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Top 10 Songs of 2016 – #9 (“Sweet Disaster” by DREAMERS and #8 (“Way Down We Go” by Kaleo)

26 Dec

And the list continues … We are in a bit of a time crunch, so until we reach the crux of the list, I am counting down two songs at a time. Outside of the fact that both the #9 and #8 songs of the year are considered alternative rock, there cannot be more different about DREAMERS and Kaleo – although Iceland, the hometown of Kaleo, is starting to seem more and more like Los Angeles, where DREAMERS is originally from, with all of the creative musicians spawning from the country of fire and ice. That said, I will take them for the way different musicians and we will start with #9.

#9 – “Sweet Disaster” by DREAMERS

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DREAMERS – I don’t suggest you click that link if you are prone to epileptic fits – is a 3-piece eccentric psychedelic pop band who released their first LP in August of this year, and is thus a burgeoning artist on the scene. The album title, This Album Does Not Exist, is a perfect representation of DREAMERS – a band that almost wasn’t whose demeanor is now one of inclusive existentialism. This message is conveyed through a blend of several musical influences – a little Grouplove mixed with Miike Snow mixed with the psychedelic pop of the late 1960s. Add in a little good humor and take out all musical inhibition, and you have DREAMERS.

“Sweet Disaster” begins with a strung-out California-inspired guitar riff that carries over wispy percussion that provides subtle power to the vocal. At the choral crash, the instrumental turns more electronic, depending on astral synth under the pounding percussion. For a song on the early side of three minutes, DREAMERS packs in some noticeable complexity including a power-pop pre-chorus, key-driven bridge, and technically-impressive drumming towards the end. The song is just the beginning for this exciting band, and totally worthy of a spot on our countdown.

#8 – “Way Down We Go” by Kaleo

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Kaleo is the next big thing from Iceland, a country that has brought us Of Monsters and Men, Seabear, and Bjork. Iceland is a hotbed of new music, and this oxymoronic introductory clause is an excellent symbolic representation of the music scene in the country, one that is setting the world ablaze while remaining true to its icy, dark roots. Kaleo does just that.

Kaleo, a 4-piece carried by the powerful vocals of JJ Julius Son, was founded in 2012 and released an eponymous first LP in 2013. By 2014, the band received heavy play from Spotify and it didn’t take long before Atlantic Records came knocking. While 2015 saw the release of the single listed here is the #8 song of the year, “Way Down We Go” was a track off Kaleo’s second LP A/B (released in June of 2016), and it was released as a single in the U.S. in October of 2016, so it is eligible for best song of the year consideration. Here it is on our list at #8.

JJ Julius Son’s voice is so soothing, is it not? It just effortlessly draws the listener in and then blows the listener back with its raw grittiness. The song is clearly carried by this tremendous vocal, but I would be averse not to mention the band’s haunting harmonies, heavy, toe-tapping percussion, and equally impressive guitar. The song finishes with a granular moan, and this reflects the entire piece, one of untested fervor, a song from a band that is willing to take risks and rock.

Top 10 Songs of 2016 – #10: “Ain’t No Man” by The Avett Brothers

24 Dec

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It is apropos that we begin this year’s countdown with a song off The Avett Brothers’ aptly-titled 9th studio album True Sadness. While the clamor labeling 2016 as one of the worst years in recent memory is a bit hyperbolic and overstated, The Avett Brothers’ hometown of North Carolina is no longer classified as a Democracy any longer, so perhaps there is legitimacy to those hoping 2016 let’s the door hit it on its way out in a week. That said, music in 2016 was at least halfway decent, and that means the annual Music Court’s Top 10 Songs countdown is underway. So, in a year of mostly downs, I bring you song number 10.

“Ain’t No Man” is carried by the best bass riff of the year. It is easily the best. The jaunty bass is splashed with clapping percussion and the jocular harmonic jabs of Scott and Seth Avett and Bob Crawford, the purveyor of the aforementioned bass riff. The song is the genius of the Avetts, fit with an in-studio genesis from the musically-inclined brothers (oddly enough not the only brothers on the list).  The song stomps with a confident and bold lyric, which I’d say is needed to be listened to on repeat over the next week prior to entering the new year. Here’s the chorus:

There ain’t no man that can save me
There ain’t no man that can enslave me
Ain’t no man or men that can change the shape my soul is in
There ain’t nobody here
Who can cause me pain or raise my fear ’cause I got only love to share
If you’re looking for truth I’m proof you’ll find it there

It is akin to puzzle pieces connecting when a lyric fits a song. The potent, positive message just reflects the song’s joyful instrumental revelry. It is a ditty, topping out at 3:30 soaking wet, and it feels even quicker than that, so, take it from me, the song is best listened to on repeat.

#9 soon to come …

Rahm’s Spiritual Sound Makes Between The Lines Stand Out

30 Nov

With Rahm’s premiere EP Between The Lines, listeners will hear the spiritual undertone that his music has. Just one of the tracks, You Are Not Alone has breathy, female vocals that accompany Rahm’s voice in such a complimentary way. The EP has a great combination of perfect music structure and lyrics that complement the soft, yet progressive sounds of Rahm. Similar artists that listeners will think of when listening to Rahm include Genesis, David Bowie, and Pink Floyd. The emphasis on beautiful piano work, progressive guitar, and heartfelt lyrical storytelling all make listeners pay attention and want to listen to more of Rahm.

For more listening:

The Furious Seasons Take Listeners Home In Newest Album Look West

23 Nov

The Furious Seasons released their newest album, and the track Look West does not hold back on the level of emotional feeling felt throughout the song. With lyrics reflecting on life and long shots in life, the listener can emphasize that the thought of life as a winding road is set in motion. With the merging of mentions of nature and sunshine, one can tell that The Furious Seasons is influenced by the outdoors as well. David Steinhart’s vocals touch listeners with every characteristic of folk pop as well. Similar to how the band forming out of 3 piece shows, it’s no surprise as well that the feeling of unity is heard through the music. With all of that aside, the stories interwoven on this album with an authentic and real vibe, take listeners home.

For more listening:

Bree Taylor Conveys True Emotions of the Heart In Broken Dreams

21 Nov

Bree Taylor captivates the audience that listens to her song Broken Dreams with heartfelt angst, emotion, and conveying the feeling of broken heartedness effectively in her lyrics and voice. With lyrics such as”You were everything I wanted,| you told me that forever was made for me and you, listeners can connect with Bree on how dreams and relationships can be shattered. Her voice reminds listeners of Demi Lovato, Miley Cyrus, or Taylor Swift. All of these female musicians are able to effectively communicate emotion about love in their songs, and Bree Taylor is one of those as well. Expanding outside of music alone, Bree also has made a name for herself on Youtube with a channel that highlights makeup, skin care, and book reviews.

For more listening: