Growing Up is Not for I’m From Barcelona

10 Apr

imfrombarcelona_album_hires 3

Have you ever gathered a few friends in one place to play some tunes? Well, Emanuel Lundgren, an uber-talented Swedish singer/songwriter, collected 29 of his closest friends to help record a few tracks back in 2005, and many of them have never left.

I’m From Barcelona, a menagerie of musicians based in Jönköping, Sweden, has been cranking out harmonious pop music since its inception a decade ago, and although the coterie of band members has swooned from the twenties to 19 current musicians, the band has not lost any of its jovial luster, and, as its recent release suggests, it has no plans for growing up.

Growing Up is For Trees, the band’s fifth studio album and first since Forever Today,which was released in 2011, is a 10-track affair featuring a diverse selection of music that will latch onto the ears of pop music lovers. Much in the vein of artists like Edward Sharpe and the Magnetic Zeros and even The Polyphonic Spree, I’m From Barcelona employs a wide range of instruments and sounds – from clapping to trumpets. The album’s premier track (below) is an excellent example of what I’m From Barcelona does particularly well. Instead of the wall of sound approach that many big collectives prefer to employ, I’m From Barcelona instead diversifies its musical approach, pairing a full range of vocals that stagger through the song with a consistent rhythm from guitar and percussion. The number of musicians simply leads to a fuller sound and more multifaceted vocal play. The band is so capable; it knows when to drop to fewer musicians and when to bring it all together as it does at the end of the piece in a hard-hitting collection of instruments and vocals. Oh yeah, the video is also pretty cool.

Other tracks to listen to on the new album are “Benjamin” and “Departure,” two songs that feature an agglutination of voices that is powerful and calls back to the band’s initial tracks back on its first few albums. “Benjamin” features a vocal call-back paired with an awesome pre-chorus breakdown that has horns, harmonies, and pretty much everything good in the music world.

In short, you should listen to this album. It is an organized frenzy of fun frisson that is fresh and full. It’s an alliteration of awesome music.

Check out more about the band on its website, Facebook, or Twitter.

Violent Femmes Want Love

8 Apr

Violent Femmes

When one hears Indie Rock, he/she immediately thinks of the plethora of eclectic music that crowds the airwaves today. Violent Femmes has a lot to do about that sound you hear; the band served as a major forerunner to Indie music that bent genres and refused to give into mainstream sounds. Violent Femmes, who has developed a tremendous fan-base that can’t really be termed cult, is on the comeback train, releasing its first new music in 15 years – a 4-track EP – on April 18. The EP, HAPPY NEW YEAR, was recorded this past New Year’s Eve in Hobart, Tasmania, after the band performed a sold-out concert at the Sydney Opera House.

The EP is highlighted by a cover of Jake Brebes track entitled “Love Love Love Love Love,” a gritty track that highlights one of the Femmes’ greatest strengths – creative eccentricity. The Femmes, who returned to action in 2013 with a renowned Coachella performance, will now tour the new EP (as well as all the old stuff) as a guest on The Barenaked Ladies’ “Last Summer On Earth 2015” tour. That’s a killer show.

The track has a neat edginess, which is amplified by the eery percussion and jazzy, deep horns. Gordon Gano’s voice has always been something special, and it is in full force with this track, which feels like it might be out of a quirky HBO crime drama. It is exactly what I would expect from the Femmes first release in years – different and infectiously unsettling. For a song about “love all around me,” there is definitely a little malicious intent hidden beneath the surface, and this, magnified by the dirty sax solo at the end, is excellent!

Great new release. Keep tabs on the Femmes on the website or on Facebook or Twitter.

Dancing with the undertow

8 Apr

All art comes from a thought, or more likely a series of thoughts. Though not all happy ideas turn into happy art, the new video from Idea the Artist doesn’t seem to worry too much about that. Teeming with pastels and watercolors, “Seafloor” takes “art rock” to a new level.

Idea the Artist is Inés Beltranena, a folktronica musician from San Francisco, though I wouldn’t limit her artistry to music. Yes, the slow pull of “Seafloor”’s rhythm is enchanting, but so is the watercolor and pastel sketches on which the visuals of the video are based. This is the title track to her newest album, a collection of songs meant to inspire in the wake of her own personal hardships. Though her struggles were hers to bear, she shares her feats with us; says Beltranena, “this is my expression about all struggles, and all triumphs, not just my own.”

Seafloor is out now. For more information on Idea the Artist, visit her website and follow her on Facebook, Instagram, and YouTube.

Shake Your Bones

7 Apr

Trails and Ways (David Wallace)California is in the middle of a historic drought, with new water restrictions making national headlines. I bring this up because I live in California currently, and I am very nervous about how little water we really do have left. Water and energy conservation has never become quite so dire, and beautiful people like Trails and Ways want to help save our planet. They are proud supporters of Our Power Campaign, a noble organization that aims to fight the climate crisis while providing good jobs in vulnerable communities; learn more here.

Feeling like a sonic lollipop, “Skeletons” will instantly brighten your day. The song reminds me immensely of Cub Sport, particularly “Pool!” with those unmistakable falsetto hooks. Bourne of a dream, “Skeletons” describes the experience of dancing in a club only to have time fast forward to hundreds of years from now, showing a glimpse of the ruinous state the planet will be in due to the crises we currently face. Trails and Ways make impending doom fun, but ‘fun’ in the sense that feeling proud of yourself for helping to save the planet that we are still hoping to use for the next eternity is fun. Donate today.

“Skeletons” will appear on Trails and Ways’ upcoming album, Pathologies, due out 6/2 via Barsuk Records. You can pre-order it here. For more information on Trails and Ways, visit their website and follow them on Facebook, Twitter, and YouTube.

These Elms, Those Willows

2 Apr

Those Willows

I’m sure we all can relate to saying farewell to many bands that were unable to “make it.” Working at my college radio station, I got to know countless groups that met their demise in some form or another, whether they disbanded completely or simply scrapped their original projects that I had grown to love. It warms my heart (nay, lights my heart on fire!) to see artists I discovered years ago still going strong, and I’m happy to present Those Willows. I played them on the radio, and now they are back with their newest EP, Three Books.

Those Willows are a folk duo based in Portland by way of Detroit. They provide generous piano and acoustic guitar melodies, though that may not be your first thought when you hit play on the opening track, “Winter Skin.” The familiar closeness is gone, replaced by eerie and lonesome distance. “We could fall in love…” Mel Tarter murmurs before the guitar and strings chime in. This is where Those Willows shines; the chord progressions and melodies are always remarkably unique, and they deliver on the other three tracks of the EP as well. Give a listen to my favorite, “The Noise,” below.

Three Books EP is out now. I also highly recommend checking out their full-length, Rivertown; the title track is delightful to say the least. For more information on Those Willows, visit their website or follow them on Facebook, Twitter, and Instagram.