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Forever Finding Oren Lyons

20 Aug

Oren Lyons

Oren Lyons is a Native American faithkeeper who is widely recognized for his advocacy for indegenous rights. Oren Lyons is also a band, whose nostalgic mix of cinematic Western symphonic rock is a musical “return to the land” and a true pleasure to listen to.

Oren Lyons formed this past January in Silver Lake, California, a Los Angeles neighborhood known for its modernist architecture and hipsters. It combines the work of composer and multi-instrumentalist Gueorgui Linev with guitarist/producer Peter Potyondy, singer Kristianne Bautista, violinist Dannon Rampton, drummer Randy Wagner, and bassist Ian Anderson.

The end result of this combination is an ambient sound that refreshingly transforms the genre of progressive rock into a calm, ethereal, dream-like sequence of delicate string arrangements, soft vocals, and excellent rhythm. “Forever Found,” the band’s debut single, can be streamed on their website. The effort reminds me of Rome, the 2011 album written by Danger Mouse and Italian composer Daniele Luppi, featuring Jack White and Norah Jones. That album featured musicians who recorded spaghetti western soundtracks in the mid-60s. “Forever Found” is cut from the same mold, a track that could have easily found itself on a Western sountrack, and this old-fashioned styling is far from outdated.

The song begins with strings that fall into percussion and an introductory bass line. The bass work in this song is notably good. With a name like Ian Anderson, you almost certainly have to be talented. Kristianne Bautista’s voice can be best described as haunting. It elegantly dances with the music, oscillating with the strings skillfully. The song continues to rise, taking a step up for the second verse, and this leads to exciting string work. The strings are certainly one of the main elements of the song, and they do carry it. I must say though, when the song descends at the 2:40 mark, Peter Potyondy’s guitar introduces a new element to the piece, providing it with an infectious folk-esque riff. The ending is wonderfully constructed. It also provides the listener with a most important conclusion – I want to hear more!

You can explore the band’s Facebook and Soundcloud

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The Correct Candidate

15 Aug

Candidate

Candidate:

Cedric Sparkman: Vocals

Laurence Adams: Guitar

Jason Matuskiewicz: Bass

Chris Infusino: Drums

Justin Craig: Guitar, Synth, Bass, Programmed Beats.

Brooklyn-based Indie-rock band Candidate has labeled their music Dreamrock, a genre that they say, “is a combination of post-punk and shoegaze with late ‘80’s/early ‘90’s American indie and grunge and Britpop.” Such a genre encompasses a lot, but, their music is even more expansive than their genre suggests. If Candidate fits the description of Dreamrock, then the genre is going to need a bit of work.

In many ways Candidate reflects the city that spawned them. Their music is a diverse mixture of echoed harmonies, distorted instrumentation, grungy guitar riffs, and synthesizer. They pick the portions of each genre they want to take from, and leave genre restrictions behind. For example, the music does have some noticeable grunge influences, but it has sweet melodies. While it takes on pop/punk form with choppy and fast-paced rhythms, the synthesizer levels the music out. The concoction makes for enjoyable tracks that keep the listener on their toes.

“April Again” provides the best example of the band’s genre manipulation. They combine early Beatles psychedelia stuffed with 60s psychedelia painted neatly over an anachronistic guitar riff that comes into form after the verse. The chorus transforms the song into early 90’s indie/rock. It then hits back with psychedelia that this time is overshadowed by some repetitive electronic beats. But even with all of this going on the song is easy to listen to and equally enjoyable. It is a skillful track.

You can check out more of candidate on their blog, Facebook, or Twitter.

Enjoying what you hear AND you are going to be in New York City this Friday? They will be playing on Friday, Aug. 17th at The Trash Bar in Brooklyn at 10:30. The show costs $8.

You Need Various Hands to Throw A Party

13 Aug

Note: Bands of Summer Part II is up and running. Over the next couple of weeks, I am going to go through my backlog of new bands that are on my list for features. Get ready to learn about some hot new bands, and become a music hipster – know cool before they were cool!

Various Hand’s debut EP guarentees you that This Party Will Be Fun, and if you are into fast-paced, inventive pop/rock similar to Maroon Five you will have a good time at Jeff Nations’ party. Nations, the lead vocalist and instrumentalist – he plays and sings everything, released this energetic debut in November of 2011, and it has since launched the band in rotation on 300+ college radio stations throughout the U.S. and Canada. Nations has signed licenses with 14 TV networks including MTV, VH1 and Discovery for possible placement in those networks’ programs.

The EP plays quickly, each song a mover devoted to get you up on your feet and singing along. It’s upbeat, anthemic quality is heavy on basic chord progressions and rapid drum beats, simple but refreshing. It’s a bouncy, fun, uncomplicated, and concise release.

“Blame It On The Night” combines a scratchy guitar riff with a foot-tapping rhythm and loyal bass line.

Check out more:

– Bandcamp, Facebook, Twitter

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Taking Us Back to the Start – Alex Hulme

26 Jul

Alex Hulme

Liverpool based singer-songwriter Alex Hulme played for Sir Paul McCartney this year and Sir Paul enjoyed his performance. I can pretty much wrap up my review of the 21-year-old blonde shaggy-haired acoustic performer with that. Sir Paul isn’t usually wrong. I won’t close up my profile of Mr. Hulme that quickly, though, and I can assure you that the former Beatle certainly got it right with Hulme. His clean, breezy voice breaks through in his summer pop hit, “The Start,” just released on July 16. The song, like his voice, is refreshingly palatable, a simple catchy pop tune with solid production value.

Hulme is an artist who will certainly become more popular once he releases some more material. His youth plays to his favor in this respect. At this point in his young career, Hulme’s natural vocal talents are most impressive. His chops are subtly powerful and genuine. His looks are not going to hurt him either. He looks straight out of a  Nickelodeon boyband. And don’t interpret that as an insult. He is good-looking and has an infectious tone to his voice. Those are two elements that can take him very far. You can purchase his new EP The Start on his Bandcamp.

I want to provide one more song for your listening pleasure. This is without production. It is simply Hulme and his acoustic guitar busking in a shopping area in Liverpool. I’m doing this so you can just see how naturally fine and mature Hulme’s voice is.

It is a vibrant, ebullient performance, and Hulme doesn’t let back. He belts out the song to the passerbys, and it is this candid performance that excites me more about Hulme’s future prospects in music. He has raw talent, and, for many modern musicians, that is something to be said.

You can find out more about Alex Hulme on his Facebook and Twitter

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The Fast Romantics Sing Their Funeral Song

17 Jul

The Fast Romantics are one of Canada’s most prominent new acts. Their fresh brand of Indie Rock has driven the Calgary band to several festivals, live tours, MTV Live, and television shows like Vampire Diaries, One Tree Hill, and Pretty Little Liars…all in just five years. Perhaps we should add the title of hardest working into this brief description. They have set the course to tour with abandon and complement time on the road with the creation of their sophomore LP Afterlife Blues, which the song I am reviewing below finds itself on.

Three former members of the Calgary-based band The Mood formed the Fast Romantics in 2007 – Matthew Angus, Matthew Kliewer, and Jeffrey Lewis. The band quickly added a drummer (Alan Reain) and hit the tour circuit before cutting an album in 2008. In 2009, the band was selected as one of the finalists of Spin Magazine’s “Free the Noise” competition and hit New York to perform at CBGB. Since then the band has added Laurna Germscheid on backup vocals and keyboards and John de Jesus on lead guitar. The resulting combination has produced this sound.

It is very easy to like the Fast Romantics. Let me explain. Actually, I don’t need to explain. The music is simply exciting, productive, infectious, and just plain good. All you really need to do is press play and enjoy the song – even if it is their funeral song. But I am going to go a little more in-depth here so stick with me. The beginning features an intriguing mixture of compounding noises. I am absolutely gaga over the immediate piano and lead guitar play. I love the split riff and pretend disorganization. It accentuates that indie bar feel, as if you hear the piece and immediately pick a partner and prepare to dance. A whistle prefaces the main riff’s rhythm that leads into the vocals. Perhaps my favorite part of this song is the create use of harmony. The line-finishing blend of voices is beyond fun, it’s skillful, a true sign of a band that knows what they are doing. I’m also loving the excellent bass guitar work. Comparison seekers, I will say I hear a blend of Arcade Fire, Bell X1, and Talking Heads, but I mostly just hear the advancement of the sound that the Fast Romantics depicted in their first album. It is now more expansive, but despite the additions, tighter and well-formed.

For more information on the Fast Romantics and their new album check out their One Sheet, Myspace, Facebook, and Twitter

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