Toro Y Moi – Underneath the Pine

27 Feb

As I drove home in the early hours of the morning it was already getting bright outside. I immediately began feeling extreme nostalgia for irresponsible summers of past. But this time I was not under the influence of any magic, simply arriving home from a tiring shift delivering food. But that feeling… maybe I was just tired… but I felt like I was under some sort of influence, my thoughts highly irresponsible in an animated fashion, yet that of a Buddhist-monk in caliber. Maybe it was a warm-flashback?

But it also was around 6am, the time when the human body ‘resets’. Whether it is due to our own internal mind clocks or some cosmic energy playing around with us, this time of the day is hands down the most psychedelic. It’s most noticeable if you haven’t gone to bed, which could explain some things, but I like to think that it’s the time when human thoughts or souls are synced up to destiny or reality, sort of like an ipod syncing to its itunes library. Basically, it’s the time when everything falls back onto track after a weekend night of debauchery. As I lay to fall asleep, my contact-less eyes were seeing strange fuzzy orbs of light. Although they weren’t as brilliant as geometric shapes I’d seen before, it made me realize that things like this are all around us and how much, as a people, we still don’t know about.

So basically today was the first time I woke up at 4pm in a long time. Definitely now considering a career change… or fewer hours anyway.

I’m not sure if the Radiohead hype has died down yet… I hope it has… because today I’ve got a real psychedelic treat for all of you. Shortly after listening to The King of Limbs, I heard Toro Y Moi’s Underneath the Pine, and let me tell you that I was thoroughly impressed, to the point where I can call it my favorite of the year so far.

Toro Y Moi is the stage name of Chazwick Bundick, a super chill fellow from North Carolina. He was one of the original driving forces behind the chill wave of summer ’10. I’ve already described chillwave thoroughly with my Washed Out review, and while Toro Y Moi’s older music was verbatim that, apparently his newer stuff has already departed that.

Talks on the internet have it that ‘Chillwave’ is already dying. That effing internet hipster who invented the damn term, Carles, is speculating that this might be so based on Pitchfork’s review of the album and their refusal to use the term.

I personally do not want chillwave to die. I think it’s a really chill and appropriate title for such music. Although it’s a sort of a half-bastard internet spawn, I feel like it has the potential of becoming the next psychedelic genre. It’s all about slow, vibacious, synth-saturated, chill-out tunes that make you feel like nothing matters in the world. 60’s psychedelia anyone? I honestly feel like this newest Toro Y Moi album is all of that, but it also adds a layer of rock, which in my mind simply completes the genre. I really see it going places in this current state.

The song above Still Sound is the single off the album, and isn’t it groovy? The bassline just tells you to grab a seat and relax, while the layered and echoed vocals coax you to sing along, despite the fact that they are unintelligible. The quiet synths flow and ebb like a pretty tide and that one tambourine or something just completes the beat for me. About halfway through a chill breakdown lets your spirit leave your body, albeit temporarily, before the beat snaps back and the song finishes. This song will grow on you quickly.

And the rest of the songs on this album are on the same level. I personally really like the song Go with you.

This song is much more relaxed than the previous, but similar in many ways as well. I really like the crunchy keyboard in the background and the tape delay on his voice during the refrain. It’s a very strange song but it makes sense in some sort of chill manner. I also really like the ending, the perfect groove, probably why I like this song so much.

I give this album a 7.08/7.25

A perfect album for just hanging out and enjoying the times.

I am also very anxious to see what the rest of this year will harbor for chillwave. The possibilities are endless! Talks of new Washed Out and Neon Indian are turning the rumor wheels. Maybe even my solo LP will be finished. lol

And going back to this whole morning business, (I am on the verge of passing our right now, too much chillwave) I will leave you with a challenge of sorts. About a year ago my Uncle told me that if at the moment of sunrise you are looking north and that there is a mirror placed at the corner of your eye you will see crazy things in your peripherals. I haven’t tried it yet because it sounds scary and peripheral hallucinations are a proven thing (and i have them them often enough as it is). But one day I will try this and most likely I will be listening to chillwave to calm my anxiety.

