

6.) Angie Miller 

angie-miller

A true dark horse. Angie represents the Indie music crowd. She thrives behind the piano and is fit with a powerful voice that can, with the right songs, propel her to a higher final spot. Despite her clear Indie sentiments, Angie may be able to break through into the mainstream. She is pretty. She has a powerful voice. She plays an instrument. These are all good things.

5.) Curtis Finch Jr. 

curtis-finch-jr

The oldest member in the competition at 24 years old, Curtis may also have the best natural voice. He possesses a rare vocal talent that only few can say they have. His true comfort zone, though, is gospel, and the show has not had a gospel music winner since Season 2. Last season, Josh Ledet, a similar southern Gospel savant, came in third place. This season has three members of the southern soul revival, and I think Curtis comes in third among them. He is the least supportable of the bunch. I know that seems like such an unfounded statement, but the other two gospel-sensitive singers possess an individuality that Curtis doesn’t have. Honestly, though, it’s a toss-up between those three. Can he ultimately make it to the end? Yes. His voice is that powerful. His performance of “I Believe I can Fly” (below) was inspirational. He did some incredible vocal runs. My problem is marketability, and I just don’t see a place for him in today’s musical market. But man can he sing.

4.) Janelle Arthur

janelle-arthur

Country. Country. Country. Most of the viewers of American Idol love country music. Country wins often. The south wins often. Janelle, a blond-haired, country chick from Tennessee, has the package to win this show. She is pretty. Her voice has a Carrie Underwood twang. She could win. She could also come in fourth and fall short to the other country singer. I see that happening. Why? See below.

3.) Burnell Taylor

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Here is the thing about Burnell. He – one of the members of the southern soul revival (the last member is below) – can come in third or eighth. It’s just tough to predict. He is a genuine, Boyz 2 Men type singer. He is humble. His voice is silky smooth (excuse the cliche). He is a true individual, possessing a voice that one of the judges said is distinct and “would know it was Burnell if it came on the radio.” American Idol needs originality, and I think his voice is more diverse than Curtis’s voice. Thus, I choose him finishing at a higher spot. But, like I said, Burnell is a tough man to predict.

2.) Candice Glover

candice-glover

Candice, the last member of the southern soul revival, is a tremendously talented singer with a penchant for vocal strength and bluesy cadence. She reminds me a bit of Jennifer Hudson, and her big voice should help her sail through the competition. While I’m not sure I would label this a “girl’s year,” I do think “American Idol” will have its first female winner since Season 6 and first all-female final since Season 3 when Fantasia won. But, the winner of season 12 will be…

1.) Kree Harrison

kree-harrison

Country will win, and its name will be Kree. Countrykree. Kree is not your typical country singer. She adds a southern rock flavor that spices up her performances. She has rangy chops, and her voice just fits today’s country music scene. I can see her laying down tracks that bend country and rock. She can be quite succesful.

Taking a Ride with Calaca Strides

7 Mar

Calaca Strides

Calaca Strides bends genres with a created blend of low-fi, lugubrious melodies joined with bluesy acoustic riffs and upbeat vocals. In some ways, the music may represent a subtle contradiction, but Calaca Strides blends the music together with precision.

Hailing from England, Calaca Strides released Brittle Breeze  back in September of 2012, and the four-song EP is impressive in its musical scope. Specifically, the first and last track feature the intriguing musical concoction I mention above.

“Monster,” the concluding track on the EP, begins with a plucked acoustic guitar drenched in strung-out background sound. The song creates an ethereal atmosphere, like an enigmatic sky with clouds vacillating between rain and mist. The consequent euphonious vocals over the rapid playing of acoustic guitar notes creates a medieval aura (much like Amazing Blondel did in the early 70s with “Sinfonia for Guitar and Strings”). The song is an ode to progressive rock and modern folk.

“Row By Row,” is the nearly seven minute opening track on Brittle Breeze. It is an impressive song. I appreciate its multifaceted musicality. The listener is introduced to tremendous melodies that naturally transition into an eccentric mixture of folk/blues (almost like Amos Lee). The sounds introduced throughout the piece are fascinating.

Check out the rest of the album by clicked on it above. Stay up on Calaca Strides on Facebook and Twitter or visit the website.