zzzzzZZZZZZZzzzzzzzZZZZZZ

-oko

-.-

Goats Spotted on Letterman – RS Fact Check – Happy Birthday Studio God

24 Feb

Mountain Goats Perform on Letterman

The Mountain Goats will release their new album All Eternals Deck on March 29. Yesterday, they performed “Birth of Serpents,” a song from the album, on Letterman. John Darnielle had his full band behind him and the harmony was spot on. The song is faster and more rock than their last album, but Darnielle has proven that he is a jack of all trades when it comes to musical styles. Check out the performance. Can’t wait for the new album.

http://static.photobucket.com/player.swf?file=http://vid401.photobucket.com/albums/pp94/theaudiopervjr/mountaingoatsletterman_Segment100-00-05-00-03-40.mp4

Rolling Stones Fact Check

Link: http://www.rollingstone.com/music/photos/rolling-stone-fact-checks-famous-rock-songs-20110223

There are many songs out there that feature incorrect information. Generally, they go unheeded because people just unconsciously sing along. Rolling Stone magazine did some of their own fact-checking and have called out 11 musicians who just did not get their information right. My favorite one on the list is Chuck Berry’s “Brown Eyed Handsome Man. “Berry sings “Two, three count with nobody on. He hit a high fly into the stand.” As RS points out, the batter would already be back on the bench after striking out. I know, it sucks, but the song doesn’t go 1-2-3-4 strikes your out.

Happy Birthday Nicky Hopkins


You have probably not heard of pianist Nicky Hopkins, but, chances are you have heard his work. The consummate studio musician was born today in 1944. He died at 50 from complications because of surgery. Over the course of his career he performed on albums by The Rolling Stones, The Who, The Beatles and Jefferson Airplane, who he performed with during Woodstock. So, here is Jefferson Airplane performing “Somebody to Love” and “White Rabbit” at Woodstock.

“Spirit in the Sky” – Best Guitar Riffs

23 Feb

“Spirit in the Sky” is an odd song. It’s not so much that its progenitor, Norman Greenbaum, grew up in a semi-Orthodox Jewish home and, as most know, the lyrics of the song mention how the singer has a “friend in Jesus.” The song is odd because of its fuzzy guitar riff that is about as infectious as the common cold. The riff is spectacular. It is classic rock ‘n roll (as John Lennon said) and it’s inventive.

The song came into thought when Norman Greenbaum, after the break-up of his psychedelic jug band Dr. West’s Medicine Show and Junk Band (perhaps best known for their song “The Eggplant that Ate Chicago), was watching Porter Wagoner singing a gospel song on TV. He thought that he could do it and wrote the piece in 15 minutes. The eminent guitar riff came later.

Tell me you don’t naturally play air guitar and make guttural guitar noises when you heard this opening riff. The fuzz comes from Greenbaum’s Fender Telecaster with a fuzz box built into its body. The song’s arrangement came together in a San Francisco studio. Lead guitarist Russell DaShiell, who plays the riff in the song, describes how he created “beeps” in the fills:

“I actually played the lead guitar parts on Spirit, using a 61-62 SG Les Paul, a 68 Marshall Plexi 100w half stack and a home-made overdrive box in front of the Marshall. Regarding the ‘beep beeps’ as I call them, when the producer asked me to play some fills in between the verses, as a joke I said how about something spacey like this and I did the pickup switch/string bending thing. I saw him stand up in the control booth and he said “that’s it! let’s record that!” so we did.”

The song is an excellent example of how to make an original guitar riff that will make you money for the rest of your lives. Yes, Greenbaum has made his living on this one song, cashing checks of up to $10,000 when his song is used in a movie or commercial (it’s used a lot). Pretty awesome!

Radiohead – Ahead of the Music Business?

22 Feb

The Beatles sent their fans into frenzied conspiracy when the propagation of the “Paul Is Dead” rumor began in 1966. Well, I presume I too am falling into the trap of theorizing because the Beatles never came out and said the entire thing was a hoax created by them. But, come on, we are not dumb. Fans destroyed Beatles’ records by playing songs backwards searching for clues. Nuggets were found at the end of “Strawberry Fields Forever” (I Buried Paul) and on the cover of Abbey Road (Paul is not wearing shoes or socks, barefoot, like a corpse). It took the Beatles’ fan populace by storm. But it was all a planned prank, executed as a clever marketing ploy. If you destroy a record searching for clues, you have to go out and buy another one. Plus, people would go out of their way to buy and listen to Beatles’ albums excessively. The Beatles knew how to make money and sell records. They were ahead of their time.