Life Could Be a Dream – One-Hit Wonders

5 Mar

The Chords

“Hey Nonny Ding-Dong Alang Alang Alang, Oh, Wo-Wo Bip, a Doh, a Bip, a Bip”

– Genius Gibberish by The Chords

It doesn’t take much to make teenage girls swoon, but “Sh-Boom” (or “Life Could Be a Dream”) by The Chords made everyone swoon when it was released by a sextet of youngsters in 1954. The Chords, though, would only have one hit – “Sh-Boom.” This doo-wop masterpiece represents one of the first one-hit wonders in modern rock n’ roll history, and, despite all of the wonderful one-hit wonders released since it graced the charts, “Sh-Boom” is still one of the best.

The Chords formed in Bronx, NY, and were signed in 1954 after they were heard performing in the Subway. The band brought “Sh-Boom” with them to Atlantic Records’ Cat Records label. Jerry Wexler, who coined the phrase rhythm & blues and would later become a major record producer, was in his second year as a partner with Atlantic Records and proceeded over the recordings. While Wexler initially had the band perform a cover of a Patti Page song, the Chords’ original was too intriguing to pass up (it was put on the B-Side of the incipient record).

Now, if you are thinking that you have never ever heard of this song, just take a listen.

You recognize it now, right? That is how ubiquitous the song is. Even almost 60 years after its release, the song is still noticeable. Why? It is so damn catchy. It is still used in media today. The song’s light-hearted, bubbly harmonies match the jocular lyric. It is warm-hearted song. The gibberish, like I said above, is genius. The song reached #2 on the Billboard R&B charts and #9 on the Pop charts.

“Sh-Boom,” inevitably, was covered for Mercury Records by a doo-wop group named The Crew Cuts who put a more traditional/organized spin on the song. The song reached #1 on the Billboard charts in for nine weeks during August and September 1954.

Beginning of the End of Illegal Downloads

2 Mar

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As a note, I wrote this last week on my band’s blog but I so adamantly want people to talk about this issue that I figured I would write about it again. I know there is a lot of debate on how downloading should be handled and what laws and rights it is violating (on either side) but it is something that isn’t going to go away and changes are coming, so here is my take on the new “Six Strikes” policy from the ISPs

The day has finally arrived. We are reaching the end of the digital era.

You are on a computer. You’re knowledgeable enough to know that I’m exaggerating. In a way, there will never be an end to the digital era. We will forever be in a world of “ones and zeroes” and soon enough we will get the flying cars we were promised in our childhood. The digital era I am referring to is the age of the illegal download. Sure, we all know how wonderful it is to have limitless access to the world of melody. An iPod full of everything we have ever heard and a hard drive with limitless possibilities? That’s the dream. We all love music, and we all want to gain access to what we love and not be reminded what we owe the world every time we want some joy in our lives.

So we are about to lose the thing we love? We are about to lose access to the dream we all have of endless music without limitations? In the way that we are used to, technically. sure. On the other hand we are living in an era of true musical discovery and will never again have to pay for music if we do not want to. Now, obviously, as a representative of a band (not only just a band but also the band you are reading the blog of) I would love nothing more than for everyone to pay to listen to our music. I am also not advocating that no one should pay for music; I am merely acknowledging that people no longer have to pay.

There is the one option of free streaming, and by one option, I technically mean limitless options. You can go to Pandora, Last.FM, Spotify or SoundCloud to name a few. There are real, viable options to get new music on a regular basis. All of these services have paid options too that expand upon their already limitless bounties. It’s a great tool to find new artists and get a taste of new projects from the artists you love. I can’t advocate these programs enough. They are the leaders in an era of confusion. With everyone doing whatever they want and letting piracy be a problem instead of viewing it as a warning that the market needs to change, we have a few people letting progress be progress.

There is still another answer. You have limitless access to the world right in front of you (if you are reading this) and there are more aspiring musicians and bands than the gods can imagine. You can go to Bandcamp or Kickstarter and find people who need your money to have access to the lives they dream of. It’s not just for them though. They have music that is just as good as the artists we all know and love. It’s not a part of the collective in the way we are used to but it can be. Music directly from the artist can be the new standard – it’s up to you as the fans to decide how the world evolves next.

I implore you browse the internet (sure you can start with our music) and find something new to love. Find something fresh to introduce to your friends instead of just listening to the dial tone that is modern radio. Music doesn’t stop on the airwaves; it only gets amplified there. You can not only find new music to add to your identity, but also you can help people who are spending their lives trying to make a difference by supporting independent artists

Trust me – it’ll work out..