On the heels of Radiohead‘s new release King of Limbs, I am tempted to believe that they too are way ahead of the current musical climate. It is a simple truth that the music business has suffered mightily at the hands of free digital downloading and sharing, illegal but widespread. As I posted several days ago, charts are showing this economic slump. There are no signs that it will get better. Album sales are putting up a defeated fight. If you want to make money today as a non-mainstream musician, there seem to be two options. Either tour wildly or do what Radiohead is doing. But it seems that Radiohead’s pioneering strategy is going unheeded.

Radiohead is living in the future. Thom Yorke and company are intelligent marketers, well-versed in the convoluted wasteland of album sales. When Radiohead released In Rainbows in 2007 they decided to allow fans to purchase the album at whatever cost they saw fit. Radiohead, not being affiliated with a record label, saw most of the profits.

I know, most right now are probably saying, people paid close to nothing for the album. This is completely untrue. Most people paid around four euros for the album, according to a poll by Gigwise.com. That’s around $5.50. Yes, it is a couple of dollars less than what they would have received from an album sale at an online store…but, no, go through iTunes and Radiohead could have seen only around 25 percent of their profits. In Rainbows made nearly $10 million dollars in less than a week, according to an article on ultimate-guitar.com. People paid because they felt bad. Despite what you hear about downloading and sharing, most still believe that this is stealing. So, Radiohead’s “stupid” strategy made the band millions of dollars in a poor album climate. I’d say that is pretty solid.

For King of Limbs, Radiohead announced the album’s release on Feb. 14, 2011. They released the album on Feb. 18 through their website. It was like a shock to Radiohead fan’s systems. The band got everyone excited. People needed this album. So, King of Limbs, created a stir. This album has a set price, but fans can also receive a physical package including “two clear 10-inch vinyl records, a CD and an elaborate package including several large sheets of artwork, 625 small pieces of artwork and a plastic sleeve,” according to Rollingstone.com for $48. The digital album has already been released, but the physical CD will not be shipped until March 28 and the package, May 9. Why the delay?

Is there really any question of what Radiohead is doing? The last song on their new album is called “separator” and the last line of that song is “If you think this is over, you’re wrong,” as Okocim pointed out in his review of the album. I smell Beatles’ intelligence. Some fans have created a theory that the album has a part two version that will be released. The CD is not being shipped until March 28 and the huge package with TWO vinyl records is not being shipped until May 9. I’m not saying that part two does exist and will certainly be in these physical releases, but it is not hard to reach a conclusion that this may be the case. People love feeling like they are getting something that others are not. Watch the $48 package sales increase over the next few months, all awaiting the shipment in May, which will have two LPs, one that may hold a surprise to those who paid more money. Yeah, Radiohead knows what they are doing.

Grammy Slam – Arcade Fire’s Tour – “I’m a Believer”

21 Feb

Steve Stoute Rips the Grammy Awards

Link: http://news.yahoo.com/s/nm/20110221/music_nm/us_grammys

Stoute believes the Grammy's are acting ancient (well, when your symbol is a phonograph)

Steven Stoute, a music producer who has produced such quality performers as Nas, recently ran a full-page New York Times advertisement declaring that the Grammy Awards are not in tune with popular music. I could not avoid the pun.

Stoute needed to get his opinion out to the world. He wrote, “Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture.” Oh, he’s totally calling you out Grammy Awards.

He cited the Grammy voters who snubbed Eminem and Justin Bieber.

“We must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation,” Stoute wrote.

The Grammy’s awarded Arcade Fire with Album of the Year and Esperanza Spalding with Best New Artist. Justin Bieber was spotted with wads of cash in his pockets, disappointed, as he was driven home in his stretch limo with a jacuzzi in the trunk.

I agree, the Grammy Awards suck. But I completely disagree with Stoute. The Grammy Awards suck because they refuse to recognize good music. This year, the voters actually did an okay job for the first time in a few years. The Grammy Awards are a MUSIC awards show. They should award musicians who make good music. Justin Bieber is a teen idol whose music is immature, corny and about as mainstream as anything can get. He has no spine and has been molded into the star that others made him become. His is a musical Gumby. Yes, Bieber is insanely popular, but that does not mean he should be awarded for his popularity. The Harry Potter movies do exceptionally well at the box office, but you do not see them winning awards. They don’t because they are sub-par movies. Stoute, Bieber is doing just fine without golden phonographs. He will never have to work a day in his life. Just drop it.

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Arcade Fire Tours

Link: http://www.pastemagazine.com/articles/2011/02/arcade-fire-announce-world-tour-opening-acts.html\

While we are on the subject, Arcade Fire, coming off the high of their unexpected Grammy for Best Album of the Year, will be touring in both the United States and Europe this Spring. Here are the dates:

April
9 – Broomfield, Colo. @ 1st Bank Center ^
11 – Orem, Utah @ The UCCU Center ^
13 – Phoenix, Ariz. @ Comerica Theatre ^
14 – Las Vegas, Nev. @ The Joint at Hard Rock Hotel ^
16 – Indio, Calif. @ Coachella
18 – Santa Fe, N.M. @ Santa Fe Convention Center
20 – Kansas City, Mo. – Starlight Amphitheatre +
22 – Chicago, Ill. @ UIC Pavilion +
24 – Chicago, Ill. @ UIC Pavilion +
25 – Chicago, Ill. @ UIC Pavilion +
27 – Indianapolis, Ind. @ The Lawn at White River State Park *
28 – Memphis, Tenn. @ Orpheum Theatre
30 – Dallas, Texas @ Gexa Energy Pavilion #

May
3 – Austin, Texas @ The Backyard %
4 – The Woodlands, Texas @ Cynthia Woods Mitchell Pavilion %
6 – New Orleans, La. @ New Orleans Jazz & Heritage Festival

June
9-12 – Manchester, Tenn. @ Bonnaroo Festival
17 – Scheesel, Germany @ Hurricane Festival
18 – Neuhausen, Germany @ Southside Festival
21 – Zagreb, Croatia @ T Mobile InMusic Festival
22 – Burgenland, Austria @ Festivalgelände Wiesen
26 – Luxembourg, Luxembourg @ Rock-A-Field Festival
30 – London, England @ Hyde Park

July
2 – Arras, France @ Main Square Festival
3 – Belfort, France @ Les Eurockeenes
5 – Milan, Italy @ Milano Jazzin’ Festival
7 – Novi Sad, Serbia @ Exit Festival
9 – Lucca, Italy @ Lucca Summer Festival
15 – Lisbon, Portugal @ Super Bock Super Rock Festival
17 – Bennicassim, Spain @ Benicassim Festival
30 – Moncton, New Brunswick @ Magnetic Hill @

August
31 – Manchester, England @ MEN Arena

September
1 – Edinburgh, Scotland @ Edinburgh Castle

– ^ = with Local Natives
– + = with the National
– # = with Okkevil River
– % = with Explosions in the Sky
– @ = with U2

Thank you Paste for such a radical chart. The bolded shows are the ones to make it out to because the opening acts are better than Arcade Fire (LOL)

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Hey Hey We’re Still the Monkees

Link: http://www.guardian.co.uk/music/2011/feb/21/the-monkees-60s-uk-tour

The Monkees have been spelling monkey wrong for 45 years and they will splatter billboards with this cutesy misnomer during their recently announced 45th anniversary tour.

The tour is the band’s first in 12 years and original members Micky Dolenz, Peter Tork and Davy Jones will smile through renditions of “I’m a Believer,” “Last Train to Clarksville” and other hits.

The tour will be a total of 10 dates kicking off on 12 May at the Liverpool Echo Arena.

Echo Arena, Liverpool – 12th May
Manchester Apollo – 14th
City Hall, Newcastle – 15th
Clyde Auditorium, Glasgow – 16th
Royal Albert Hall, London – 19th
City Hall, Sheffield – 20th
NIA Academy, Birmingham – 21st
Plymouth Pavillions – 23rd
CIA, Cardiff  – 24th
Royal Centre, Nottingham – 25th

Hey, Hey!